Month: March 2015 (page 1 of 2)

Self – portrait #2 (wk 4)

I have tried to express myself in a more deeper fashion compared to my final product of project brief one. Overall, my aim was to convey a sense of nostalgia. This sentimentality was aided through editing ( through iMovie), specifically via transitions between shots – generally using a cross dissolve or a cross blur in order to create the feeling that memories become a blur when looking at them in retrospective, also that life becomes a blur when you are moving too rapidly. For other shots, straight cuts were used to reinforce the sometimes impending “black and white” feeling of growing up – the thin line between right and wrong, or expectations of others, something I believe profusely reflects myself and my own inner workings. The colour palate and filters I have used I believe create a sense of wistfulness, creating a romanticised outlook of myself, as majority of the shots could be interpreted as point of view shots.

I believe that the most successful part of my self-portrait is the way in which the narration throughout the middle section of the clip intertwines with the images and footage in order to create an insight into what I reflect on, and think of myself. I do not know how easy it will be to interpret the footage I have linked together, along with the audio. As it is my own self – portrait, I see relevance and meaning in everything, however others may find it irrelevant or strange to decipher. This is what I deem simultaneously a successful and unsuccessful feat, as there are moments of explicit reflection, accompanied by abstract and vague portrayals of myself. Although saying this, I believe it creates an effective juxtaposition in the construction of my own self – portrait in the eyes of others. One thing I think may have been unsuccessful is the narrative framework as such. It is an somewhat abstract piece, however I think after reflecting on it, I would have liked it to have had a slightly more structured outline, where the footage may have linked together in a more successful and smoother fashion.

Is experience everything? (wk 4)

In this weeks tutorial, “Blood in the Gutter” by Scott McCloud was focused on, obviously for good reason. The underlying message of the comic style explanation, not only for comics, but all forms of media, skilfully dove into what the audience perceive and their own expectations when looking at something – whether it be film or not. The fact that one expects particular settings or environments to be a certain way, even though they have never experienced, it leads me to reflect on how much of the world we, as human beings, conjure up for whatever reason we deem necessary. How much do we romanticise things to make them appear how we want? Are our expectations too high because we have created them on a basis of what others tell us? Our senses can reveal a world that is fragmented and incomplete, even those parts of the world we have never even encountered. How much of the world do we have to visit in order to get a full understanding of them? Perhaps one day it will be enough to simply be informed about other countries and cultures, that we don’t have to literally experience them ourselves. But wouldn’t that be losing the personal worldliness that we all crave? After all, aren’t we consumed by this intense wanderlust?

Week 4 lectorial

“It’s not enough to think, you have to do.” – Adrian Miles

It was quite an eye opener to hear this. Obviously, it’s one of those things that you already know, but needs to be reinforced every once in a while to get your ideas flowing. It’s a sign that what you’re already doing is not enough. You need to go out and take that footage, record the sound, experience the writing. In order to create, you must do something – anything, creating doesn’t just occur in your mind.

Lessons to be learnt (wk 3)

Usually when things don’t go your way, anger courses through your body, accompanied by sprinkles of disappointment. You get upset, you don’t like people telling you you’ve done wrong or that you’ve simply failed what you originally set out to do. I’m talking from experience. I personally think that when you’ve tried so hard in something, or investing a vast amount of time in completing something, it’s difficult to be told anything you don’t want to hear. It’s hard to break this routine of denial and disappointment, but in the big, bad world of media, it’s necessary. You just have to take criticism positively. Nobody likes hearing it, but there’s always going to be an endless storm of criticism to rain on your parade. Use it. Use it well.

Lectorial or lecture? (wk 3)

Week three’s lectorial wasn’t the standard, lecture plus tutorial, rather it was simply being spoken to for two hours. I however, wasn’t complaining, I wasn’t in the mood for discussion of anything, and sat back and listened. I can honestly say that the first session about copyright was quite overwhelming, so much information being thrown out at us, at points I was finding it hard to keep up. The basic message that I got was to pretty much not use anything that could get you in trouble i.e. use all of your own stuff for everything you make, because it can and will save you a load of trouble. Coming into the session, I thought I knew quite a bit on copyright talk, looks like I didn’t. I didn’t realise how detailed and complex these laws were, at least now I can say I think I know.

The next two sessions including Kyla Brettle and Paul Richard, to me, were reminders of the end result of doing what i’m here to do. To create things and appreciate what I, along with what others make. There’s really not much to say on this. It was an interesting two hours, and reminded me that if you really want to make it in the world of media, there is no other option that to enter worlds other than my own.

Week 3 Tutorial

Self Portrait:

How did you represent yourself?
I represented myself as someone family orientated, who travels a lot, spending a lot of the time on trains or modes of transportation. Then when i’m not out, i’m at home in my room. I think that kind of portrays myself to be black and white – in or out, away or at home.

How did others represent themselves?
Some were obviously things that are important to them on an everyday timeframe, their surroundings, their environment/s that they interact in. Others’ pieces were a bit more in depth, with a larger thought process of  what they actually wanted to show to others, while still showing something personal.

This is a bunch of kilobytes – how does it become you?
I don’t really think it can properly become you as such, it is a representation of me, but can never fully represent who you are. I suppose it gives a glimpse into my thoughts, what I deem important to myself and my life. It’s hard to perceive a list of files as a complex human being with a just as equal complex mind. On that level, it must reflect something psychological about what I want to share and how my mind works when I begin to associate anything with the term “self – portrait”.

Expressing yourself is difficult when it comes to showing yourself in a different light. As a media student, everything is mostly about expression and creativity, but this task was different. It was definitely a challenge for me.  I overthought it at the beginning, thinking of it as a make it or break it, unleashing every single piece of creativity within me to make me seem like a force to be reckoned with. Then I realised that I was being a bit dramatic, the product wasn’t being marked and was essentially to get us thinking and doing. It has been useful in the sense that I can now think about how I portrayed myself and how others creatively portrayed themselves, taking that into the next project. It has encouraged me to tackle the task in perhaps a different way, attacking it from a more abstract point of view.      

Self – portrait

Although these media texts won’t give an insight into every single thought in my brain, they express small fragments of my personality and of how I see myself. 

 The GHS image, represents my initials. Georgina Hannah Stewart. Although seemingly obvious and cliche “my name is who I am”, for me, it is. I for one have never really been in love with my name. Sometimes I feel like it wasn’t meant for me as I was supposed to be called Hannah, however my parents already knew two children had been named that in the year before I was born. Maybe the odds were against me from the beginning.GHS

The image of the city, the train station accompanied by its audio link together. I seem to always find myself waiting for something, and then when it comes around, it happens in a whirlwind and I move on, to wait for the next thing. They reflect the fact that majority of the time I find it hard to appreciate thing the bigger things.

Train stationCity

The shot of my bedroom in short outlines my utter laziness on many occasions, my room, as for many, is generally my safe haven, and has seen every emotion i’ve ever had to offer.Bedroom

The keyboard audio, a rendition of “Greased Lightning” played by my younger sister portrays my passion for all things musical and acting.

The video of the record player shows outlines my love for music, and perhaps my interest in “aesthetic”, something that I thought would prove to be a phase and many of my interests have, but is proving me wrong thus far.
(https://vimeo.com/122586055)

The video of one of my dogs Charley simply supports the fact that I spend so much time with him. He’s such a gentle and calm animal that is never shy of a cuddle when you need one.
(https://vimeo.com/122586053

The text, text messages between myself and my younger sister are in short, a summary of many of our conversations. Being such a huge part of my life, they reflect us perfectly, just as they would any other sisters.

ME: Can you turn the internet on pls?

SISTER: No you

ME: But i’m upstairs

SISTER: I don’t care
——
ME: We’re coming home now

SISTER: Why?
Do you have food?
Pls bring food!

Mistake after mistake… (Week 2)

Sitting watching mediocre nighttime TV has become a large part of my life. It all started last year after I would come home everyday from an excruciating day of year 12 pain, I would take a nap and then sit and watch the first piece of nonsense I could find. Last years season of The Block Glasshouse was a rough time for me, I became obsessed, which was probably terrible for my school work, but was great to forget about the ongoing stress, replacing it with the drastic turmoils of bathroom week. I became emotionally invested, like a 13 year old Justin Bieber fan, even shedding a tear on auction night when two of the couples only profited $10,000 after so much gruelling blood, sweat and tears.

This year I promised myself it would be different – simply because of the fact that Simon and Shannon, surf brothers and my favourite “couple” were nowhere to be seen. I was wrong about this show. I told myself I wasn’t interested, but then I saw the advertisements. Dea and Daz were back – bringing with them stiff competition and immense amounts of drama. So here I am, tuning in every night, and it isn’t because it’s an amazing show filled with a complicated plot, as that is what it’s not. It’s not good at all, but it’s the adverts that draw me in every single time.

In relation to the last lectorial about noticing, one thing i’ve noticed about the block is that all of the problems they encounter, they create themselves. It’s ridiculous. You have ceiling height issues because you chose to change the architectural plan. It. Is. Your. Fault. People on television may be getting air time and an occasional trend on twitter, but nobody ever said they were smart, no matter how well they can decorate a bedroom.

Tutorial week 2

For today’s tutorial we were left to our own devices, therefore the search in creating a self portrait without including myself continues. It’s amazing how there are so many ways to express yourself in an artistic form. Currently listening to music, pictures hung on the walls of my kitchen with a pile of dirty dishes, I’m thinking that this obviously represents our own inner turmoil with last nights dishes, which are ready to put away next to a pile of new dirty ones awaiting to be cleaned. It probably just means that we’re lazy and should empty the dishwasher. From this I think that there are literally so many things that could represent your personality or characteristics if you’re willing to put an inch of symbolism into it, including a pile of dirty dishes. Everything tells a story. 

dirty-dishes

This blog post – although seemingly pointless – did in fact help me see that my products for design brief 1 could be anything imaginable. Although this has its positives and negatives ( too broad of a focus but more of an idea about the symbolism I want to achieve ) it’s kicked my unmotivated creativity into gear ( I think ), and so hopefully I can now go full steam ahead, noticing the things around me that tell others who I am. 

Lectorial week 2

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John Milton Cage Jr, best known for his 1952 composition 4’33’’ is the perfect example for listening to the things or sounds surrounding oneself. Performed in the absence of deliberate sound, Cage himself is simply present in the room for the specific 4 minutes and 33 seconds. Leaving the audience in suspense as they listen to the echo of the environment surrounding them, it gives them no choice other than to notice things. The art of noticing things is extraordinary, as one can directly focus on these “incidental sounds” without a sole distraction. Hearing the clock ticking on the wall, feeling the person next to you shuffling in their seat, realisation of your own impatient tapping of your foot as you wait; are all signs of the affect of a prolonging silence.

“Wherever we are, what we hear is mostly noise.  When we ignore it, it disturbs us.  When we listen to it, we find it fascinating.” 

After remaining silent in the lectorial for an excruciating 33 seconds and instructed to think about the intention of the silence, all I could notice was my impatience in sitting still, my clicking of a pen, fiddling of my fingers and occasional yawning. This leads me to think that if it only takes 33 seconds to notice these things about myself, how long would it take to notice other peoples’ behaviour and mannerisms in an attempt to understand others? What does it take to have silence? Being silent outlines that as human beings there is no such thing, something is always happening, looking at the grand scheme of things, people are always moving, there will never be an absolute moment of silence in this day and age. We are so overrun by communication and technology that we don’t take the time to notice what is happening around us.

Image sourced from : http://www.ruthong.com/80011/809809/home/spec-wk-steinway-crackerjack-montreal-tomtom-china

Quote sourced from: John Cage, “The future of music:  Credo”, Silence, p. 3. 

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