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Cut versus Shot

Author: vatsalshah

June 6, 2016

Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

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June 6, 2016June 7, 2016

The 30 Degree Rule, Light Film School http://www.lightsfilmschool.com/blog/the-30-degree-rule/128/

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June 6, 2016

180 Degree Rule and Other Shot Sequence Tips, Light Film School http://www.lightsfilmschool.com/blog/180-degree-rule-video-tutorial/

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June 6, 2016

Renee, V, 2013, Understanding the Hidden Editing in Hitchcock’s ‘Rope’, No Film School, October 4, 2013 http://nofilmschool.com/2013/10/understanding-hidden-editing-in-hitchcocks-rope

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June 6, 2016

Murch, Walter, 1995, “The Rule of Six”, In the blink of an eye: A perspective on film editing, Silman-James Press, 1995, p 17 – 20 http://www.tlu.ee/~rajaleid/Basic_Editing_MA_2014/readings/In-the-Blink-of-An-Eye.pdf

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June 6, 2016

Smooth Cutting – The Ideal (Film Editing), What-When-How, The-Crankshaft Publishing http://what-when-how.com/film-editing/smooth-cuttingthe-ideal-film-editing/

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June 6, 2016June 6, 2016

Hollywood’s History of Faking it : The evolution of Green Screen Editing, Film maker IQ http://filmmakeriq.com/lessons/hollywoods-history-of-faking-it-the-evolution-of-greenscreen-compositing/

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June 6, 2016

Sound in Film making, The Language of Films, Pacific Cinematheque http://thecinematheque.ca/education/wp-content/uploads/2012/02/LanguageofFilm07.pdf

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June 6, 2016June 6, 2016

Gates Chris, When Editing a Horror Movie or a Triller, Timing is Key, Video Maker, October 2014 https://www.videomaker.com/article/c3/17056-when-editing-a-horror-movie-or-thriller-timing-is-key

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June 6, 2016June 6, 2016

Schager, Nick, Editing is Key to the Drama and Comedy of The World’s End, A.V. Club, Jan, 2014 http://www.avclub.com/article/editing-is-key-to-the-drama-and-comedy-of-the-worl-200786

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June 6, 2016

Daseler Graham, Cutter’s Way: The Mysterious Art of Film Editing, Bright Lights Film Journal, October 2012. http://brightlightsfilm.com/cutters-way-the-mysterious-art-of-film-editing-the-mysterious-art-of-film-editing/#.V1U905N96fW

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June 6, 2016

Robinson, Citizen Kane: Editing Techniques Add to The Film’s Mystery, Film Analysis at the University of Florida, 2014 https://ufilmanalysis7308.wordpress.com/2014/02/08/citizen-kane-editing-techniques-add-to-the-films-mystery/

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June 6, 2016

Reisez, Karel, “The History of Editing”, Technique of Film Editing, 1958, Focal Press Limited, 1996 Edition, p. 15 – 40

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June 6, 2016

Wendy Apple, 2014, The Cutting Edge: The Magic of Movie Editing, distributed by British Broadcasting Corporation (BBC) and Warner Home Video in UK and USA respectively.

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June 6, 2016June 6, 2016

Scoma, Joey, 2016, “Cuts and Transitions 101”, “Editing: Creating the Oh F*** Moment”, “ProTip: Editing to the Eyes” “LAPL Panel Series – Editing”, Playlist – Editing, Rocket Jump Film School < https://www.youtube.com/playlist?list=PLw_JAmvzR_MBxjGDjDClxy29vdQFec1P2 >

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June 6, 2016June 6, 2016

Hess, John, The History of Cutting – The Birth of Cinema and Continuity Editing, Filmmaker IQ, January 20, 2014
 https://vimeo.com/86462452

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June 6, 2016

Brodwell, David, Thompson, Kristin, “The Relation of Shot to Shot : Editing – Continuity Editing”, Film Art – An Introduction, Ninth Edition, University of Wisconsin, p 236 – 249

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June 6, 2016

Katz, Steven, “Elements of The Continuity Style”, “The Moving Camera”, Shot by Shot, Michael Wiese Production, June 1991, p 121 – 158, 279 – 336

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June 6, 2016June 6, 2016

Renee, V, 2015, A Closer Look at the Hidden Editing Techniques used in ‘Birdman’, No Film School, October 16, 2015 http://nofilmschool.com/2015/10/a-closer-look-hidden-editing-techniques-in-birdman

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June 6, 2016

Feneley Dustin, “Post Production: Editing”, Short and Sweet: the Art of Short Narrative Film, Issue 53, Screen Education, Focus on Filmmaking

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June 6, 2016June 7, 2016

Berliner Todd, Cohen Dale, The Illusion of Continuity: Active Perception and the Classical Editing System, Journal of Film and Video, University of Illinois, 2011

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Recent Posts

  • Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.
  • Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

Recent Comments

  • ryantaylor on Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)
  • ryantaylor on Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • ryantaylor on Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • ryantaylor on Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • ryantaylor on Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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