One idea that has been circling in my head since the beginning of this course is the notion is how a list can take other forms other than ways I have already explored.  a question that ponders within my head is How can we express the uniqueness of individuals list in a multi-media platform? for clarification, I want to explore more of a personal list, were a singular idea can express different meaning to different people. How can I capture multiple-meaning into one media artefacts?

a quote that reminds me of this is:

“the list of what I am not noticing, including those things I am unable to see, is possibly infinite and varies from situation to situation amongst the different practices of noticing that different people have, and even the different things that non-humans would notice.’ (Miles et al. 2018, p. 307)

My Initial idea was surrounded around the use of Korsakow, as it allows the user to pick their own adventure and journey, but also allow for me to let people to express their individuality and bring multiple options to people. I wanted to have a singular idea and different feelings people could feel to this idea, extending further out with relating ideas, creating a massive personal list. My aim is to show how a spectacular idea can be expressed and formed different emotion from a variety of people and that peoples experience with a single idea can be different from each other. 

In terms of my most successful media artefact as of yet, for me, it would have been mine Week 5 – artefact on the explosive list. within this week I saw and realise that list don’t need to take a singular form but a variety of forms, which I heavily discussed in my discussion but I also believe that this was one of my most successful artefacts due to my editing and playing with my editing. I also liked this week as I believe out of all the weeks, week 5, I had the most understanding of it.

https://www.mediafactory.org.au/simontran/2020/08/26/infint

 

Reference

Miles, A., Weidle, F., Brasier, H., Lessard, B., 2018. From Critical Distance to Critical Intimacy: Interactive Documentary and Relational Media, in: Cammaer, G., Fitzpatrick, B., Lessard, B. (Eds.), Critical Distance in Documentary Media (Links to an external site.). Palgrave Macmillan, New York, pp. 301–319.