Color Grading

I don’t use much of color grading, just fix the brightness and contrast of my projects. So just for the sake of this exercise I did different color grading. It’s fun to play around colors and gave a different meaning to it.

Here is the original snapshot from the clip:

Screen Shot 2015-10-10 at 3.32.43 AM

 

 

This is the first grade:

Screen Shot 2015-10-10 at 3.33.06 AM

 

I changed it to a bit cold tone to give a bit spooky feeling. I think this justifies with the screengrab. Mitch has expressions of fear so cold tone suits it.

This is the second grab:

Screen Shot 2015-10-10 at 3.33.23 AM

 

For this, I made the highlights a bit blue and shadows a bit green just to have the both warmness and coldness to it. But I don’t think this is suiting my screen grab. I was just experimenting.

This is the third grab:

Screen Shot 2015-10-10 at 3.33.48 AM

 

For this I changed the brightness level to low and put highlight to red. I wanted to see if it gives a surreal feeling to it. As if the character wakes from his dream but doesn’t feel like he is back to reality.

 

Using Shortcut keys for editing

Today in the class we looked at color grading and some editing guide. Although I’m aware of how to edit but it is always good to refresh and learn something new along the way. Today I looked over some shortcut keys and two of them I found very useful which I may have used unconsciously but didn’t realised until now. I use Final Cut Pro X for my editing and the two functions that I found useful are Enable/disable clip (shortcut ‘V’) and expand/collapse Audio components (shortcut ‘Control-option-S’).

Shortcut ‘V’ is mainly used to enable or disable a selected clip of your choice. I usually deleted the clip which messed my timeline, but this is handful when you are overlaying videos and you can decide which video is useful for your purpose and you can always come back and enable the other one. The other shortcut ‘Ctrl-Opt-S’ is used for expanding or collapsing the audio of the selected clip. It is handful incase you require just the audio of the clip and be used to overlay interviews and manage the justifiable images with it.

Robin’s Feedback

After showing Robin my assembled project for FILM 3, He praised my efforts and advised me to carry on with the edit. He also suggested that the voice over I used feels like it has been heard before (it does somehow reminds me of Darth Vader), I’ll experiment and see if I can make it a bit spooky, but most importantly, I need to find some royalty free music for my project to be used as background score. I was also thinking to edit one mini version of it like of 30 seconds, apart from that It is important that I should focus on the 3 minute version, hopefully the length of it will be around that.

A minute silence for Chantal Akerman, german filmmaker, who pioneered in feminist and experimental filmmaking as she died recently at the age of 65. Today in class we watched her work ‘I’m Hungry. I’m Cold’. A bit of slow paced movie but something worthwhile to watch, two ladies who want to find love and they also seem to explore their gender roles in society. At Least that is what I think the story was about.

Filming my story

Sunday midday, Mitch and Brydan came over to help out with my shooting of ‘Daymare’. Mitch was the main lead and I was the second lead (the only other actor in this film). It took us about 2 hours to finish. Brydan helped out in lightning and at some parts with camera work. So with the motive that I would not give any script to the actor and will be based on improvisation, it turned out better than I expected. Using dedo lights to lit the environment was enjoyable. I first wanted to use natural source light but it seemed way to bright for my situation. Now the thing that I’m concerned with is the non-diegetic sounds that I have to use for this film, I now have to search the suitable sounds and stock footages that I’ll use for my film.

P.S: These two loved my Pakistani cooked food 🙂

Depth of field

Today we learned another key element in filmmaking universe, depth of field. Depth of field basically means a distance between a closer and further object. It really depends upon what the cinematographer is looking for if he/she wants a shallow or narrow depth of field. Robin asked us the three main things for which the depth of field depends upon. I knew two of them which is the focal length of the lens and the aperture. The focal length determines the distance between the image sensor and the lens when you focus on the subject and the aperture determines what kind of field of view you are looking for. If we want a shallow depth of field to focus on one particular object then we decrease the number of F-stop for example F2.8 and if we require a narrow depth of field to focus on wide area in the frame then we increase the number of F-stop for example F16.

The third factor which I wasn’t sure was actually the distance between the object and the camera. In today’s exercise, we had three different cameras, DSLR, Sony EX3 and Sony Z7. We had to focus on the same subject but interestingly each one us had different focal length. DSLR was about 80MM, EX3 was on 20MM and Z7 was on 25MM. It is because of the different sensor size that each camera offers. Each does have its pros and cons, like DSLR doesn’t have a particular viewfinder (you can get a third party hardware and attach to its live view) but it gives less noise as compare to others. Ex3 although does face noise issue but certainly has all the features needed for the film making and as for Z7 I’m not sure as I haven’t used much but I do know that its focus pull is infinite and causes problem when marking the focus.

This weekend I’m shooting my film, booked dedo light kit. Wish me luck 🙂

Testing lightning

Unfortunately my memory card failed thus I couldn’t record anything. But I did check though the screen of my camera and it is suiting my purpose and location seems to fit what my story requires. I used dedo kit for lightning but I guess it would only fit for my final scene of the film. My 90% of the shoot requires natural light source and house lightning. But then again, I would see what deems fit and if any extra lightning is required, I will use Dedo kit as a fill light for my actors.

I’m really excited with my project, I just hope it goes well. I’m nervous as well but what I’m really looking forward to is does my story engage with audience.

Lightning

Lightning is an important element in cinema’s visual aesthetics. It creates an emotional impact. Contrast of light and dark influences the ways audience responses to the narrative. With deep shadows, it means that scene may reflect horror or some confusion in character’s personality whereas bright lighting may mean assurity in character’s personality and creates an impression that this subject can be trusted in the film.

Careful considerations should be made before shooting by cinematographers as to what kind of lightning equipment should be used. Black-white and color cinematographer each has its own perks but each of them uses different lighting techniques. One thing is for sure with black and white cinematography, the cinematographer only focuses on the brightness and shadows of subjects, whereas with colors, extra push is required with the white balance if the scene requires to be warm or a bit colder image. The angle of light is another aspect, by using mix of light sources in a scene also creates a dramatic effect to it.

In yesterday’s class we also learned some important terms regarding lightning. Back lightning, which means a light source coming from behind the character and its purpose it make a mysterious appearance of character. Key and fill lightning, which is the main light in a particular scene, while fill lightning is used to soften the harsh shadow effect.

While writing about the lightning, I’m thinking of creative ways to use what I learnt in class exercise for my film. Instead of using a huge tungsten light, I’ll be using dedo lightning. I have a small space so tungsten light won’t be useful. Although we didn’t experience dedo lighting, I think I can be expressive with these small equipments for my film project.

 

Ex 9A

This is the edit of the exercise we did yesterday. I think although it took us a lot of time but regardless how it may be for some people, I really like how Farina is lit in the frame. Soft light just embraces on her personality. However 180* rule is broken by using the wide shot for the scene, it just feels awkward and breaks the motion of the film. I should have taken it out, but I added for the experiment whether it works for the audience and I think it doesn’t.

Here is the edit :

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Sound, Camera, Action

Today when I entered the class, I saw something new on the trolley, Lights. I always wanted to learn how lightning works in filmmaking and today I got the chance to see that. Besides that, each one one of us were given roles and I was given the role of assistant director for today’s class exercise. Being the boss of the exercise for a 1 minute scene took us at least 2 hours to shoot the whole thing. I thought this could be done easily in less than 30 minutes but I was wrong. It took us massive time to understand the concept of lightning, it is really important to know how to light your subject so that your audience can understand the mise en scène.

Time is another aspect that we must focus on, you just never know what might pop up. The actor may have given time to someone else, weather might change (but it is okay if shooting indoors), equipment may not be ready yet and other things that I can’t remember right at this moment.

Teamwork is important, trust is one part of it, you have to rely on your crew members to do their best and encourage them as they go along the way. Being the assistant director is a hard job, it is big responsibility, if something is not going where it is suppose to be going and the producer shows up, you ought to know you are dead that moment. But along with the role, I understood the importance of sound people, they truly are the unsung heroes of filmmaking as they quietly observe what is going on and they place the equipment where it works best.

Pyassa (Thirst)

The other day I was looking at the spectacular piece of work by the legendary Guru Dutt who was a filmmaker from India. Here is my review:

Content:

What a movie it was. A neglected poet that struggled so much and was bashed everywhere for his poetry and in the end the same people used his name and made fame, thus the name “Pyaasa” thirst symbolizes the materialistic world and their limit crossing for fame. The establishing shot when the bee was squashed by a human reflects that the world takes advantage and will destroy anyone to get the fame and money, which is later shown in the movie. All did Vijay wanted was an inner peace. When vijay was working as servant for Mr Ghosh, he began reciting a poem at a gathering which reflected his loneliness and a journey to find the happiness. And the scene when Vijay receives a counterfeit coin justifies that people just want to satisfy their own needs rather than thinking about other’s position of his/her well-being.

In this movie two major people understood the conditions of Vijay’s life, Sattar and Gulabo. Because both of them know how the life is difficult on the streets. Whereas Meena betrayed his love and went on to marry a rich guy Mr Ghosh for the sake of her comfortable life. Again this continues on with the sub conflict of the movie and how similar the materialistic world is and the betrayal he got from Meena.

Also Guru Dutt remarkably used symbols to justify the essence of the film. Especially the way he compared the crucifixion of Christ (a picture of cross when Meena read news about vijay’s death) with Vijay and his resurrection in the movie to prove the masses that he is really alive and not killed. Plus how opposite the characters showed of Meena and Gulabo. One who sold love for respect in society and the other sells her respect to live in society. Their differences showed a different light on the film and the respect to be given to these types of women. Meena when she was caught with Vijay, Ghosh punished her and compared her with a cruel woman and when Gulabo was being chased by a police officer was caught by Vijay in his arms and told the officer that she is my wife, this tells that she is worthy for a compassion. One thing can be learned from this scenario is that the way man looks at a woman and her role in a society, and his behavior of women, are fair indicators of a man’s personality.

The performances were flawless by everyone. Each had its own magic on screen. Johnny Walker not to forget even a supporting role played greatly of a common man and his comic timings were great. Guru Dutt, Rehman, Mala and Waheeda all performed extremely well. No words can describe the level of their performance. Their dialogues and gestures each gave away its own presence on the screen.

The ending justified the movie title and the story as well and adding song “Yeh Dunya” added another meaning to the end. The world is full of hypocrites is what Vijay realized in the end. And that this world does not know the real Vijay who struggled so much to get recognition of his poems. Thus decided to leave that world and continue a life with a person (Gulabo) who understands the life of a street that vijay has gone through to finally get the inner pleasure of living in this doggy dog world.

Cinematography:

Murthy sir’s cinematography is marvelous. Great use of light and camera work which added to the personality of each character. Two sequences the one I would praise. First tone the railway track scene. It reminded of a Hollywood’s horror films. That something bad is about to happen and that scene was a turning point of the movie. The light source of train and the expression on Vijay and the beggar both added to the essence of the scene which turned out that Vijay is dead. And other scene when Vijay enters the hall where his death anniversary is celebrated, the light from his back shows and symbolizes the resurrection of Vijay and his stance of like Jesus Christ shows that Jesus also left the world because of hypocrisy and the same Vijay is going through.

Editing and Sound:

Editing is great. I failed to notice any major jumps probably because the lighting and performance outshined any mistakes that one could find. But yes little jumps I noticed like on the train scene, when Vijay jumped on a platform he put his hands on his pant pockets, but the very next scene his hand are not in pant pockets. But the rest of the sequences ran smoothly.

Music by S.D Burman is spotless. Sound a very important element reflected in this movie. The ambience, background score and the songs in this movie assisted along to give away the unfolding of the plot.  Probably the only reason why a viewer is stacked to his seat from the very first frame to the last frame is because of the sound and the dialogues.

Interesting scenes:

Prostitute dancing and Vijay singing a poem “Kahan hain” reflects the materialistic world for not carrying its own species.

The bee squashed at the starting of the movie.

Man giving a counterfeit coin to Vijay.

Ghosh beating Meena and Vijay saving Gulabo.

Vijay expressing his feelings to Gulabo about world rejecting his poems and Meena

Vijay denying to the people he is not “The” Vijay they thought of.