Giving Meaning

Structure and Meaning is a discussion by Robert Mckee that sheds light on the way ideas are created and explored in every story. In my pursuit to understand  the various qualities that a make up the personality of different people, it is important to get a better grasp on how story is formed. Mckee touches on ideas of theme and how developing a story is a path to self recognition. It is this idea of looking at yourself through the lens of a story that will enable writers to develop a deep understanding of themselves. Once writers are able to identify the controlling idea and value that is present in the story, this is when a writer and film can truly excel.

Controlling ideas are raw. They exhibit the passion and authenticity of a writer. A strong idea that is believed in is what distinguishes a great writer, as they can decisively and comfortably pick out the truth of their lives. The emotional connection that comes from a controlling idea forms the basis of truth in cinema. People want stories that are real. The chemistry that forms between an idea and a emotional response to that idea is the real beauty of cinema.

As I move into my own writing it is important to determine what my controlling idea is. I need to ask myself questions about my motives and consider how my personality and life is being expressed through my work. I believe that once a controlling idea is accepted by a writer it can often be a very self fulling experience, relating to ones character. Coming to terms and accepting a controlling idea is this form of self recognition. This will allow me to create more truthful content and establish defined story lines that i’m passionate about.

It would be an interesting task to look at other directors and writers to establish what the controlling idea of their films are. I think some ideas/themes can be carried throughout ones work. Appreciating and dissecting the work of other creatives not only unveils parts of their personality, but also allows me to have a deeper experience when viewing their film as there is an deeper respect for the events that unfold and the meanings associated to them.

Reference: McKee, Robert 1999, ‘Structure and meaning’ in Story : substance, structure, style, and the principles of screenwriting, Methuen Publishing, London, pp. 110-131.

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