Jamie on the Douglas reading and the difference between us changing our interpretation of something each time we read it, versus the thing we are reading each time we read it. Meanwhile Niam...Read More
We are continuing for a bit on the hypertext, but shifting from the writing side to some introductory material on its implications for narrative, and readers. While this reading is about hypertext, th...Read More
Two comments, this is a common trope in soap opera and so we don't need multilinear narrative for it (well, except soap opera is also a particular form of multi-sequential narrative), though more impo...Read More
Nadine enjoyed the symposium, recognises that the essence of the literary is not paper (it is language), but also has an excellent outline of what we said about hypertext and cinema. ... Yet in the ...Read More
(Yep, one of the defences of something like hypertext and other messy forms is that it is more 'realistic' than realism in fiction because, well, the real world is not just so cause and effect as a no...Read More
Note though, we have lots of examples of stories with indeterminate endings, even in traditional books and films, and also from 'being swept into an author's world' it does not follow that there has t...Read More
Brittany , in what I take to be comments on the Douglas reading, gets the idea that if a work is multilinear then the idea of 'the end' becomes, well, problematic. ... So the end might be programmati...Read More
Samuel thinks the Douglas makes more sense than the Landow, and moves into the Barthes ' famous essay on the Death of the Author. In a nutshell, it is the reader who makes a text, not the author, ...Read More