Eugeni, R. 2012. First person shot. New Forms of Subjectivity between Cinema and Intermedia Networks. Anàlisi, (Monogràfi), 19-31.
One thought on “Eugeni, R. 2012. First person shot. New Forms of Subjectivity between Cinema and Intermedia Networks. Anàlisi, (Monogràfi), 19-31.”
In this article, the author mainly discusses first person shot which serves as a signal of transition from the previous perspective on subjective shot to a more contemporary sort of style. There are two important feature of the style of first person shot; the first being it is a “reciprocal interaction” and the second it is quite an experiential sort of style that captures the dynamism of the environment. Moreover, because of the constant shifting that demonstrated in first person shot, the audience is able to constantly define their feeling in the process. And thus first person shot is a complicated narrative form.
In this article, the author mainly discusses first person shot which serves as a signal of transition from the previous perspective on subjective shot to a more contemporary sort of style. There are two important feature of the style of first person shot; the first being it is a “reciprocal interaction” and the second it is quite an experiential sort of style that captures the dynamism of the environment. Moreover, because of the constant shifting that demonstrated in first person shot, the audience is able to constantly define their feeling in the process. And thus first person shot is a complicated narrative form.