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Cut versus Shot

Author: Renee

May 23, 2016

Gaudreault, A. 2002 Digital Editing and Montage: The Vanishing Celluloid and Beyond, Cinemas, vol. 13, pp. 69-107

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May 23, 2016

Lindop, J. 2007 Eisenstein: ‘intellectual Montage’, Poststructuralism and Ideology, OFF SCREEN, viewed 16 March 2016,

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May 23, 2016

McVey, M. 2010 Mise-en-scène, Montage, and the Unique Language of Film, MICHAEL MCVEY, SKIFFLEBOOM, viewed 16 March 2016,

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May 23, 2016

Master the Art, Technology & Business of Video Production, The Art Of Film And Video Editing Part-3, VideoUniveristy.com, viewed 16 March 2016,

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May 23, 2016

Aumont, J. Barnard, T. Kessler, F. & Keathley, C. Montage, Découpage, Mise en Scène: Essays on Film Form, caboose, viewed 17 March 2016,

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May 23, 2016

Maher, M. 2015 The Making of the Modern Movie Montage, TheBeat, viewed 17 March 2016,

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May 23, 2016

Barrance, T. 2009 MONTAGE-THE HIDDEN LANGUAGE OF FILM, Critical Workshop, pp. 1-4.

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May 23, 2016

Montage, Viewed 18 March 2016,

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May 23, 2016

UNDERSTANDING MEDIA, 2008, Introduction to Montage, viewed 18 March 2016,

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May 23, 2016

UNDERSTANDING MEDIA, 2008, Introduction to Montage, viewed 18 March 2016,

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May 23, 2016May 23, 2016

Stoneking, B.M. 2013, EISENSTEIN’S FIVE TYPES OF MONTAGE, I HAVE NOTHING TO SAY &I’M SAYING IT, viewed 19 March 2016,

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May 23, 2016

OPEN CULTURE, 2014, A Visual Introduction to Soviet Montage Theory: A Revolution in Filmmaking, The best free cultural & educational media on the web, viewed 19 March 2016,

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May 23, 2016

Evans, R. 2016, A Guide to Montage Editing, MASTERINGFILM.COM, viewed 19 March 2016,

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May 23, 2016May 23, 2016

Elements of CINEMA.com 2016, Montage, a student’s guide to the fundamental of filmmaking, viewed 19 March 2016,

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Recent Posts

  • Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.
  • Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

Recent Comments

  • ryantaylor on Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)
  • ryantaylor on Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • ryantaylor on Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • ryantaylor on Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • ryantaylor on Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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