Tagged: art

Kaleidoscope tunnel

Olafur Eliasson’s colorful glass tunnel comes to life when you stroll through it one way, but if you look back over your shoulder, the panels appear black. The mesmerizing, kaleidoscope-like tunnel is comprised of stained glass triangles held together with bold, black piping. When viewed from one end, the tunnel is a rainbow of purple, pink and yellow, but the interesting one-way effect masks the colors from the other side.The Icelandic artist is known for engaging viewers in nontraditional ways by inviting them to interact with his artwork. He is known to incorporate air temperature, moisture, smells, light and walkways into his pieces to help guests more fully experience his work. In keeping with this theme, the San Francisco Museum of Modern Art billed the one-way tunnel as “intentionally simple in construction but thrilling to behold, sparking profound, visceral reactions designed to heighten one’s experience of the everyday.”

The ways in which we are connected – various thoughts from the week

  • Relations – media as a relational thing, eg the components within the frame/
  • Tacit Knowledge – knowledge that is difficult to transfer to another person by means of writing it down or verbalising it. Egs: facial recognition, the notion of language itself, riding a bike
    – We know more than we can tell
    – Tacit knowledge as ‘artful doing’
  • Process
  • Problem-based learning = learn research skills, critical thinking, content, contextualising
  • Cycle and Reflection = return to problem and think about it in what ways it is now different and from this make new decisions.
    – make, test, critique, make changes
  • Roland Barthes:
    – disenchantment with both established forms of writing and more experimental, avant garde forms which he felt alienate the reader
    – art should be critical and should interogate the world, rather than seek to explain it
    – search for individualistic meaning in art
    – attempts to dissect and expose the misleading mechanisms of bourgeois culture
    – limitations of signs and symbols, and Western culture’s dependency on beliefs of constancy and ultimate standards.
  • Constraint as liberation – frames 10, 40 and 70 minutes into a film
  • Multi-linearity
  • Entanglement
  • Sketches: suggest and explore, intentionally ambiguous
  • Specificities matter much more than generalisations
  • Juxtaposition
  • Multiplicity: being in two places/two things at once
  • Readerly Texts: classic texts presented in a familiar, linear, traditional manner. Meaning is fixed and predetermined. The reader merely receives information.
  • Writerly Texts: reader takes an active role in the construction of meaning. There is a proliferation of meanings and a disregard of narrative structure.

 

The future is disorder

It’s the best possible time to be alive, when almost everything you thought you knew is wrong.

Ten Dreams of Technology starts with a number of quotes such as “predict the future by inventing it” that remind me somehow of Chuck Palahniuk’s transgressive fiction, particularly Invisible Monsters where the main character invents personas and basically her entire existence based on how she sees fit. In this novel it’s done in a disturbing and enthralling way, but this idea of inventing your own future is interesting in an “everyday” kind of way: what is stopping us from inventing the future, particularly in this era of technology as king where really the possibilities are endless. I only have to look through the plethora of links I’ve posted here during the semester to realise that the way we do things and the way we look at the world has been changed by these inventions, and more importantly, that we all have this power to create change.

I enjoyed this reading for its commentary on technological art, again, a new way to look at the world and the things we can create.

‘Irises-in-Monet’s-Garden.jpg’

This ‘glitch art’ appropriation of Irises in Monet’s Garden is an example of what can be created through new techniques: The role of the network in these projects is essentially to create an open system of input to promote adaptation.

I also enjoyed the take away idea of not criticizing a work too early:

Criticizing a new idea because it is not yet fully realized seems unreasonably impatient. On that basis, the caves at Lascaux would never have been painted because we did not have a full palette and could not animate in three dimensions. Give us a few centuries and then revisit this complaint.

This rings true of ‘process’ type mediums, such as our blogs. Everyone starts as an amateur, so to criticize someone for not yet knowing how to achieve a certain technique… this doesn’t make sense to me. Criticism in general I don’t understand, but that’s another issue altogether.

Also from this reading was the concept of file sharing = life sharing. I think about this a lot with the sharing-centric ideas of social media. We post where we are, photos of what we ate, we tag who we are with. I had a conversation with my best friend a few days ago who was feeling disheartened that her own life wasn’t as interesting as all of her Facebook friends’ who post ‘cheery’ photos doing ‘interesting’ things. I put these words in quote marks because, as I told her, sometimes I feel like if people were having that much fun they wouldn’t be on Facebook ‘bragging’ to the rest of us. It comes down to that idea of enjoying the moment, which I’m starting to believe more and more that social media and sharing our every movement is impacting.

In another sense though: I did watch Miley’s most recent appearance on Ellen, in which she spoke about asking creative people around her, such as designers, musicians, etc, for a list of their favourite and most influential films, artists, musicians, books and so on. These may not be files so to speak, but this is another form of life sharing I think… sharing with someone those things that inspire and have changed you the most.

Some other takeaways from the reading:

  • Every reception of a work of art is both an interpretation and a performance of it, because in every reception the work takes on a fresh perspective
  • One of the most persistent tropes of the intersection of technology and art is that it will lead to a whole new art form, just as moving images eventually created cinema.