A Heightened Sense of Things

Quality. Photo: Stefan Dotti

If nothing has come of my time at University, it has helped me to strengthen and tighten my senses, giving me control over what I see, hear and retain. That’s a skill for life that’s going to help me regardless of what sort of career I end up in. If nothing sums it up better, its this statement Dilios makes in Frank Miller‘s 300:

A heightened sense of things. The seaborn breeze, coolly, kissing the sweat at his chest and neck. Gulls cawing, complaining, even as they feast on the thousands of floating dead.

Beautiful and vivid. That’s exactly the kind of attention I pay to my surroundings and environment. I have always had an attention to detail, the stimulation that comes from noticing is a reward for my brain. But between the concepts in Networked media, and the exercises performed in WMT, I have learned a greater control over my senses. Particularly hearing as well as retaining information. I collect vinyl records, so I am used to a higher quality analog sound regardless. I love the depth in the music when its played at its warm and ambient best. When you learn how to use your ears to distinguish, hone in on and control a selection of sounds from the soundscape around you, the experience is even deeper. From these two activities combined, my perception of sound has been completely altered.

I pay attention to tones, sonic qualities and textures in sound that I never experienced before. Even when hearing a song through my car stereo I can now separate the layers and elements of the sound and identify a much cleaner and crisp rhythm, beat, riff, or line. It’s the richness of the experience that I’ve come to enjoy.

It’s the same visually. Taking in the sights around me, noticing those little details and textures of a building, of a piece of furniture, of a car. It creates a more vivid and colourful memory. Something almost tangible. Lucid in its very being. This sort of thinking, the behaviours are only going to help me in life. If you can pay attention to things, retain this information and communicate it effectively, there’s going to be a whole lot of roadblocks that don’t impede you anymore. Paying attention to detail and caring about your environment are important parts of any aspect of life. But as I am starting a career in the media industry within the near future, it becomes even more relevant.

Blogging Builds Brains

Stars and a power pole. What’s more inspirational than that man? Photo: Lisa Ng

Clever alliteration. Thanks, I know. With the assessment for the blog due in a week, I have been putting some thought into why I blog and what I gain from it. Obviously as part of the requirements for the class, the purpose of the blog is to engage with the relevant content and topics in a thorough and speculative manner. I’d like to go a step further than that and look at the greater and wider purpose of my blog. There’s got to be more to life right? Some divine purpose, holy mission, etc, etc. There is. As I celebrate my 40th blog post, I’d like to think that blogging helps me to reach that purpose.

So, at the end of semester one, I knew that my time had come. It was time to do that thing that so many people do. Defer for a year. Why didn’t I do it straight out of school. I think I wanted to get my degree over with as soon as possible. So why don’t I think that any more? Well, I don’t want my degree to end. Don’t take it that way, I actually do, but I don’t think I’m ready for it yet. I feel there’s a lot more I can put into this degree, and at this moment in my life, I’m not ready to engage with the degree in the most beneficial manner. So I’m going to take a year off. Find my passion, invigorate my brain, get some real world experience. It’s not that I’m not enjoying the course, or doing well enough in it. I’m not happy with doing well though. I want to take advantage of every opportunity that is available to me in this course. Kevin is someone who has done the hard yards, and is willing to get into the mix. He dives right in. To his credit, this is something we can all learn from. It’s something I feel I need a little more confidence to do first. So that’s what I’m going out to do.

Anyway,  let’s nut this down to the point. What this blog has done has created an opportunity for me. Someone who can often have trouble expressing things in face to face communication, this blog has really helped me become more expressive and literate in my communication. It’s also shown me the power of being connected and involved in the network. It’s helped me find things I love, express how much I love them and share it with other people. Sure, it might get 15 views a day. But those 15 views are irrelevant. It’s how it makes me feel on the inside.

I feel empowered at the moment, with a whole load of positive energy. This course has got me thinking differently about everything. I speculate, appreciate, evaluate. I plan, I take more risks and I think of things in a long term sense, rather than acting quickly and irrationally. Everything I do, I put more thought into and notice more. The set up of this class has really helped me and my brain. We’re in a good place now, me and brain.

So you might ask, why defer now when you’re feeling such good vibes man? That’s exactly why I’m going to take a break. I’m taking these positive vibes and continuing to work with them. I’m putting them into life, instead of just my studies. My plan is to continue to use this blog, over the next year and throughout my degree and career. Overall, I feel the best way to use this positive energy is to do some hard work, build some resources and get myself involved with my craft and what I love. I need to produce some work, gain some experience and really stretch myself to explore my potential. When that’s done and the year is up, I’ll come back refreshed, keen and eager. Just as I am now, but with a little bit of confidence, a little bit of experience and a little more backing.

For me, this blog has given me a little bit of confidence and a few handy skills, but most importantly it’s helped me feel creative and find my passions. I love to write, so it works well. How well I write will change as time goes on. Things can only get better. But we’ll see if my plans are a golden dream or whether I can make them happen.

Who am I kidding. Of course I can. I’ve got this, man. Anything’s possible (be realistic). Let’s do it. Thanks Kev for the inspiration.

 

Lost and Found

Lost and found. Photo: Rick Harrison

For someone with such an eye for detail, I have an incredibly bad habit of misplacing things. Sometimes I think of such clever places to keep things so that I won’t “lose them”, that I actually end up being unable to find them when I look for them. For instance, I have not seen my Mac mini to HDMI adapter for the past month or two. Today I had to go and buy a new one. Chances are, I bet that I will find it now.

So is this a big issue? No, but it certainly is a minor inconvenience. One that I’d be much happier without. Noticing things is one thing, committing the noticing to memory is another entirely. That’s something I’d like to be able to work on. Memory. I actually have a pretty good memory, when I use it. I think that the problem is I need to actually engage my memory to make it work properly. I guess that’s just a pitfall of being a human. I excel at memory games and activities which require the conscious engagement of memory and the brain. It just so happens that I have trouble remembering where I put things. Could it be that I don’t pay enough notice of the little things? Maybe I only notice things that I think are important. I guess this goes back to the article on “Noticing” by John Mason.

It’s an integral skill that we often take for granted, one that we don’t realise to its full potential. Perhaps it’s high time I started doing something about that.

Changing Paradigms

Ken Robinson’s in the spotlight again. This is sort of going to be a re-hash of some stuff I talked about earlier, but I’ll give it a go anyway. Really, what Ken’s trying to promote is a change in the way we teach children in schools. His theories make sense, too. Fostering, nurturing and growing creativity, that’s what it’s all about. Forget segregation of classes by age, forget academic brilliance as the only indicator of a successful student. It’s not about what you do, but how you do it. Establishing creative process and ability in kids, rather than teaching kids how to make creative things (or in some cases, not very creative at all things).

The idea behind this, is that we create a generation of human beings who are innovative, creative, risk-taking and capable. Then we continue to do it, for generations to come. A complete shift in the way we educate. This would encourage progression and development. It would make organisations and individuals more successful. Not only that, but it would make people happier. This kind of learning encourages people and teaches them to trust in their capabilities and potential, take chances and keep an open mind. That sounds like the recipe for eternal bliss. If you’re adaptable, able to respond well to challenges (hello resilience) and incredibly creative, what in the world is going to stop you? Absolutely nothing. Give this talk a watch:

I’m not saying it’s foolproof (it practically is anyway, I think the success rate would be much higher than the current system), and learning styles certainly aren’t as good for one Joe as the next. But this is a system that is adaptable to all kinds of kids. It fosters individual talents and abilities. If everyone has a chance to grow in their own way, won’t the chances of a successful generation be much more likely? I know from experience that there are a lot of kids who struggle (currently and in the past) with the public education system. It’s a system that is based on old foundations (as Robinson explains) which are no longer relevant.

This is one of the reasons I was attracted to Networked Media from the get-go. Adrian embraces the qualities and ideas that Ken Robinson suggests. Sure there will be some hiccups along the way and change will take a while (we’re all taught to be so defensive [hello Mode I and II] and don’t manage change well), but in the end, the grass will never look a more lustful green. It’ll probably be clipped closely and neatly too. If that’s how you want it. When you come out of this process, the grass is yours to model and style as you like. That’s the greatest perk.

Classic Fiction; Contemporary Culture

Over the past eight months I have been making moves to eradicate a number of gaps that were present in my life. Unlike a lot of children and teens, I was never really exposed to the classics that much. I’m not blaming my parents or anyone involved in my upbringing, because it was partly due to my childish indifference to old frayed books about boring adventures. With the exception of Tolkien’s The Lord of the Rings and The Hobbit, I have pretty much grown up on contemporary teen fiction and adult fiction. So why did I decide that I was missing out on something? I think the classics – although sometimes they can be abused – are great in grasping an understanding of the evolution of society and storytelling in general. That’s not to say that I think a library should only consist of classics – far from it. What I do think, however, is that they should be incorporated into the dietary intake of your brain as part of a healthy balanced book-diet.

Reading books of all kinds is food for your ticker. Take our man Teddy Roosevelt here. Reading books helps you to increase your literary skills, broaden your vocabulary, assist in social relations and networking (If you know more stuff you can connect with more people) and there’s nothing better than a good story. With that being said, I think it’s important to consider the classics, they teach us about society; and not just the society that made them. There are perfect examples of human behaviour and communities in age old books that are still completely relevant today. Speculating the future possibilities is one thing, a firm grasp of history and society is its counterpart. They’re two things that go together. Like Jack and Jill, Yin and Yang, Starsky and Hutch, McCartney and Lennon (Okay, that one didn’t work out so well in the end, but you get my point).

Since March this year I’ve managed to get my nose inside twenty different books. Some of them classics, some of them autobiographical, some of them contemporary. I’ll give you an insight into each of them and how I relate the knowledge, experiences and stories inside them to life. Some of them are just purely a great entertaining read.

 

Fiction:

The Hobbit – J. R. R. Tolkien

A timeless classic. I’m reading this again at the present. Thrills me every time I read it. It’s about adventure, fantasy and the wonders of the world. It does have some dark undertones in places, but primarily it’s an inspiring and uplifting tale of adventure. Tolkien managed to pour so much of the world and society into his Middle Earth. It’s essentially a history for an alternative world. With almost as much depth as the real world. The relationships between characters, races and the real world is astounding. Tolkien emphasises the little guy, that everyone can achieve greatness – size matters not. There’s a value for everyone in the world. That’s the underlying message I get from this book.

 

A Song of Ice and Fire (Series; 5 parts; 7 books) George R. R. Martin

Contemporary adult fiction at its most extravagant and explicit best. This ones more about the entertainment value then any strong social messages. Although one thing is clear. Martin really dwells on the fact that the world is full of evil and the good guy loses. As fans of the hit television series Game of Thrones have painfully found out, Martin has a thing for killing the hero. It’s not a bag thing though, it sets you up for a real suspenseful and entertaining read.

“I want my readers, and i want viewers to be afraid when my characters are in danger, I want them to be afraid to turn the next page because the next character may not survive it.”

It certainly works. Combined with some complex political relations and family feuds (clearly some real world historical inspirations in there), it’s a story that you can really get your brain working through.

“Westeros is probably closer to medieval Britain than anything else. Geographically, it occupies a somewhat similar position off a larger contintent, although Westeros is considerably larger and is, in fact, a continent itself, more like South America. And although I’ve drawn on many parts of history, the War of the Roses is probably the one my story is closest to. “

Animal Farm – George Orwell

A witty, insightful and creative representation of communism and Stalin’s control over Russia and the Soviet Union. Orwell presents the allegorical “animal farm” as a way to express his beliefs regarding the dictatorship that Stalin held over Russia. An entertaining read in itself, the story follows the uprising of a collection of farm animals and the transformation of their rebellion (intended to overthrow the tyrant that was the farmer), into a new style of dictatorship (All the while the leaders [the pigs], attempt to convince the animals that it is in their best interests. I think this is an essential read in understanding the development of fiction as well as some of the major social and political issues that were affecting the world during the early 20th century.

“Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power.” – George Orwell

 

Photo: Giacomo

1984 – George Orwell

A political, dystopian, science-fiction. Orwell speculates what the world might be like 40 years in the future (1984). Another 30 years down the track and the scary thing is that a lot of the concepts he proposed and discussed during the novel are in effect. Focusing on surveillance, government spying and controlling of thoughts and civilian brains, 1984 can be closely related to the possible futures the world faced if dictatorship won through in the end.

“War is peace. Freedom is slavery. Ignorance is strength.”

The novel focuses on controlling the populous by leading them to believe they are in a constant state of war with one faction or another. With major issues revolving around the constant erasing and re-writing of history and changing the world, the people are led to beleive whatever Big Brother (the overlord of the faction) says.

“He who controls the past controls the future. He who controls the present controls the past.”

 

Photo: Alpha

 Around the World in 80 Days, Journey to the Center of the Earth and Around the Moon – Jules Verne 

I’ll wrap these three up in one to save space and time. Three books based around adventure and exploring. They each promote a belief in the fantastical and confidence. From making a record breaking journey around the world, to finding a hidden oasis at the core of the earth and journeying around the moon in a space craft. These stories were all written in the 19th century before many of the technologies used were a possibility. Verne speculates the possibility of travelling to the moon, and journeying inside the core of the earth. These novels, like Tolkien’s also focus on the themes of adventure and the ability for normal people to do incredible things.

What’s most interesting about these novels is the way they shaped science fiction. Although not pure science fiction, they are speculative and concentrate on fantastical sci-fi elements such as space travel and underground oasis’s. These would be great stories to tell to children, before they find out about science. To unlock some creative and speculative abilities, making the content all the more extraordinary.

 

Catch 22 – Joseph Heller

This one got my head going alright. I was actually still trying to get my head around the temporal structure and unity of time til about 3/4 through the book when I forgot about time and just absorbed what was going on. It’s a war satire which really pokes a finger at all of the things that are wrong with the processes of war. Published in the 60’s, a time when war was perfectly relevant (Think Vietnam), the book takes its name from the paradoxical term “Catch-22”:

“a problematic situation for which the only solution is denied by a circumstance inherent in the problem or by a rule,”

It’s funny, entertaining and saddening at times, but definitely worth a read. It’s structure and style are interesting enough to warrant a read itself. It takes great depth in explaining and exploring the different personas and individuals who are involved in fighting the war. The explicit nature of the book even took my by surprise at times.

 

The Great Gatsby – F. Scott Fitzgerald

The classic American novel, is it not? With the release of the film (Which I thoroughly enjoyed), I decided it was time to jump on the bandwagon and finally read about the Great Gatsby himself. Plot wise, the movie follows it almost word for word. The difference I think is the underlying themes in the book. The critique of society that doesn’t quite come through as strongly in the movie.

What I found most interesting in the book was the character Gatsby himself. Like Nick Carraway, the narrator of the story, I was intrigued by Gatsby and respected him but at the same time found he was the worst thing that could exist. Interestingly enough, Gatsby was never intended to be the focus of the story. Fitzgerald pictured Tom Buchanon as the main character.  (Or at least that’s what the notes at the beginning of my book told me). I can’t imagine the book would of been as successful as it was and become a classic without the focus on the intriguing character of Gatsby.

For anyone, regardless of whether they watched the film and enjoyed it or not, I recommend giving the book a read. It’s certainly not lacking in thematic content and social values.

 

Biographical:

SLASH – Slash w/ Anthony Bozza

I’m a sucker for a good Rock N Roll autobiography. The crazier the better. “It seems excessive… But that doesn’t mean it didn’t happen” is the tag-line. This one’s full of all sorts of tales of sex, drugs, police and rock n roll. As someone who’s also read biographies from Slash’s comrade Nikki Sixx (Motley Crue) and Steven Adler (Initial drummer of Guns N Roses – Who knows who drums for that band now days), it’s interesting to hear some different opinions bounce back and forth about certain people and events. Although mainly just an entertaining and interesting insight into Rock N Roll, there’s some good life messages down there, and its certainly got some good sentiments about finding your passion and going for it.

 

My Appetite For Destruction – Steven Adler

I’ll leave this one short. It’s the same story as Slash with a different perspective. This is coming from the guy who got kicked out of the band. Plus the battle’s with depression and drugs that came with it. I found this one to be a bit more of an attention seeking story for sympathy to try and get his name straight, but it was still interesting to say the least.

 

The Heroin Diaries – Nikki Sixx 

Pardon my french, but this one was absolutely ******* mental. A series of journal entries over an extended period during the height of Nikki Sixx’s heroin addiction. Certainly doesn’t promote drugs, but packs a bunch of entertaining and extreme stories. For instance, in the first few days of the journal, Nikki has already been crouching naked with a shotgun under his Christmas tree to try and protect himself from the gnomes that are attacking his mansion. Brilliant.

 

Overkill: The Untold Story of Motorhead – Joel McIver 

I love the work Joel McIver has done, he presents a decent study of bands and musicians with a good balance of analysing their releases and telling stories. For me this one was great because Motorhead is a band I didn’t know much about aside from the music and Lemmy. This one is particularly interesting if you’re interested in how the music industry screws over musicians.

 

White Line Fever – Lemmy Kilmister 

A beautiful autobiography that is just pure entertainment. The fact the Lemmy just doesn’t screw around is brilliant. His attitudes and ideas are exquisite. For someone who’s been jacked up on drugs his whole life he actually has a pretty damn good grasp over business, history and society. Insightful and full of wisdom, but also full of entertaining stories. An explicit no bull account of an incredible icon of rock n roll.

 

I am Ozzy – Ozzy Osbourne

I read this one before I went and saw Black Sabbath back in May. The founding and roots of Black Sabbath has always eluded me so this was an interesting insight into the band, but also a fantastic exhibition of how things look from the eyes of the stars instead of the media. Features all the important stories about Sharon, the police, The Osbourne show, Sabbath and the tragic death of Rhandy Rhodes. It’s good to see people with some emotional intelligence and integrity behind the scenes.

 

To Live is to Die – Joel McIver

The most comprehensive analysis of the life of Cliff Burton (Metallica’s deceased bassist from their original recordings). Full of undertones of good characters and inspiration, McIver discusses Cliff’s upbringing and the impact his parents decisions had on him. Often regarded as one of the nicest and most genuine people the music scene has seen, it gives you a good idea of what shapes someone with incredible character and integrity. Recounts the events that lead to his death (Bus crash in Europe), and even speculates how Ciff’s death affected the future of Metallica and metal music.

 

Justice For All: The Truth About Metallica – Joel McIver

McIver does it again with a knowledge packed account of the band and their history. For me the most interesting part were the issues discussed regarding the Napster incident, particularly fan opinions of the band since this incident and the public’s opinion of Lars. It really changed my ideas on a number of key issues and helped shape the way I think about the music industry. As someone who loves Metallica, this is something that can’t be skipped.

 

The Changing World and Crowdfunding

Someone’s got a passion for fashion. Photo: Rick Chung

Here’s another smart idea that’s made it to the world level. Meet Byco, the new network of sorts for fashion design. An interesting and completely relevant subject that has certainly become more prevalent in the past year or two. It’s also playing a big role in what we’ve already discussed as a changing industry and world. So what does Byco do? Well, if you were too lazy to click the link and find that out for yourself, it pretty much facilitates the process of the fashion industry post design. Aspiring designers are faced with a lot of challenges once they have a design. A lot of the time, they don’t know what to do with it, because their education teaches them a specific set of skills. Byco steps in to take care of the production of the garment, funding and marketing. Letting designers sit back and roll in the profit. There’s still a profit, but you’re only going to get 20-30%, which is fair value considering that you don’t have to pay for any of the materials or production process.

When you submit your design, you can choose to fund the initial sample, or crowd-fund it. If you do it yourself, the 30% profit is yours. If you crowd-fund it, then 10% of the profit goes to the investors. Regardless, this is the kind of thing that people are doing with the internet and communications. The changing technology and industries of the world have evolved into systems like this, where people with skills contribute what they can do to a project. Everybody works together to achieve the goal, this sort of organisation facilitates this process and makes it incredibly easy and organised.

It’s not without its pitfalls. Of course in some cases, you’d be better off to do it yourself. If you’ve got the skills, know-how and adaptability you’d be better off eliminating the middle man. In the end, it’s the one with the most innovation that takes home the largest portion of bacon. We know this, because Byco’s creator is going to end up with the millions. But it certainly does help facilitate the production process for new designers entering the business. It’s a starting point, a springboard and a platform of sorts.

Truly an interesting idea, one that has been explored by a number of different industries. Crowdfunding has been big in the film industry lately. It’s a good way to find people who want to help make your ideas happen. It lets you find people who like your work. Applications like Byco, however, are less common. It will be interesting to see the future of this kind of networking and how it shapes up.

Digital Effects and Contemporary Cinema

The beauty that Weta creates. Photo: Chuck Cook

For anyone interested in digital effects and cinema who hasn’t already seen this website, visit it. It’s an unbelievably brilliant showcase of some of the technologies that are being used by film makers around the world today to produce some of the biggest blockbusters. Here’s an article from the 13th of August on the new Neil Blomkamp film, Elysium. Getting to see some of the best digital effects of the contemporary world unfolded in front of you with excerpts from the experts themselves and the creators behind the fiction (Such as Weta’s Richard Taylor, a favourite of mine). While the articles on fxguide certainly aren’t going to give you a ticket to a job in a film studio, they can provide a great insight into the basic workings of a digital effects company.

While I am often sceptical of Blockbuster films (I have been impressed recently but I have certainly witnessed some big let downs), I think that digital effects is an important part of contemporary cinema and something that it would be silly to close your mind to. We’ve heard all the arguments regarding the over-reliance on technology and the fact that it is more important in some films (seemingly) than the actors, costumes and sets themselves.

As we entered the digital age, effects like this became more prominent, sometimes not for the better. It often seems like filmmakers get carried away with the FX and forget about the substance in films. For me, a big Tolkien fan, when I saw the first shots released to the public from the Hobbit I was a little spectacle. They took a bit of warming up to. But by the time the trailer was released I was already in love. This is a good example of how rapidly the film industry has changed. Just nine years earlier I was on the edge of my seat watching the final instalment in the Lord of the Rings trilogy on Boxing Day 2003. To jump from these films into the Hobbit was like stepping into a different world. What set the Lord of the Rings films apart was the extensive and thorough detail and grit that was compounded into the films. It made the distant lands of middle-earth and fantastical creatures such as the orcs and elves seem real without second guessing (a lot of what makes those films work is New Zealand itself).

So we go from one end of the spectrum, then suddenly we’re in a fantasy world that’s beautiful, vivid and dream like in the Hobbit. It’s made by the same team, yet there’s a whole lot of fantastic new digital technology (For example, goblins are now digitally created, rather than created using actors in prosthetics), but there’s also new technology involved (Hello HFR cinema). There’s a huge gap between 2003 and 2012 in terms of cinema. This is what we can create now with the technology that we have. What’s even better is that the gorgeous and visually splendid world Jackson was able to create using the new technologies suits perfectly the mould of Middle Earth that Tolkien first imprinted with the Hobbit. The possibilities are endless, to an extent.

For anyone who, like me, has an interest in contemporary digital effects and what the future holds dig your nose into the some of the extensive research that digital FX forerunner Weta has purveyed. Once again we see the competitive edge boosting our progression and advancement. There’s a reason Weta are so well respected and regarded in the world of cinema props and FX.

I love cinema. Almost as much as I love Tolkien. I’m sure you’ve noticed that, and I hope that a little of my passion might teach you something new.

Innovation, Progression and Invention

Sleek, innovative and successful. Photo: firemen.cn

 

After taking a break from my blog while I sorted out some unattended assignment business, I’m back. Here’s something interesting which helps yield a little bit of information into how we progress and what drives our innovation and creativity. It’s long been noted that innovation can stem from conflict and competition. While I’m not going to go on record and promote warfare to drive the creative forces of the world, I am adamant that competitive sports and competitions assist us in achieving our best in the world of technology and new ideas. Audi agree with me too. (Here’s the original press release from Audi for anyone interested in some further reading).

Audi have attributed their gains in the auto market (Gains indeed, they have certainly been impressive in the past year or two) to the new and innovative technologies that they are incorporating into their products. Where does this drive for the creative edge originate? Their racing work. Long associated with performance vehicles and motor racing, Audi have had dominance in this area of sports for years. They are constantly vying for ways that they can improve their cars and give their drivers an edge over their competition. Fame, fortune, renown, trophies. Sure you could pin it to that. But this competitive nature of the auto sports has some seriously positive real world implications. The technology that Audi comes up with for its racing vehicles? That ends up on the high end cars consumers get their hands on. Improved efficiency, safety, handling, stability. Comfort, even. They are all technologies that were made to win races. Now they’re giving me and you better cars, safer cars and more comfortable cars.

While sport is great for entertainment and keeping society engaged and content, it also seems to drive real world technologies to the next level. You can apply the same logic to other sports. Those complex fabrics and materials that the better clothes and equipment on the market are made from? Chances are that they were originally developed for professional athletes, or the military. Microwave, internet, GPS, Jeeps and the fan favourite; cargo pants. All military. LED lights on cars? Racing. Breathable fabrics that sporting and outdoor clothes are made of? Professional sports.

Competition and conflict help to drive humanity. We creative and innovate in order to stay ahead. In times of peace and perfection, the only motivator is money and fame. But they’re not as powerful as the competitive drive we experience when facing opposition or conflict.

Richmond

An old photo, but contextually perfect. Photo: Rachel Hofton

I’ve been a member of the Richmond football club since 2002. I would’ve been seven. I’m now eighteen. Since then, I’ve gone to -on average- eighteen games of AFL each season. Out of a possible 261 wins across that period of time, Richmond have won 95 games. For all you who shade away at the sign of maths (I don’t blame you), that’s roughly 36%. It’s fair to say I am experienced in taking a loss on the chin. I’ve been through enough. But I’m still here, week in week out supporting my team. We’ve been through a lot, me and Richmond. I still love it. Through that period, Richmond has managed to boast strong membership numbers and attendance records almost every week. There’s a lot of love for Richmond, it takes a bit to really get it out though. This article from the Herald Sun (#1 Credible news source in the world) sums it up perfectly.

THERE’S a “frequently asked questions” page on Richmond’s website about how to access finals tickets.

It looks fresh – which isn’t surprising given the last time the Tigers were in the finals, just 42 per cent of Australians had internet access.

If I had to sum up the article, these two lines do it well. This highlights two key issues.

  1. The world is an entirely different place since 2001 when Richmond last made the finals. So much has changed. The fact that only 42% of Australian’s had internet then is frightening, I’m pretty sure it’s about 70% now. 30% more of the population are now connected to the rest of the world and can communicate with anyone, anywhere with a few clicks and taps. This ties in beautifully with the idea of speculating the future and why design fiction is a credible practice. How many people would’ve foreseen the need to have a FAQ on how to book finals tickets online in 2001?
  2. The experience. Getting sick of me reeling this one off in every blog post? Has it hit home how important experience is yet? I took a friend (Carlton follower) to see Richmond play earlier in the year. He said to me after the game that he was legitimately considering becoming a Richmond member because of what he experienced at the game. The atmosphere. The crowd. The extra things that the football club endorse and exercise. For example, when the team runs out they’ve been lining the causeway with war drums (my simple man’s term for some giant oriental drum) and beating them to increase the adrenaline of the players and the crowd. The sheer ferocity of the crowd and cheer squad when the team plays well is incredible. It’s a beautiful experience. Coming home from a win makes my weekend so much better.

I’m going to the MCG today to watch Richmond vs. Carlton. There’s only two more games after this one, but if things wall to plan – maybe – just maybe, there might be a chance of even a top four berth for Richmond. Let’s not get carried away though. I’m trying to keep the lid down for as long as possible. But who am I kidding, I think it’s about time to open it. The haters in the AFL facebook page comments can bugger off. I’m excited, I’m proud. Let’s win some football.

The Cinema

Beauty, atmosphere and experience. Photo: Andrew Tseng

After being a recluse (a cinema-recluse at least) for most of 2012, the last 10 months have seen more cinema action for me then I have experienced in a long time. Why? Well firstly, my girlfriend’s family bought a new TV with a bonus offer of free movie tickets each fortnight, so I don’t have to pay. But more so I think it is because of a reinvigorated love of cinema. The atmosphere in a cinema can’t be replicated, except for in the best home cinemas (I know of one in particular, which may be discussed in greater detail at a later date), there’s just something special about the gargantuan screen – I love a good dose of Vmax – and the engulfing wall of sound that exists in a movie theatre.

I can’t even remember all the films I’ve watched in the last 12 months, but I’ll do my best to recount some of the more memorable ones for you:

Don’t know about any others. Those were the ones that popped to mind. Interestingly enough, I’d be willing to go on record and say they were pretty much all outstanding films (with the exception of the start of The Wolverine being a little arduous). What’s great is the fact that I have been able to really resonate and think on a much deeper level with a lot of these films then I have previously, thanks to a little bit of enthusiasm and interest. I’ve always loved cinema, but recently I’ve really found its my passion – something that I can understand and relate to.

Red One. The future of cinema. Photo: Neilson Eney

I saw Elysium tonight, and while I agree to an extent that District 9 director Neill Blomkamp might be flogging a dead horse in terms of the conceptual thinking (well some critics seem to say so, personally I really like the thinking, you could call it design fiction), Elysium still stands as a film in its own right and shouldn’t be compared to the more creative and alternatively created District 9. The movie had the right level of emotional depth, politics and story to balance off against the high impact and fast paced violence. I didn’t feel like the fighting and action overshadowed the plot or values the movie projected – like a lot of films do tend to do in our highly fantastic and computer orientated industry.

What got me thinking today however was the relation between how we think of cinema and how we think of the essay. Adrian obviously chose to provide Graham’s article on the essay as one of the week 4 readings for a reason. To me after my deep thinking and speculation for the evening, I really feel that effectively this sort of ideology stands true for the film as well. You’d be hard pressed to find a cinema class at a university that focuses on the future of film – or even current film. We’re stuck in this trend of studying the classics. Learning how the classics work, when really, the cinema is heading in a completely different direction. Sure, the classics are the foundations of cinema and they let you understand how the Classic Hollywood, the French New Wave or the  Soviet Realist works (etc, etc). But what about learning how to understand cinema as it stands today, or how its progressing? The technologies behind it, a greater understanding of effects and digital effects. Are we afraid to admit how great an influence special effects has had on the cinema?

Our good friend Peter Jackson once again has a great idea on this. 48fps is the future. Advancing and progressing the art of cinema through contemporary and future technologies is high on Jackson’s important things to do list. Embrace new technology, respect the past – understand its workings – but most of all keep an open mind and embrace the future. It is obvious that cinema studies is intended to be what it is, to understand the classics and film history. But my question is, why isn’t there ever a course on offer that studies cinema as it is today and into the future?

 

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