2. Budget Analysis
I think the script can be a micro-budget film or not, and it can be a successful micro-budget film if the budget, cost, and idea design are controlled. Meanwhile, there are also some challenges to face. First of all, the shooting locations need to determine. Several important sites in the script are countryroad, manor, and children’s room. Countryroad is relatively easy to solve, a desolate countryroad can be found in remote suburbs and no cost. A manor is a potentially expensive filming location because what the script calls for is a large manor with a yard and fence around it. A manor is a difficult expense to control, and it can be at the core of an unsuccessful micro-budget film. My solution idea is that under normal circumstances most of the manors are built in the suburbs or areas far from the city center. Can try to find a suitable manor in the country, and the countryroad can also be solved for shooting. The shots of the manor didn’t need to be very long, and the required shooting time was at dusk, so it could be done in a few hours. The manor can be rented for a day, so there is plenty of time to set up the scene and give time for the actor to prepare before the dust, which is probably the most expensive part of shooting a micro-budget film. The children’s room can be borrowed with the cousin to complete the shooting, and don’t use the room in the manor because it takes extra time to tidy and remodel. In this way, the grasp of the shooting time may not be able to accurately estimate, and more rent may be generated, but it can be avoided.
The second is the choice of the actor. Based on shooting a micro-budget film, it may not be possible to invite professional and well-known actors without a sufficient budget. Such consider acting students or teachers in universities. But need to communicate the fact that doesn’t have much budget, maybe not a high salary but provide meals. The importance is to ensure the safety of the actor and a good working environment. Communication with the actor during filming is also very important, may collide and come up with new ideas.
Next, according to the analysis of the script, most of the props and the arrangement of scene arrangement can also be found in the living environment. Most of the props appear in the children’s room. The children’s room needs to show children’s style, which is the warmest part of the whole micro-budget film. If don’t have a blue cycle, can buy blue stickers to stick on the cycle in advance, so don’t need to spend to buy a new bike and it won’t affect the subsequent use. Two photos are also required, which can be achieved using composite techniques. In my first year of college, I learned how to use photoshop software, so composite photos can be done by myself without having to pay for professional personnel.
Finally, there are the challenges of sound and post-production. Don’t have enough budget to prepare shooting equipment and radio equipment, can use home cameras or iPhone to ensure the greatest extent quality on the premise of ensuring a micro-budget. According to the script analysis, it is suitable to use the natural background sound of the scene for the first three shots. The children’s room is a smaller space, and the radio effect of the mobile phone is not too bad, and additional dubbing may not be needed. Different background music according to the needs of different scenes can be found on the free website, and the special effect sound can be completed the foley dubbing in the post-production to ensure the sound is clean and clear. In post-production, I can do it by myself. I have used Adobe Premiere Pro frequently in the past year, and I have mastered the skills of how to edit. I do the post-editing to better find out if there are any omissions or missing shots, then record and rectify them as soon as possible.
Getting a successful micro-budget film requires a lot of thinking ahead so as not to incur too much cost and there are challenges to overcome. Overcoming the challenge is solving the problem for a rare cost while ensuring the quality of the shot. This also requires me to study and consider more.
3. Creative Statement
First of all, for shooting, I consider a home camera or an iPhone. Compared two, the mobile phone is more convenient to carry and use, so I prefer to use a mobile phone to shoot. Currently, mobile phone pixels can already achieve the final desired effect, which is a suitable choice for the shooting of micro-budget films. For example, in the film”Tangerine”, due to the limited budget, the director chose to shoot with an iPhone 5s and gave up professional film shooting equipment, but this did not affect the scene quality and shooting skills. I think the biggest advantage of mobile phone shooting is the realism and breathing of the scene, and it can be used flexibly during the shooting process, which is convenient to follow the actors’ movements. Mobile phone shooting also has time-lapse photography, zoom-in, zoom-out, and other functions. There are filters of different colors to choose from, which reduces the workload and time of post-production to a certain extent. It is also convenient to upload to a computer during post-production. But at night, the quality of the camera will be degraded, so the limit is to complete the shooting in the daytime as much as possible, but for the scenes with horror elements, the shooting scenes at night may be more atmospheric. For example, there is a scene in the script where the man walks down the hallway and turns the handle to open the door, using a night shot to create a sense of suspense and make the audience look forward to what happens next.
I think the whole micro-budget film shoot, from writing the script – script breakdown – shooting – post-production to the final test, takes 25 days to the production schedule. After analyzing the script, the shooting time will not be too long, and the focus may be on the film editing after each day’s shooting. This process requires repeated viewing and checking whether the requirements are met, to ensure whether the shooting clips can be used or need to be shot the next day. This way is also for post-production to be carried out more quickly and efficiently. The production design is mainly for scene layout and lighting requirements. For example, in the manor described in the script, the entire manor is white in the production design, with large areas of desolate grass and withered flowers. Because the shooting time is dusk, the light is bright enough but also dim at the same time to set off the bleak atmosphere, and there is a feeling of being out of the real world. The candlelight mentioned later in the script, due to the instability of the light caused by the gradual burning of the candle, I need to invite the help of a light engineer to achieve the effect that can shoot all the time but the light remains the same. The color design is monotonous, mainly black and white to create the fact that the man is dead. At the end of the script, the brick wall is gray when the man is awake, the real color shows that the man has returned to reality.
Sound design is also another way in which a film presents the good and the bad. According to the script, I pursued natural sound for some shots on countryroad and don‘t need obvious radio effects. But with the action of the man, such as the sound of a man walking on the sand road, the door of the manor being pushed open (creak), the footsteps of walking down the hallway, the sound of gently opening the door. I want these sounds to be obvious when they appear in the film, so need to re-do the foley production to highlight them. In the script, the man shouts the lines (Anyone there?!/ Please, let me out! Is anyone there?!). The lines are not planned to be re-dubbed later, but directly use the sound recorded on-site, so that the open sound and echoes can be heard, but the shooting environment needs to be very quiet.
4. Reflection
The script for this exercise was not written by me, so the first challenge was understanding other author’s script. In order to better understand the meaning of the script and figure out what the author wanted to tell the story, I read the script three times in total. The first thought was that the man in the script might have died, the second time was that the man might have been burned to death, and the third time was probably a combination of the first and second thoughts, that the man didn‘t realize that he was dead, he returned to the place where he was most nostalgic before his death. Finally, the man may realize that he is dead but was in pain that cannot return to real life and the sadness of not being able to be reunited with his family. This is my personal understanding, and I hope to understand the author’s ideas and restore the storyline as much as possible. In the process of analyzing the script, I realized that I wanted to resonate with the author and feel the story of the man in the author’s pen. It was new to me. I learned to understand and think deeply and have the scene design and the storyline and even every changing expression of the man will emerge in my mind. I think these may be some ideas and production designs for making microbudget films, which will be a great help for me to start making my own microbudget films later.
In the process, I overcame my shackled thoughts. How to plan a movie on a microbudget. I thought about finding a cheap manor in the country to shoot, but if there is no suitable manor or the manor is not white by my definition, what should I do? The rented scene can’t be changed in color, is it possible to use special effects to overlay white in post-production, or find several free places to shoot separately and montage together (countryroad, abandoned fenced yard, free open manor). I try to jump out of my fixed thoughts and look for more possibilities.
Through this exercise, I have a better understanding of how to shoot microbudget films and think about more ideas and possibilities to achieve satisfactory micro-budget films with the least cost.