Category: The Story Lab

Week 9 – Gambarato

This week on our Wednesday class, Neeve and myself continued to develop the relationship between Miranda and Tyler on Facebook chat, to build the believability of the conversations and add context to the budding relationship between the two of them. Prior to this meeting, I had been adding posts to Miranda’s Tumblr, www.m1randa-merma1d.tumblr.com, to show her reflecting on her break-up experience and also commenting on this “new guy” (Tyler) that she was interested in. While I was doing this, Neeve had been working on the ways in which she can construct voicemail messages and images that show the missing person case is in the past, rather than what we had originally discussed which was making everything present tense. Displaying it in a past-tense will allow us to explore more ways in which “the Williamsville police” have discovered information about her disappearance.

Our “homework” for this week is as follows; Neeve will be taking pictures of the “crime scene” where blood is found, and also the two phones belonging to both Miranda and Tyler. While I on the other hand have the much easier task of just creating more “reflective” Tumblr posts on the new man in Miranda’s life.

This weeks reading was as Dan said, one of the more complex readings. I found myself getting lost while reading it in class so I decided to take it home and read. Two key terms I learnt were the “cultural attractor” and cultural activator”. The cultural activator in Dodging the Bullet is the ability for the audience to navigate through the Williamsville blog, and uncover various elements of the missing person case. Whilst, the cultural attractors are the ability for people to feel included in the missing person case, and feel that they are as much a part of the investigation as the police themselves. We also hope to create empathy towards Miranda. Finally, we have decided that our story is a closed transmedia story as there is a limit to the amount of navigation of the blog and alteration of the final outcome. Despite Neeve and I never knowing nor saying what really happened to Miranda, we are leaving this unsaid, and therefore closed.

Miranda's first Tumblr post.
Miranda’s first Tumblr post.
An example of the "reflective" posts on her Tumblr.
An example of the “reflective” posts on her Tumblr.

 

 

Navigating + Timelines – Week 8

This week in class we discussed the aspects of our pitch that needed improving. The main focus was on the easy navigation on our heavily trans-media narrative. Neeve and I decided on constructing a “Police Database” that will be run by the Williamsville Police Department, which is a fictional town and department that is also the home of both Miranda and Tyler/Joshua.

Essentially this is a collection of evidence that the police have gathered over a five day period, revealing more information and more transmedia elements within our narrative. This will make it exciting for the audience, and add that thriller/suspense aspect we are looking for. The staggered release of posts will be as follows:

  1. Preface the case with a press release – “missing person, any info, contact etc…” also detailing that Miranda was last seen walking around a park in Williamsville.
  2. Found his phone at the scene of the crime in a bin. On the phone there are videos of him watching her (coming home from school, through window etc), photos of Miranda, voice messages from her asking where he is to make his Cat-fishing profile look suspicious and unresponsive.
  3. Found her phone at the scene however, there was water damage so it will need to be recovered a few days later and update the audience with some recovered footage.
  4. Access gained to Miranda’s Facebook account. On this post there will be screenshots of suspicious conversations between Miranda and Tyler. We will also locate a link to her Tumblr website.
  5. The Tumblr website belonging to Miranda will detail her thoughts and feelings towards her budding relationship with Tyler. This will allow audiences to see things from her perspective. We will also show anonymous questions answered about Tyler. There are also posts uncovered about her previous relationship with Joshua.
  6. The recovered information from Miranda’s phone which shows videos of Miranda and her friends playing with the presents from her Ex boyfriend Joshua. There will also be footage from AFTER Miranda realises these things have been stolen.
  7. The final post will be a press release or newspaper article, detailing how Police have found substantial evidence to suggest whodunnit but how Miranda remains missing. This is how the narrative will conclude in the “Exhibition”.

Below is the timeline of when Neeve and I will be releasing information under the Police Database:

 

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One final note is that we really wanted to incorporate some more of the things we have learnt in class into our story. We believe that we have placed things in a Non-linear pattern, which links to the TED talks video week when we learnt about how to tell a story.

Our homework for this week is to create the Tumblr page for Miranda, and the Police Database page.

‘Dodging the Bullet’ Roles – Week 7

The project we have been assigned is to design a trans-media story that can be presented to audience members in a creative way. My partner Neeve and I decided to brainstorm ways in which we could best represent our generation, which is highly reliant on social media for communication and information. Loosely inspired by the MTV series “Catfish”, we wanted to construct a narrative that reflected the uncertainty and speculation surrounding online relationships, with a particular focus on teenagers to become not only our subjects but also our target audience. This is where we formed the project name – “Dodging the Bullet”.

Myself and Neeve have agreed to equally share the workload and production of all aspects of this narrative. For us, the majority of the assignment work is in the production, rather than the presentation. We assigned each other to our respective characters, for which we will be maintaining their social media platforms of Facebook and Facebook chat. I will take on the role of “Miranda”, the 17 year old girl who is being ‘Catfished’ by “Tyler”/Joshua, who Neeve will construct the social media profile for. The major social media platform for our story is Facebook Chat, and we want to achieve a real-time aspect for this so we will need to together, write a script of a conversation, and both screen record it using Quicktime, so that audiences can watch Tyler and Miranda get to know each other. This means using language and expressions synonymous with teenagers and young adults to create an authenticity to the characters. On the note of authenticity/believability, Neeve and I both need to regularly update our characters Facebook profiles by adding pictures and status updates.

Some other roles we have decided on are that I am in charge of writing diary entries as Miranda, detailing her experiences and emotions towards Tyler, so that we can see this all from her point of view, and I will also be in charge of script writing for video entries which add another media platform to the assignment. Neeve will therefore have the responsibility of filming the perspective of Miranda (Neeve’s younger sister/our actress!) and she will also film from the creepier perspective of Tyler who is “stalking” Miranda while she goes about her day. We will also together construct voice messages sent from Miranda to Tyler, begging for him to answer and pick up the phone, creating that suspicion for the audience who are left wondering why he won’t answer her. To conclude the narrative, I will construct a newspaper article that leaves the fate of Miranda quite open to interpretation by the audience members.

This unresolved ending adds a final thriller aspect to our narrative genre. Neeve and I decided upon consultation with the panel of judges at the Pitch, that we would release snippets of information about the story in “instalments” over a span of days and weeks. We have decided to create a Tumblr page that is easy to navigate for audience members who can keep up as the story unfolds.

(Word Count – 506)

Week 7 Pitch Reflection

This week in Story Lab we experienced what it’s like to pitch an idea to a panel of judges who could comment and critique on our work. For myself and Neeve we found it to be a slightly daunting experience despite all the pitches we have done throughout high school. Upon reflection, the experience was nowhere near as bad or intimidating as I had first imagined. Except for a couple technical glitches getting my laptop connected to the projector, and one point where I got lost in my script, I quite liked the experience.

We both really benefited from hearing where we needed to improve our story, but more-so how we need to decide on a presentation format. Neeve and I walked away feeling full of relief that it was over, but also liked hearing where we had done well, such as her great filming + editing of the trailer, and our sound concept for the narrative. It is by no means competition, but I liked the way our idea was different to the other groups. We have some similarities between one of the groups about the girl with the Tumblr profile, but I think that our choice of transmedia will make it different. I look forward to seeing what we can achieve with the advice of our judging panel, and it was really comforting to see genuine enthusiasm about what we are creating 🙂

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The Dodging the Bullet duo waiting to present our pitch on Thursday hahaha!

Week 6 – Prepping the pitch!

This week in class we had time to work on our pitch presentations for next week. In preparation for “Dodging the Bullet”, Neeve and I constructed the fake profiles of our main characters and established a more definite plot to our own cat-fishing tale. We developed these social media profiles so that we could not only create a Facebook account, but also develop a sample media for our pitch. We hope to creates that lifelike aspect to these people who don’t actually exist by filling their profiles with pictures and things that make them seem like any other teenager.

Dan raised an question with us that we will probably be asked in our pitch. How does our story differentiate from the TV show Catfish? What makes it different? We believe that our story is unlike Catfish in the sense that the TV show gives a definite closure to the situation. They follow up with video conversations with both sides of the catfishing story, and summarise “where they are now” with on screen text. For our story, we want there to be this sort of “unknown” at the end, with the disappearance of our main character, Miranda.

catfish_tv_show__span

With our fake profiles now constructed, Neeve and I are now in charge of assembling the Facebook Profiles for each of our characters and we need to begin to construct conversations between the two of them. Today Neeve also worked with Quicktime Screen Record to take snippets of Tyler constructing his fake profile.

Let the adventures begin!

 

Week 4 – Project Planning!

Inspired by “Catfish”

Name: Dodging the Bullet

Group: Neeve & Bonnie 

  • 2 characters: female character (victim), male character (sociopath)
  • Instead of “meeting”, the girl gets abducted (this is shown through the news report, and it is revealed that after investigation the person she has been chatting to doesn’t exist)
  • Predator could know her from high school and want revenge for something?

Roles:

-1 social media profile each

– Each of us will act as one person in the “chat”

– We will both write the “scripts” together, and character profiles/descriptions, and write most of the chat while we are together so we can speak to each other and tell each other what to write.

– Neeve will be in charge of the “phone call” recording and planning

– Bonnie will be in charge of the Newspaper Story configuration

Media Platforms:

  • Facebook Chat:

This will mean we need to create two “fake” Facebook accounts for the purpose of the story, one of us acting as one character each. This interaction will be where most of the story takes place.

  • Facebook Profile:

We will need to create a social media profile for both characters after we create their account, which will include things like name, hometown, interests, age, D.O.B, photos, friend list. We will need to keep in mind that one of them needs to look more believable than the other, as one is supposed to be fake.

  • Phone Calls/Audio:

The “phone call” will probably be a one-sided phone call from the victim, leaving a message on the other person’s phone, who isn’t answering. This is when the audience starts to get suspicious.

  • Newspaper Report: 

The “chat” will end abruptly as the story begins to come to and end, and a newspaper report will be the last media platform being used, that will tie all the loose ends together, confirming who the “Catfish” was, what happened to the person he was ‘Catfishing’.

 

Dodging the Bullet

Bonnie Dunleavy / s3484634

Niamh Fagan / s3488729

Rules: 

  1. Set and Meet deadlines
  2. Communicate in our Facebook group
  3. Fulfil our roles but still help each other out if needed
  4. Don’t leave things until the last minute
  5. Come to class each week to discuss and communicate ideas and problems

Week 3

This week had a strong focus on video games. In the reading from Janet Murray about Agencies I learnt the difference between the terms interactivity and agency. Murray states that interactivity is “vague and pervasive” and is more the mere ability to “move a joystick and click a mouse”. The agency comes down to the thought process of the audience member and the various decisions they have which may lead to different outcomes or conclusions. Agency is all about “the satisfying power to take meaningful action”. One day I sat down and watched my brother play Grand Theft Auto 5, a game that has an enormous terrain for various main characters to explore, or as Murray says, “orienteer”. The incredibly intricate details of the Los Santos/Los Angeles area make for endless outcomes depending first upon which character you choose to play as (you can even play as Chop, the dog!) and then get thrown into various challenges. Even so much as just driving down the LA streets in a stolen car, and making the choice to cause some kind of trouble will lead to wild police chases and so forth. For every action there is a series of reactions.

Los Santos Map
Los Santos Map

Reference: Murray, Janet H. (1997). ‘Chapter 5: Agency.’ In Hamlet on the Holodeck. Cambridge, USA: The MIT Press.

Week 2 Story

In class this week we watched a short series called “Everything is a Remix” that essentially reminded us that “anybody can remix anything”. Remixing brings together the basic elements and steps of creativity – Copy, Transform and Combine. When I think of the word remix, I think of the way an original piece has been created into something completely different but using something that already exists as a starting point.

One of my favourite examples of a “remix” is series of songs that I have listened to since they were first released in 2008. Every year around New Years Eve, Youtube “DJ”, DJ Earworm releases a mashup/remix song of the top 25 songs of that year, using lyrics and beats of different songs and combining them into one.  Below is his most famous one, the 2009 “Blame it on the Pop”.

A question was posed to us this week – What is the point of coming up with new stories if everything has been done before? I think in relation to remixing, this question becomes almost rhetorical. There is no need to create new content when in fact we can work with content that already exists to create something new. Perhaps, “originality” is best expressed by working with something that already exists and making something different from it, rather than stretching to invent something totally new. Nowadays it could be fair to say that really nobody starts out with an “original” idea, we are all just making variations of something that already exists, whether we are aware of those things existing or not.

Case Study Assessment

500 Days of Summer (2009)

If you judged this DVD by it’s cover, you’d think it’s yet another rom-com love story. Instead, as the narrator states “This is a story of boy meets girl, but you should know upfront, this is not a love story.” Delving deeper into the structure of 500 Days of Summer, its a tragic romance filled with brief glimmers of hope and euphoria versus the fall of love and heartbreak. At an oversight, the film adheres to a stories typical three act structure, split into seven sequences. However, with the constant shift in tempo, and the non-linear techniques used throughout the film, the audience watch as we see this seemingly cliche romance fall away from Tom (played by Joseph Gordon-Levitt) and Summer (played by Zoe Deschanel). We, the audience are moved backwards and forwards throughout the 500 days and from there can gather this is essentially non-linear.

Overseeing the narrative, the structure of it progresses in a linear fashion for the majority of the film, up until the flash-forwards begin. These dramatic glimpses of what life could be like for the two lovers leads up to the turning point in the relationship for Tom in the “Expectations vs Reality” scene that split-screen juxtaposes Tom’s expectations with the unfortunate reality of his own interpretation. This famous scene is brilliant in the sense it reveals what a typical love story would have played out like, which is the way Tom had hoped things would be like for he and Summer. In some ways, it takes that “happy ending” the audience and the the main character are hoping for, and shatters all the hopes for it occurring by showing the way that Summer appears emotionally distant from Tom when she is seen with another man.

From this point onwards, those flash-forwards that possessed so much hope, turn into flash-backs of the whirlwind romance Tom and Summer once shared. It is from this act onwards that we now see Tom wondering what went wrong. These flash-backs remind the audience of what the narrator warned us about – that “this is not a love story” and that our hopes for the two of them in the beginning of the movie, are now nothing but a distant memory. On the note of narration – the entire film is narrated in a “voice of god” style, to give this “romance” film that storybook, “better than reality” feel, almost as if this story was written with the idea that these two would eventually meet, and that their lives had been leading up to this meeting. However, the script of the narration is what differs it from telling just another happy tale. It is like the two are being watched over.

500 Days of Summer is an example of a narrative that totally disrupts our understanding of what a romance is. At the conclusion of the film, the audience is left feeling as though maybe this “romance” was never meant to be.

(Word Count: 504 Words)