Week 11 – Lecture: Technological Determinism

This week’s lecture allowed me to revisit certain communication theories I studied in Year 12. One that I didn’t study was ‘technological determinism’, which is “a reductionist theory that presumes that a society’s technology drives the development of its social structure and cultural values.”

It all sounds a bit communistic, so it was no surprise to find out from further research that thy lord and saviour Karl Marx brought this idea to prominence. In a more contemporary setting, writer Nicolas Carr explores technological determinism in his 2008 essay ‘Is Google Making Us Stupid’

Carr basically says technology leads to deception. The rise of the digital age has resulted in a shift in the way we think, and thus, has changed the way society and culture develops. Here’s an excerpt:

“Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going – so far as I can tell – but it’s changing. I’m not thinking the way I used to think. I can feel it most strongly when I’m reading. Immersing myself in a book or a lengthy article used to be easy. My mind would get caught up in the narrative or the turns of the argument and I’d spend hours strolling through long stretches of prose. That’s rarely the case anymore. Now my concentration often starts to drift after two or three pages. I get fidgety, lose the thread, begin looking for something else to do. I feel as if I’m always dragging my wayward brain back to the text. The deep reading that used to come naturally has become a struggle.”

Week 6 – Readings/Lecture/Workshop: The ‘Empathetic’ Character

Robert McKhee’s ‘Substance Of Story’ raised some very interesting points on characters desires and narrative structure. One particular idea has had me thinking for days: “the protagonist must be empathetic; he may or may not be sympathetic”.

McKhee defines “sympathetic” as being “likeable”, and “empathetic” as “like me”, or relatable. This week’s Workshop revealed that some who watched shows like Breaking Bad, Dexter and House Of Cards lost interest because the main character isn’t ‘likeable’ enough. But is this purely because they aren’t ‘sympathetic’ characters?

I’m of the belief that today, a characters likeability is now determined by both the audiences sympathy and relatability. The death of cinema is happening because of this shift; you wonder why the most popular films today are kids or action films, where the main character(s) are there to please the audience. Nobody went to see Anomalisa or The Lobster because audiences now go into films knowing how they want to feel at the end of it. For TV, none of the mainstream networks sell shows where characters are deemed ‘unlikable’.

I think about the TV shows I like (Mad Men, Girls, True Detective, House Of Cards), and I like them because the characters aren’t there to please. Who wants a character to be likeable? How boring. I want sensationalism. I want Don Draper to be a man of indulgence, I want Hannah Horvath to be the selfish, entitled person she is, I want to hear Rust Cohle’s nihilistic ramblings and I want Frank Underwood to kill more innocent people. For me, the further they are detached from reality, the more ‘likeable’ they become. This, is great art.

Week 4 – Lecture: Sound

I didn’t attend this morning’s lecture as I was sick. However, it looks like ‘sound’ was the topic of discussion. Everybody seems to be posting their favourite and least favourite sounds, so here are mine:

Sounds I Hate
5) The shared laughter of a group of friends having a good time
4) The voice of any mainstream television/radio presenter
3) The desperate cries for attention by the self-righteous
2) Any sound that can be heard in a club
1) Any YouTuber with a voice and an acoustic guitar (**Make that anybody with a voice and an acoustic guitar**)

Sounds I Love
5) Nicolas Cage’s maniacal screams
4) The sizzling, sensual sound of bacon frying
3) Blood spattering in a Tarantino film
2) Bret Easton Ellis attacking millennials on his Podcast
1) Zach Hill’s chaotic drums, Andy Morin’s glitchy synthesisers, and MC Ride’s screams of insanity

Week 2 – Lecture: The Edit

Listening to Jeremy Botwell’s presentation of editing was both fascinating and eye opening. It had me thinking about the first time I noticed editing in film as a device to enhance meaning.

Alfred Hitchcock’s 1960 masterpiece ‘Psycho’ has probably the most infamous editing sequence in the history of cinema. The shower scene montage, in which Marion is stabbed (if this is a spoiler its your own fault for not watching it), is a truly terrifying piece of cinema.

I remember watching this for the first time when I was about 14. The frantic feeling I was experiencing came from three aspects of the edit. One, the fast cutting, which gave me a rush that I had never experienced before. Two, the close nature of the shots, which was incredibly tense and claustrophobic. And above all, the sharp, accented strings from Bernard Herrmann’s glorious score, which was unlike anything at the time of its release.

The Edit Itself – By George Tomasini:

Week 1 – Hyper & Deep Attention

I’ve had ample time to process Katherine Hayles’s ‘Hyper and Deep Attention: The Generational Divide in Cognitive Modes’ and have come to a few conclusions.

I think it is extraordinary that this was published nearly 10 years ago. Hayles clearly saw the warning signs of the future, such as “the 6.5 hours young people spend with media per day” (which has now probably nearly doubled) and how we are moving away from traditional methods of study. We are now well and truly in the midst of the Information Age and will continue to lose our tolerance for Deep Attention.

This piece also reiterates my belief that our generation are the worst. The departure from Deep Attention has single-handedly ruined art. The majority of millennials don’t want to engage with a challenging art film. Hell, they don’t even want to go into a cinema where they are forced to abandon their phones and sit quietly in a dark room for 90 minutes. Literature is a dead art form. The music they respond to is Top 40 banger hits.

Worrying times already. Worrying times ahead.