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Month: April 2016

The Match Cut: Fruit Salad (Draft)

April 30, 2016yutingxiao Leave a Comment

For this week I decided to just get the ball rolling and create something to practice editing match cuts. Below is a (very, very) rough draft of the exercise I ended up with, called “Fruit Salad”. Obviously the cuts aren’t exact… Continue Reading →

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Individual Research Project: A Plan

April 17, 2016yutingxiao Leave a Comment

Through the past couple of weeks during class exercises and reflection, I have become interested in the power of editing as well as creative visual techniques in relation to coverage. In an effort to combine editing and cinematography, I have… Continue Reading →

the scene

French vs American Cinema: Different Approaches to Coverage

April 16, 2016yutingxiao Leave a Comment

During the first half of Wednesday’s class, Robin showed us a series of clips from various French films. Whilst different in terms of content, genre and style, each of these extracts had something in common: the extraordinary fluidity and originality… Continue Reading →

the scene

Week 6 Exercise Reflection: Match Cuts

April 16, 2016yutingxiao Leave a Comment

During this week’s exercise, we were asked to investigate something of formal interest to us and then directing and editing a small experiment. After watching a video essay called “How To Do Visual Comedy” in which the author showed a… Continue Reading →

the scene

Week 6 Reading Response: Antonioni & Acting

April 14, 2016yutingxiao Leave a Comment

Forgacs, David, 2011, ‘Face, body, voice, movement: Antonioni and Actors [Excerpt]’ in Rhodes, John David (ed.) & Rascaroli, Laura (ed.), Antonioni : Centenary essays, Palgrave Macmillan, New York/Basingstoke, pp. 167-181. Linking nicely with my reflections regarding acting from Week 5,… Continue Reading →

the scene

Relationship between the technical and creative

April 12, 2016yutingxiao Leave a Comment

How do you view the relationship between technical competence/expertise and creative aspiration? I’m not really sure how to answer this question, but I think that the bottom line is you can’t have one without the other. At its core, a… Continue Reading →

the scene

Experimenting on Tuesday: A Plan

April 11, 2016yutingxiao Leave a Comment

As I’ve gotten further into my degree, I’ve noticed that the majority of my focus on film and TV is regarding visual aesthetics. I am more so interested in things like cinematography, editing, coverage or ‘decoupage’ and less so in… Continue Reading →

the scene

Week 5 Reading Response: Tim Barnard & Decoupage

April 9, 2016yutingxiao Leave a Comment

Barnard, Tim 2014, Découpage, Caboose, Montréal. In this book, Barnard tackles découpage by responding to a number of quotes from other writers on the subject. Reading these selections probably made me more confused about the term, as the first few… Continue Reading →

the scene

Set Written Research Project: Mise En Scene

April 8, 2016yutingxiao Leave a Comment

In sense, our whole semester is dedicated to decoupage. It could be valuable then to investigate the meaning of the following terms: mise en scene / montage. You may like to: Consider their relationship to decoupage; Consider the precision/vagueness of their… Continue Reading →

the scene

Week 5 Exercise Reflection: Editing Suites Scene

April 8, 2016yutingxiao Leave a Comment

In this week’s exercise, we were asked to shoot a longer scripted scene in groups that resembled mini film crews. I have always been more comfortable behind the scenes and refuse to be in front of the camera, but this… Continue Reading →

the scene

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