May 23, 2016

Katz, S.D., 1991. Film directing shot by shot: visualizing from concept to screen. Gulf Professional Publishing.

Russell, R. How Camera Angles Affect a Viewer’s Emotions Available at: http://www.ehow.com/list_5775403_effects-camera-angles-viewer_s-emotions.html

May 23, 2016

How Film Shots Frame the Action in Film Making Available at: http://www.dummies.com/how-to/content/how-film-shots-frame-the-action-in-film-making.html

May 23, 2016

Bordwell, D., Thompson, K. and Ashton, J., 1997. Film art: An introduction (Vol. 7). New York: McGraw-Hill. (pp.218-240)

May 23, 2016

Wolf, M.J., 2006. Space, time, frame, cinema: Exploring the possibilities of spatiotemporal effects. New Review of Film and Television Studies, 4(3), pp.167-181.

May 23, 2016

Nothelfer, C.E., DeLong, J.E. and Cutting, J.E., 2009. Shot structure in Hollywood film. Indiana University Undergraduate Journal of Cognitive Science, 4, pp.103-113.

May 23, 2016

Smith, T.J., 2006. An attentional theory of continuity editing.

May 23, 2016

Bordwell, D., Thompson, K. and Ashton, J., 1997. Film art: An introduction(Vol. 7). New York: McGraw-Hill. (pp.112-159)

May 23, 2016

Eisenstein, S. 1949. Film Form: Essays in Film Theory. Harvest, London. (pp. 15-25)

May 23, 2016

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.87-90)

May 23, 2016

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.24-29)

May 23, 2016

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.18-23)

May 23, 2016

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.12-18)

May 23, 2016

Rampton, K. (2010). Cinematography: Camera Shots, Camera Angles, Camera Movements.

May 23, 2016

Eugeni, R. 2012. First person shot. New Forms of Subjectivity between Cinema and Intermedia Networks. Anàlisi, (Monogràfi), 19-31.

May 23, 2016May 23, 2016

Redfern, N. 2010. Statistical analysis of shot types in the films of Alfred Hitchcock.

May 23, 2016

Eisenstein, S. 1949. Film Form: Essays in Film Theory. Harvest, London. (pp. 45-62)

May 23, 2016

Pearlman, K. 2012. Cutting rhythms: shaping the film edit. CRC Press (pp.153-180)

Cut versus Shot

Author: monawang

Katz, S.D., 1991. Film directing shot by shot: visualizing from concept to screen. Gulf Professional Publishing.

Bowen, C.J. and Thompson, R., 2013. Grammar of the Shot. Taylor & Francis.

Russell, R. How Camera Angles Affect a Viewer’s Emotions Available at: http://www.ehow.com/list_5775403_effects-camera-angles-viewer_s-emotions.html

How Film Shots Frame the Action in Film Making Available at: http://www.dummies.com/how-to/content/how-film-shots-frame-the-action-in-film-making.html

Bordwell, D., Thompson, K. and Ashton, J., 1997. Film art: An introduction (Vol. 7). New York: McGraw-Hill. (pp.218-240)

Wolf, M.J., 2006. Space, time, frame, cinema: Exploring the possibilities of spatiotemporal effects. New Review of Film and Television Studies, 4(3), pp.167-181.

Nothelfer, C.E., DeLong, J.E. and Cutting, J.E., 2009. Shot structure in Hollywood film. Indiana University Undergraduate Journal of Cognitive Science, 4, pp.103-113.

Smith, T.J., 2006. An attentional theory of continuity editing.

Bordwell, D., Thompson, K. and Ashton, J., 1997. Film art: An introduction(Vol. 7). New York: McGraw-Hill. (pp.112-159)

Eisenstein, S. 1949. Film Form: Essays in Film Theory. Harvest, London. (pp. 15-25)

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.87-90)

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.24-29)

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.18-23)

Deleuze, G., 1986. Cinema 1: The movement-image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) (pp.12-18)

Rampton, K. (2010). Cinematography: Camera Shots, Camera Angles, Camera Movements.

Eugeni, R. 2012. First person shot. New Forms of Subjectivity between Cinema and Intermedia Networks. Anàlisi, (Monogràfi), 19-31.

Redfern, N. 2010. Statistical analysis of shot types in the films of Alfred Hitchcock.

Eisenstein, S. 1949. Film Form: Essays in Film Theory. Harvest, London. (pp. 45-62)

Pearlman, K. 2012. Cutting rhythms: shaping the film edit. CRC Press (pp.153-180)