May 30

Footy fans attention drawn to the sights & sounds of the red centre

I was riding my bike towards East Richmond Railway Station when I went past a stunning portrait of an Indigenous boy in a Hawthorn jumper. I put on the breaks and wheeled around to study the image further. He’s barefoot, standing on red earth, holding a yellow Sherrin, and has a determined gaze that exudes dignity.

The photo is part of a photographic exhibition called “Red Earth Footy”, featuring images taken by local photographer Adam Haddrick. I walked into the gallery and see images of grown Indigenous men playing Australian Rules football. There are action shots, portraits and some quite evocative close-ups.

One image shows a long shot of a group of footy players. They’re scrambling for the ball in a cloud of dust at sunset. The plumes of red dust, and the setting sun create an illusion that could just as easily be described as a company of graceful dancers, carefully choreographed around a roaring fire. Very similar to Bangarra Dance Theatre.

A man introduced himself as Adam the photographer. He told me that he took the photos about 300ks west of Alice Springs. It was originally for a newspaper shoot, but he has returned many times since, and is now working on a book. Adam told me that the footy plays a vital role in the Indigenous community he visited; the different teams travelled vast distances to meet, camp, socialise and compete. He said that the rivalry between these teams equals that of any AFL team, and that the brand of footy they play is very rough, and the ground they play on is even harder.

In the background Adam had an ambient soundscape playing on loop, which he recorded it with his phone. It sounds fantastic and really adds to the atmosphere. You can hear a footy crowd enjoying the game, the players running and kicking and the constant hum of a generator that I didn’t think to ask what it was powering. All of this gave me some ideas for my own group project, which is focusing on modes of attention and AFL;

With that in mind, I asked Adam how he felt going to the MCG after experiencing footy in such a remote part of the world. He said that the players and spectators aren’t that different; there are hard men, thrilled kids and proud mums. The only thing he says that is blatantly different is the level of commercialism in the AFL. But these leagues in outback Australia are supported financially by the AFL, so he thinks that’s money well spent.

 

May 28

Audible feedback that doesn’t hurt the ears

Today’s workshop we got the chance to get feedback on our rough cuts for project 4. It was really helpful to hear from Catherine who works in the industry. Her advice was to focus on what is real and to edit out parts of our audio that doesn’t sound genuine. I knew that this was the case subconsciously, but it was fantastic to have it said out loud. We got the chance to listen to one of the other groups audio rough as well. I found this very handy, as it gave me some ideas. I felt that my audio spelled out too much to the listener and I learned that with audio it is a good idea to grant your audience enough respect to be able to put a story together themselves; they don’t need to be spoon fed with bowls of exposition.

May 28

False Merchants?

In today’s lectorial, Ramon Lobato from RMIT presented a fascinating look into the impact Netflix is having on the media landscape right now. This presentation complemented this week’s reading “The Attention Merchants” by Tim Wu. We learnt of two competing ways of looking at this developing technology. The first describing Netflix and other SVOD (Streaming or Subscription Video on Demand) providers as a new form of democratic entertainment that can only get better with time. This opinion is juxtaposed with the counterargument that by simply interacting with these platforms the public are surrendering their valuable intellectual property, Wu explains that “the attention merchants” aren’t phased by their target demographic cancelling their cable subscriptions and using SVOD in droves. The very act of searching for information online provides them with more information than they have ever had, a users metadata gives more answers about an individual than any survey could. Personally I think that if you believe an attention monster is coming to upload cookies directly to your soul, maybe you should go for a nice long bike ride or head to the pub and watch a live band. Here’s a gig guide…

http://www.beat.com.au/gig-guide/2017-05-27

 

May 28

Teenage Lobotomy

In today’s workshop we listened to the NPR audio story “My Lobotomy“. The sound produced such vivid imagery that I wonder if a film documentary would have done the tale justice? The piece runs for just over 22 minutes but it left me wanting more. The story opens with a weaving montage of various people telling their recollections of the procedure.  Then we hear the recorded voice of the lobotomist, interrupted by a well spoken American man with a deep voice. We learn in this first scripted portion that our narrator had actually undergone the procedure that is being investigated. The documentary consists of scripted and recorded interview audio that reaches a crescendo when the narrator interviews his father about how he let this happen. This documentary is a fantastic example of the creative possibilities of sound, and I’m really excited to apply some of the techniques used in “My Lobotomy”. Note: the sound, not the procedure!

May 24

So, how do I think I went?

In today’s lectorial, the final for the semester, Brian gave some very useful advice on backing up work. It might sound logical, but it’s something that is easy to forget to do, especially when one is chasing a deadline. When making editing decisions it’s useful to save different versions as the editing process evolves. Brian suggested that we should not only regularly save our work, but to also save to a cloud based drive and an external hard drive.

I also completed a ‘learning graph’ the purpose of which was to plot the trajectory of how I felt about different facets of my learning experience this semester. My graph displays a gradual improvement; the dips in confidence come from when I became aware of what I didn’t know, or when I hit a roadblock. I found this a useful exercise as I can see where my strengths are and my areas of potential improvement.

May 22

The re-run shall not be returning

In this week’s lectorial, Ramon Lobato from RMIT gave the class a brief history of broadcast television in Australia and the changes that have occurred over the years. Ramon asked what programs we have recently watched and what platform we watched it on. It became very clear that most of the class watched programs on demand and traditional broadcast TV was reserved for live ‘event’ programs like live sport. In the days of five terrrestrial TV stations there was a form of programming called a “re-run”. A re-run was a television program that had previously been shown and was a very cost effective method to fill up a schedule. Viewers were treated to endless re-runs of “Get Smart”, “The Goodies” and “Kingswood Country”. It wasn’t just movies and sitcoms that had the re-run treatment; game shows used to have repeated showings as well! What this meant was that two generations had a strong point of reference to entertainment from a bygone era. Kids who watched “The Brady Bunch” in it’s original run could easily chat to a child 20 years later about whether Bobby Brady dyed his hair or not. Today we have too many TV stations to count and digitally curated viewing lists which means we watch all killer and no filler. On the one hand this level of choice is wonderful. However, it arguably also means that generations of viewers will have no idea what the previous was into. Whatever will they talk about now?!

May 22

Radio’s not dead

Many people believe that radio is struggling in the digital age. Certainly it is true that people are leaving commercial radio in droves in favour of curated playlists on music apps like Spotify and Apple Music, while downloadable podcasts are rapidly taking the place of talk radio.

It’s not all bad news though. As I write this, my favourite community radio station PBS is going hammer and tongs to increase its membership base with its annual drive. This years’ theme is “One Small Step”, and the station is asking its listeners to take a small step and support the station that supports little heard music. PBS receives no government funding and all announcers are volunteers who deliver their weekly shows out of a love of radio and music, but it has survived for over 30 years.

Perhaps declining commercial radio stations could learn a thing or two about passion for art from the community stations, for example playing songs in a foreign language? Maybe they’ll be inspired by this year’s beautiful and unexpected Portuguese Eurovision winner, who exclaimed “We live in a world of disposable music; fast food music without any content. I think this could be a victory for music with people who make music that actually means something. Music is not fireworks; music is feeling. So let’s try to change this and bring music back.” Over on PBS, that feeling has never left.

May 22

Can I have your attention please?

 

For this weeks workshop exercise my group recorded a short audio piece. The topic was “Can I have your attention please”. I learned the basics of using Adobe Audition, including how to import, edit, and export audio. This exercise has given me a better feeling for what I would like my teams project 4 to be like. My hope is that we can make something more experimental and artistic, with less exposition. With good editing we can hope that the listener can themselves paint the picture of what we are trying to communicate i.e., using ‘closure’ in an aural sense, the concept dealt with in the reading; ‘Blood in the gutter’.

May 18

Sound advice from a professional

Audio is a medium that many media students might initially think is a bit antiquated. But when one thinks about recent media trends it’s impossible to not include podcasts and online audio in the conversation. In todays lectorial we had guest lecturer Kyla Brettle present to us. Kyla is an experienced audio producer with close to two decades of professional audio production experience. She shared invaluable advice on how to be an expert audio media maker and we were shown just a fraction of the endless possibilities that audio as an art form can take. Some advice that I remember was to put all the audio I have for my project on the one track. This means that I can listen to everything. In doing so I might find something unexpected that can take a project into completely uncharted territory.

 

May 8

May the 4th be with you, May 8th!

Sometimes a play on words can be all that is needed to effect a change. For example, last Thursday May the 4th was Star Wars Day. This is because “May the 4th” sounds like the beginning of the phrase “may the Force be with you…”, first uttered by Obi-Wan Kenobi in “A New Hope” (1977). Star Wars Day started out as a joke on social media, but in only a few years has grown into a day on which fans celebrate George Lucas’ much-loved space saga. This year I went to a Star Wars trivia night with fellow nerds and enjoyed some “Wookie Cookies” and blue-milk with Kahlua.

Recently there has been a push on social media to change Australia’s national day to May 8th, a similar play on words to May the 4th as it sounds like “MAAATE”.  An amusing video titled Change Australia Day to May 8, Maaaaate went viral on social media and put forward a very compelling case for changing the date. While this video itself is light-hearted, it comes from an increasing movement in Australian society that is uncomfortable with our current national day. Many see January the 26th as problematic as it coincides with the date that the traditional owners of Australia were effectively robbed of their land – not really something worth celebrating. Whether we see a change of our national day any time soon remains to be seen, but the May 8th play on words will no doubt provide a rallying cry and provoke some very interesting conversations around our barbecues, cantinas and the Galaxy.