Eric Rohmer, High and Low, zebra pattern, viewfinder, eastern Europe cinema, montage, long take, old movies, film form, realism, economic, pan and tilt, the design of the shot, L’Amour l’après-midi, break the rule, terminology, flood, spot, omnidirectional, motivation, source lighting light source, chiaroscuro, context, flat, Hollywood, Kurosawa, Bergman, foot-candle, light meter, role, Les amants, camera coverage, project, presentation, Mendelssohn, reflector, approach, L’Étranger, moody, Camus, control,