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Cut versus Shot

Month: June 2016

June 5, 2016

Anonymous. (2011). Filmcraft: Editing. Variety, 423(3), 26.

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June 5, 2016

Sherrard, Carol. (1993). Six Principles for Developmental Communication: Silent-Film Montage and Adult-Infant Interaction. Language and Communication, 13(3), 163-68.

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June 5, 2016

Bagley, C., Handman, Eric, Bromberg, Ellen, & Hummasti, Satu. (2013). Editing in the Choreographic Process: “I Am a Work of Fiction”, ProQuest Dissertations and Theses.

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June 5, 2016

Braha, Yael, & Byrne, Bill. (2011). Creative motion graphic titling for film, video, and the web. Amsterdam ; London: Focal.

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June 5, 2016

Rosenberg, J. (2013). The Healthy Edit Creative Techniques for Perfecting Your Movie. Hoboken: Taylor and Francis.

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June 5, 2016

Falkenberg, P. (1967). The Editor’s Role in Film Making. Cinema Journal, 7, 22-28.

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June 5, 2016

Oldham, G. (2012). Dream Repairman: Adventures in Film Editing. Cineaste, 37(3), 66

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June 5, 2016

Wald, Jonathan. (2004). Everything is editing: Bill Russo on blue murder, intuition, and that small dark room.(Special Feature Section 2 ). Metro Magazine, (141), 98.

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June 5, 2016

O’Mara, B. (2012). Cutting with Rhythm: The Backbeat of Ben Joss, Film and Television Editor. Screen Education, (64), 97-100.

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June 5, 2016

Miller, T. (2007). Film Editing. In A Companion to Film Theory (pp. 64-83). Oxford, UK: Blackwell Publishing. Page 66

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June 5, 2016

Videomaker,. (2013). The Videomaker Guide to Video Production (4th ed.). Hoboken: Taylor and Francis.Introduction: If You Are New to Make Video: Welcome! Matt York, Jargon: A Glossary of Videography Terms

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June 5, 2016

Blangsted, F. (1976). On Film Editing. Journal of the University Film Association, 28(4), 11-14.

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June 5, 2016

Dmytryk, E. (1984). On film editing : An introduction to the art of film construction. Boston ; London: Focal Press.Page 11

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June 5, 2016

Murch, W. (2001). In the blink of an eye : A perspective on film editing (2nd ed.). Los Angeles: Silman-James Press. page 73

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June 5, 2016

Pudovkin, V.I. & Montagu, Ivor, Jacobs Lewis(2012) Film Technique and Film Acting, London and Bradford

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June 5, 2016

Pearlman, Karen. (n.d.). Cutting Rhythms: Shaping the Film Edit. Elsevier Science & Technology.

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June 5, 2016

Dancyger, K. (2014). The Technique of Film and Video Editing History, Theory, and Practice (5th ed.). Hoboken: Taylor and Francis.

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June 5, 2016

Hamlyn, N. (1993). Cutting it out — First Cut: Conversations with Film Editors by Gabriella Oldham. Sight and Sound, 3(1), 36.

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June 5, 2016

Eisenstein, Sergei, & Leyda, Jay. (1951). Film form : Essays in film theory (International theatre and cinema). London: Dobson.

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June 3, 2016

Zettl, Herbert. Sight, Sound, Motion: Applied Media Aesthetics. N.p.: Cengage Learning, 2013. Web. 20 Mar. 2016.

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June 3, 2016

Sargeant, A. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. London: I.B. Tauris, 2000. Print.

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June 3, 2016June 3, 2016

Nelmes, Jill. An Introduction to Film Studies. N.p.: Psychology Press, 2003. Web. 24 Mar. 2016. (Nelmes 73–76)

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June 3, 2016

LoBrutto, Vincent. The Art of Motion Picture Editing. N.p.: Allworth Press, 2012. Web. 24 Mar. 2016.

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June 3, 2016

Lindop, J. “Eisenstein: ‘Intellectual montage’, Poststructuralism, and ideology.” Off Screen. 1997. Web. 24 Mar. 2016.

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June 3, 2016

Kracauer, s. Theory of Film: The Redemption of Physical Reality. New York: Oxford University Press, 1965. Print. (Kracauer 176–177)

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June 3, 2016June 3, 2016

Goldberg, Prof. M. “How to read a film.” University of Washington, Bothell. 14 Sept. 2000. Web. 23 Mar. 2016.

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June 3, 2016

Towards a Theory of Montage. Eds. M Glenny and R Taylor. Selected Works: Volume 2 ed. New York: I.B. Tauris & Co Ltd, 2010. Print. (Eisenstein, Towards a Theory of Montage 330–337)

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June 3, 2016

Cook, P, and M Bernink, eds. The Cinema Book. 2nd Edition ed. British Film Institute: n.p., 1985. Print. (Cook and Bernink 319–322)

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June 3, 2016June 3, 2016

“Bordwell wide angle vol6 no1 4.” 2006. Web. 24 Mar. 2016. (Bordwell Wide Angle Vol6 No1 4)

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June 3, 2016

Bordwell, D. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985. Print.

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June 3, 2016

Blanchet, Robert, and Horst Tellioglu. “Soviet Montage.” Cinetexts: Film and Philosophy. 5 Nov. 1998. Web. 23 Mar. 2016.

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June 3, 2016

Bazin, André, et al. What Is Cinema? Volume I. Berkeley, CA: University of California Press, 2004. Print.

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June 3, 2016

Barrance, Tom. “Montage – the Hidden Language of Film.” 1 (2009): n.pag. Web. 24 Mar. 2016.

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June 3, 2016

Austad, M. Assault on Continuity. 26 Jan. 2009. Web. 24 Mar. 2016.

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June 3, 2016

Adams, Brett, Chitra Dorai, and Svetha Venkatesh. ROLE OF SHOT LENGTH IN CHARACTERIZING TEMPO AND DRAMATIC STORY SECTIONS IN MOTION PICTURES. N.p.: Available from Deakin Research Online, 2012. Web. 20 Mar. 2016. (Adams, Dorai, and Venkatesh Chapter 3.2 – Modelling An Appropriate Normalization Function)

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June 2, 2016

Video Editing, Srenk. Htpp://srenk.com/gls387/readings/VideoEditing.pdf

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June 2, 2016

Valerie, O. 2003, Film Editing: The Art of The Expressive.

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June 1, 2016June 2, 2016

Bordwell, D. & Thompson, K., 2013. Film Art An introduction. 10th ed. New York: McGraw-Hill.pp.232-264

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June 1, 2016June 2, 2016

McGrath, D 2015, ‘Film Editing, Plumbing, and Revolution’, Cineaste, 40, 4, pp. 8-12, Art Full Text (H.W. Wilson), EBSCOhost, viewed 17 March 2016.

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June 1, 2016June 2, 2016

Wald, J 2004, ‘EVERYTHING IS EDITING’, Metro, 141, pp. 98-101, Communication & Mass Media Complete, EBSCOhost, viewed 17 March 2016.

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June 1, 2016June 2, 2016

Crittenden, Roger 2012, Fine Cuts : The Art of European Film Editing, e-book, accessed 17 March 2016. pp.4-19

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June 1, 2016June 2, 2016

Bayne, G., 2014. If You Want to Learn How to Tell a Story, Edit a Documentary. [Online]

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June 1, 2016June 2, 2016

Nedomansky, V., 2015. The Editing of MAD MAX: Fury Road. [Online]

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June 1, 2016June 2, 2016

Dancyger, K., 2007. The Technique of Film and Video Editing: History, Theory, and Practice. 5th ed. s.l.:Taylor & Francis.

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June 1, 2016June 2, 2016

Mulholland, K., 2014. 10 tips for editing video. [Online]

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June 1, 2016June 2, 2016

Anon., n.d. College Film & Media Studies a Reference Guide. [Online]

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June 1, 2016June 2, 2016

Renée, V., 2013. Pudovkin’s Montage: 5 Editing Techniques That Speak Louder Than Words. [Online]

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June 1, 2016June 2, 2016

Evans, L., 2007. Scott McCloud Book Review. [Online]

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June 1, 2016June 2, 2016

Burgess, A., 2011. Early Soviet Cinema and Eisenstein’s theory of Montage. [Online]

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June 1, 2016June 2, 2016

aldens blog o flightning, 2012. Thoughts on Montage and “A Dialectic Approach to Film Form by Eisenstein”. [Online]

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June 1, 2016June 2, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 Film Form: Essays in Film Theory . Harvest, London. “A Dialectic Approach to Film Form”, pp.45-62

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June 1, 2016June 2, 2016

McCloud, S. 1993 Understanding Comics: The Invisible Art , Tundra, USA (Specifically “Chapter 3: Blood in the Gutters”, pp60-93)

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June 1, 2016June 2, 2016

Pearlman, K. 2009 Cutting Rhythms , Focal Press, MA USA (Especially “Chapter 9: Style”, pp. 153-180)

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June 1, 2016June 2, 2016

Murch, W. 1995 In the Blink of an Eye, Silman-James Press, CA USA (Especially pp.5-22 & pp.57-63)

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June 1, 2016June 2, 2016

Dmytryk, E. 1984 On Film Editing, Focal Press, MA USA

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June 1, 2016June 2, 2016

Pudovkin, V. (trans Montagu, I.) 1954 Film Technique and Film Acting. Vision, London. (Especially pp.38-47)

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June 1, 2016June 2, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 Film Form: Essays in Film Theory. Harvest, London. (Especially “Methods of Montage”, pp.72-83)

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Recent Posts

  • Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.
  • Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

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  • ryantaylor on Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)
  • ryantaylor on Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • ryantaylor on Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • ryantaylor on Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • ryantaylor on Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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