Bachelor of Communication (Media) student Jodie Le has been selected to screen her work at the MAKESHIFT Exhibition at RMIT in May. MAKESHIFT is an ecologically-themed event that explores improvisation and thinking-through-making as a way to re-engage with a more-than-human world.
Jodie’s video piece e-waste was created as part of her studies in Documenting the Environment, a studio run by Dr Kim Munro in Semester 1, 2020, during the first lockdown.
MAKESHIFT opens in Megaflex, Building 8, RMIT City Campus, on 29 April, and will run through Thursday 6 May.
Students and studio leaders alike rose to the occasion and in many ways surpassed this year’s difficult situation. Multiple times a week we heard about new ways of making films, recording podcasts, developing social media and building careers out of adversity. Ingenious methods of teaching, research and collaboration were developed by staff and students that will stay with us well beyond the pandemic.
Please enjoy engaging with the studio’s exhibition sites from semester 2 and below that from semester 1
B.Comm(Media) Industry Talks is a webinar series for students in RMIT’s Bachelor of Communication (Media) program. This talk was recorded live on Tuesday 15 September 2020.
SUE MASLIN AO
For this BC(M) Industry Talk we’re joined by Sue Maslin, one of Australia’s most successful film, television and digital content producers. Her feature film The Dressmaker is one of Australia’s all-time highest grossing films.
In 2012 she received the inaugural Jill Robb Award for Outstanding Leadership, Achievement and Service to the Victorian Screen Industry. Sue was inducted into the Victorian Honour Roll of Women in 2018 as well as appointed as an Officer (AO) of the Order of Australia in 2019 for distinguished service to the Australian film industry as a producer, and through roles with professional bodies.
Sue is also an Adjunct Professor at RMIT University, and we’re thrilled to talk to her about the future of the film industry in Australia.
A number of Bachelor of Communication (Media) student works are now streaming on Atlasshorts (formerly Exile Shorts). This is the result of 18 months of collaboration between Media and the Atlasshorts team. Six student works have been licensed, and many more recent Media studio productions and archival works are being considered for publication.
RMIT now shares the platform with esteemed Australian and international institutions including AFTRS, Ringling College of Art + Design, the British Film Institute, USC Cinematic Arts, and the National Film Board of Canada. The Media and Cinema teams are also making use of the platform in the classroom, as it streams quality short works from recent and historic filmmakers.
See below a quick announcement/update from program manager Dan Binns:
The gist of the above is that we are currently working to shift the remainder of Semester 1 to online delivery. Thank you so much for your patience with all of us, and we really can’t wait to see you all back on campus as soon as possible! Meanwhile, check Canvas and your emails regularly, attend scheduled online sessions, and keep up with your assessments as best you’re able — and reach out to us if you need any help.
Media program lecturers Seth Keen and Paul Ritchard, with Research Assistant Cormac Mills Ritchard, have had great recent success with the collaborative ethnographic documentary work Wild Honey.
The documentary Wild Honey: Caring for bees in a divided land was picked up in 2019 by Ronin Films for worldwide cinema and DVD release. Recent 2020 screening successes include Timor Television GMNTV, the Film Expo at the 2020 North American Asian Studies Conference, Boston, and Royal Geographical Society, London conference film screening.
Credits include (University of Melbourne) Anthropologist – Geographer, Lisa Palmer Camera, Audio and Director, (RMIT staff) Seth Keen Creative Producer, Cormac Mills Ritchard Editor, and Paul Ritchard Consultant Editor.
Still from documentary Wild Honey.
This project has led to another ARC Discovery documentary, Customary Approaches to Healing in Timor-Leste, which has started 2020 post-production.
See the trailer for Wild Honey on Vimeo. Well done team!
New Bachelor of Communication (Media) students were welcomed at the program Orientation event on Monday 24 February 2020. The students were welcomed (appropriately) in the Media Portal: the event had a quick run-through of the program, intros to the Media team and each other, a zippy tour of the campus, and then back to the Portal for lunch.
The locals of Gnomesville, Western Australia share the history and the conflicts they’ve faced with the ever-growing population of Gnomes.
Shot over 2 days, and edited over 7 months, I really wanted to create awareness of Gnomesville because there was a giant flood that went through there this year and washed away a lot of the Gnomes in the main section. So hopefully this film will inspire people to go to Gnomesville with a Gnome in hand and help the Gnomes rebuild what they’ve lost. #prayforgnomesville
This has been a huge week for RMIT graduates, adjuncts, and Program Advisory Committee (PAC) members, with a bunch taking a cut in some $17 million of Screen Oz funding across online, feature film, and documentary.
Writer Mithila Gupta and director Corrie Chen — both Media grads — will be working on the greenlit teen series The Unlisted; adjunct professor Robert Connolly will adapt The Dry for the big screen; PAC member Lucy Maclaren and her team will follow up the huge success of Inside the Firestorm with Aftermath: Beyond the Firestorm; and current PhD student and frequent studio guest Helen Gaynor has executive produced the short animation Bright Lights: The Perils of the Pokies.
Graduate, staff and student work is featured in this year’s St Kilda Film Festival, which highlights the top 100 short films in Australia.
The festival is now an Academy Awards qualifying event, with award-winning films from the festival eligible for consideration in the Short Film Awards and Documentary Short sections of the Oscars.
RMIT is a proud sponsor of the annual festival, providing the Under The Radar Best Youth Film award.
A number of RMIT graduates, a staff member and a current student have had films accepted in 2017.
Films by Bachelor of Communication (Media) graduates showing at this year’s festival include Happy (Stacey Kwijas), Tinseltown (Corrie Chen), Fim Creswick (Emma Haarburger, who also produced two music videos), and Reading the Wind (Adam Ricco).
Firus describes his film A Prickly Affair as a short character-driven documentary focusing on the themes of environment, the vitality of age and Melbourne’s thriving artisanal culture.
He said the most valuable parts of studying at RMIT are the contacts and practical opportunities available to students.
“For example, last year, in my first year of university, I received an internship opportunity through RMIT for the advertising company CHE Proximity in South Yarra,” he said.
“It was there where I met many media professionals who offered advice on my practice.”
Firus wants to use his degree to acquire a position in video advertising with a view to transitioning to a motion picture or commercial documentary director.
Program Manager Rachel Wilson said it was important to acknowledge how unusual and special it is that a film made during a students first year is accepted into such a major festival.
“We are all extremely impressed with Michael’s motivation and dedication to exploring the many opportunities in the field,” she said.
Staff member Ashley Perry, a lecturer in the Bachelor of Communication (Professional Communication) and a graduate of the Bachelor of Communication – Media directed Police Officer TAKAGI which was also selected for the festival.
The St Kilda Film Festival runs from May 18 to 27, 2017 at the Palais Theatre and the St Kilda Town Hall.