June 6, 2016 Moura, G. 2014 ‘Types of Transitions’, Elements of Cinema, Los Angeles USA, retrieved 22 March 2016. Continue reading →
June 6, 2016 Zettl, H. 2001’The Four-dimensional field: Time’, Sight, Sound, Motion: Applied Media Aesthetics, Wadsworth, Boston USA Continue reading →
June 6, 2016 Underwood, G. 1998 Eye Guidance in Reading and Scene Perception, University of Nottingham, London UK Continue reading →
June 6, 2016 Pudovkin, V.I. (trans Montagu, I.) 1954 ‘The Film Scenario and Its Theory’, Film Technique and Film Acting, Vision Press, London UK Continue reading →
June 6, 2016 Pudovkin, V.I. (trans Montagu, I.) 1954 ‘Methods of Treatment of the Material’, Film Technique and Film Acting, Vision Press, London UK Continue reading →
June 6, 2016 Proferes, N. 2008 ‘Introduction to Film Language and Grammar’, Film Directing Fundamentals: See Your Film Before Shooting, Focal Press, Oxford UK Continue reading →
June 6, 2016 Pearlman, K. 2009 ‘Chapter 9: Style’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK Continue reading →
June 6, 2016 Pearlman, K. 2009 ‘Chapter 1: Rhythmic Intuition’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK Continue reading →
June 6, 2016 Munsterberg, H. 1970 The Film: A Psychological Study, Dover Publications, Mineola USA Continue reading →
June 6, 2016 Miller, T. & Stam, R. 2004 A Companion to Film Theory, Blackwell Publishing, Carlton: Melbourne. Continue reading →
June 6, 2016 McCloud, S. 1993 ‘Chapter 3: Blood in the Gutters’, Understanding Comics: The Invisible Art, Tundra USA, pp. 60-93. Continue reading →
June 6, 2016 Kuleshov, L. (trans. Levaco, R.) 1974 ‘Art of the Cinema’, Kuleshov on Film: Writings of Lev Kuleshov, University of California Press, London UK Continue reading →
June 6, 2016 Fairservice, D. 2001 ‘Cinema and Psychology’, Film Editing: History, Theory and Practice: Looking at the Invisible, Manchester University Press, NY USA. Continue reading →
June 6, 2016 Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘Methods of Montage’, Film Form: Essays in Film Theory, Harvest, London UK Continue reading →
June 6, 2016 Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘A Dialectic Approach to Film Form’, Film Form: Essays in Film Theory, Harvest, London UK Continue reading →
June 6, 2016 Bordwell, D. & Thompson, K., 2013 ‘The Relation of Shot to Shot Editing’, Film Art: An Introduction, McGraw-Hill Education, NY US Continue reading →