Analysis Reflection 5

Question 1

As per lecture –  in a sequence you’ve called ‘colour’ you will have clips that are indicative of a particular colour or lighting state. To the right of that clip you will have that same clip repeated 2 or more times with different colour grades on it.

Take screen grabs of each clip then upload to your blog the series of stills that show us ‘before and afters’ of your colour grading. Provide a few different examples of at least two different clips – each with a description of what you did to the clip and why.

This is a learning exercise, not necessarily a qualitative one, don’t stress – it is the act of doing it and the reflection on that, that is important

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For our doco, we used a green screen setup and the lighting has been the same for all interviewees. However, eventhough this entire doco will be in black and white, i still think the colour makes a big differences for the images. Picture one is the one without editing any of the colour and picture two is after editing with the colours. The first differences is that after the colour editing, the image tells more story. Instead of a dull, and plain black and white, we crank up the colour contrast to make a more dramatic effect for deeper story. The second differences for me I think, its the background. Before editing the colour, i’ll feel as if the object and the background are ‘blending’ together whereas the one after editing, the object ‘stands out’ and pops up to make it more appealing.

 

“In 200 words or less please outline your goals, desires – what you want to get out of this semester. You will review this later in the course. You may rethink this dramatically – this is a good thing.”

You were asked this at the beginning of the semester. Now, could you review constructively what you got from this semester –  has the course lived up to your expectations, delivered what you expected, maybe even surpassed it?

At the beginning of the course, when we were asked to outline our goals for the semester, what i had in my mind was, skills, more skills about the camera, the editing, the shooting, the lighting, more skills that I want to get out of this course. But what i felt i got most out of this course is actually experimenting.

For this semester, what i tried to do is mostly experimenting stuff, my group experimented with the green screen, the lighting, the idea, and even the post production. Paul is always encouraging us to try different techniques of editing, trying to put different things together without thinking instead of starting with a plot, because that way you could most probably get the most out of it. I think there is always skills which one can never finish learning, but what i realize was that, experimenting different stuff generates experiences, and thats the most precious thing, the most I got out of this course.

Film TV Reflection #4

Question 1

In this clip from Forbidden Lies, Anna Broinowski’s 2007 film: describe in detail all of the audio, how it may have been recorded/sourced and how you think it has been edited / layered in post. (You do not need to describe how the music was recorded)
In the short clip from Forbidden Lies, the sound that were being used was quite complex. To start off with, the sound that they used in the beginning was background music layered with sound effects, the sound of the bird chirping, car driving and throwing scarf and scarf dropping etc. Then it moved on to the interview, the sound have been layered with several sound effects, and overlapping reading sound. There’s also a mix of sound recording on the spot while doing the interview, and also a voice over and sound effects throughout the entire clip. Towards the end of the clip, there’s a constant background music with the voice over and sound effects.

Question 2

Most applications reserve keyboard shortcuts for the functions that you use most often. It is really good to learn all of these as it will speed up your editing and additionally alert you to functions that the software developers and other users find important. (You can learn much about the software by looking at keyboard shortcuts).

Find the keyboard shortcuts for Premiere (hint, film-tv blog) and note four or more functions that you’ve never used before and why they may be invaluable to your editing. (Different functions to what you wrote last semester).

The keyboard shortcuts for Premiere are available here (Premiere shortcuts).

The first keyboard shortcuts that i don’t normally is Save (Cmd+S), normally i’ll just use to old fashioned way which is to go file, and then save, which I will only save after I’m done editing for the day or so. I find it really important to remember this shortcut, as there’s a few times where the software may crash and leaving the work unsaved and everything have to start all over again, with the shortcut, I can save it every 10 minutes or so to prevent any unnecessary time waste.

Second shortcut that i find useful is the Bin (Cmd+/), I think that editing with bins are more effectives, it enable us to store the footage in a more organized way, by dividing them into different groups, creating a folder structure as comprehensive as the project requires. I work better organized, so to save time, this is a shortcut to learn.

Thirdly, the shortcuts to save more time is to Match frame (M), instead of going back to the Project Panel, navigate to the right bin, find the right clip and load it in the Source Panel myself or to just simply scrub back to the first edit on the sequence and press on the keyboard to Match Frame. Video editing is very time consuming, this shortcut definitely saves you time.

Lastly, Zoom to sequence,  \ (backslash). How useful is that? Nothing is handier than being able to work nice and close in the Sequence Panel. That needs no more explanation.

Question 3

From a distant gaze …” (1964) directed by Jean Ravel, picture Pierre Lhomme & Chris Marker, words by Louis Aragon, narrated by Jean Negroni, music by Michel Legrand.

Describe a few things that intrigue you – it might be shot construction, camera work, editing, overall structure, thematic concerns etc. Describe the camera work and why you think it has been shot that way.

 

Question 4

Select from one of the readings and briefly describe two points that you have taken from it. Points that interest you, something you could apply to your own documentary.

The readings i have selected is The art of the documentary by Cunningham, Megan. The first point that I’ve taken away from it is that, they do set up a little bit, to stimulate natural drama. As she mentioned in the article, film makers are not like surveillance camera, there are certain shots that are desired for the documentary, so we could actually get the character to repeat something that they did that the camera were not able to capture.

The second point that i’ve taken away from it is, the way she starts her new project. For me, starting a new project has always been hard, from topic, to styles, theme, and shooting angles etc, I often get stuck for a very long time before doing something. For her, she often seeks from help with the director, to think about the themes, and move on to questions that she asks herself, like what could we include in this, how, and what.

 

Film&TV 3 Analysis and reflection

Then reflect on the whole process – Consider: the quality and usability of your recordings; the effect of layering and juxtaposition of both the audio and the video and; the things you learnt from working with this kind of audio and video.

 

Select from one of the readings and briefly describe two points that you have taken from it. Points that excite you, something that was completely new to you. (Please put a full stop when you return so we get a paragraph break. Makes it easier to read.)

The readings that i’ve picked is

Pawel Pawlikowski. Imagining reality

The article talks about the details of human brutality and the filmmaking that has tried to cope with it. The point that i’ve taken away from it is that, making films is not to convey objective information about the world, but to show it as how I see it and to find a form which is relevant. Shoot what you think about the topic, the message that you want to convey, instead of shooting something because you think it ‘should’ be in it.

Besides that, from the author’s point of view, making a documentary involves a degree of schizophrenia, he tries to understand and enter the subject, see the world through its eyes, accept its logic, while at the same time maintaining an aesthetic and often ironic distance from it.

Film& TV Reflection 6

Consider Sandra’s lecture “Directing Actors” and describe at least a couple of points that you took away from it (even if you’re not the director).

Sandra’s lecture “Directing Actors” talks about the importance of maintaining a good relationship with the actors. While on set, director should be giving out clear direction instead of overwhelming them making them to feel confused. I think this is one of the main point for all film makers, decisions should be made clear before giving out to the actors, no matter what position you are in, one of the main thing is to ‘act’ or be professional in front of others, even during the times that you are unsure, to give them a sense of confidence.

Moving on, she also talks about how everybody should be aware on set, even when you’re not doing anything. It is very important that each member of the crew knows exactly what is going on on set. For my group, I was the producer, where most of my job are mainly focus on preparing the film, as compared to the cinematographer and director. During that day, i didn’t have a lot of things to do, but i make sure i’m aware of everything that is going on and point out the problems that i thought was wrong. Fortunately, our group worked really well together and everything went smoothly and finishes on time.

In this clip screened in the lecture from the Coen brothers’ ‘Blood Simple’ describe what is happening in terms of the edits specifically in terms of the audio and video. Also name the different kinds of audio you can hear.

This scene of Blood Simple (Coen Brothers 1984, USA) has a really great audio recordings.

Firstly, most of them are ambient sounds throughout the whole scene, the sounds that i catch up from the scene was the crickets sound, the toilet flushing sound, the lighter dropping on the table, footsteps and the sound of siren etc. Sometimes I do feel like a well recorded sound effect like that are definitely a big plus point to the whole film. It is something that break the suspense.

The scene uses a lot of medium to close up shot on their actors whole constructing the story and overall i think it’s a great scene.

Most applications reserve keyboard shortcuts for the functions that use most often. It is really good to learn all of these as it will speed up your editing and additionally alert you to functions that the software developers and other users find important. (You can learn much about the software by looking at keyboard shortcuts).

Find the keyboard shortcuts for Adobe Premiere and note two or more functions that you’ve never used before that may be invaluable to editing.

I’m the type of person who uses a lot of shortcuts in my laptop. So i’m quite familiar with most of the main shortcuts like undo, save, group, find, delete, copy and paste etc. However, I found a new shorcut that might be helpful for me while i edit for our film, which is Snap and Trim. I think these are the shortcut that i wasn’t familiar with as they are only useful when it comes to editing.

Film& TV Reflection 5

Question 1:
The lecture that was covered during week 7 was the key and basic principles of lighting and some introduction to the equipments and the use of different type of lights. Lighting in my film plays a very important role, not because we want the most light out of the daylight, but because we need to restraint our lights during the daytime to create a darker scene. Most of our group members are not quite familiar with the use of light, but because of the lecture we actually sort of have an idea on what light to use and how to use black cloth or cardboard to restraint the light.

Question 2:

Week 7’s reading about “Lighting a scene” definitely highlights some key point that could help us with our short film. Since we are shooting mostly indoor, it is stated that for day interior, windows are the most logical light resources. If the major light source is window, it might be obvious to the audience that the time during your shooting which we do not want it. For our film, it is located at a garage, which is being set up as a ‘Bunker’. We definitely do not want any lights coming in from the window as we are trying to create a darker film. The second key point I got from the reading was the night interior. Since we are to create a night scenes during the daytime, the illusion of night is created by the angle and the distribution of light. Anytime you have a source of light in the frame it adds definition to the picture. So we thought that we definitely need to do something to control the amount of light that is being distributed. During our shoot, we actually cover a black cloth over the light to limit the lights that are coming our and using a pole to adjust the lighting direction and amount of lights that we want during the shoot.

Question 3

Blow Up is a 1966 film directed by Michelangelo Antonioni.
In this scene note the choreography of the actors, camera, frame and focus. As covered in the lecture describe the things Antonioni would have to consider when directing the actors and the camera.
I realize that this film is very complicated even if it looks like a relatively simple scene. Many shots were taken from multiple angles. For example, the opening scene, it started off with a medium close up shot of the men character, and changes to a long shot without moving the camera, but the character himself walking towards to camera to create a long shot.

There were also a lot of angles coming from the top, sides or front. The panning shot for the film would be deliberate, not just because the actors moved sideways but because the director planned this way. It was also mentioned in the lecture that the use of tracking and panning for camera movements, there will be at least three people to operate. There must be several rehearsals with both the camera and actors to ensure the scene goes smoothly as there is a perk for doing these kind of shots, as it might take longer time for the camera set ups and might take multiple takes for a successful shot.

Reflection 4 Film&TV

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Question 7: Please outline some points that you took away from the Lighting Lecture. Points that excite you, something that was completely new to you, perplexes you or even one you take issue with.

Lighting is very important as a camera only capture the images for a film through light. Every lighting set up provides a specific mood, emotion, and atmosphere to overall film viewing experience. The importance of it is pretty straight forward, but the procedures of the set up can be complicated. This overwhelms me as there is so many things to consider.
The key light, fill light and back light each plays an important role in setting up. The different amounts of key and fill light can be used to create harsh lighting or soft lighting which provides different atmosphere. I’ve seen some BTS of some movie, due to budget and time constraint, they could actually use lighting to shoot ‘night scene’ during the morning, and shoot ‘morning scenes’ at night.

Question 8: Please insert the link for your Lenny ex2 here. (use insert link tool)
List the things that you learnt from this experience – this could be things that went well or not so well.

I think the main thing that I’ve learnt through the Lenny exercise is the shooting schedule. As a director I had to watch the time and keep up with the shooting schedule. As it was our first actual shooting, most of us was unprepared and wanted to give several attempts to a scene, thus it will take up a lot of time.

We could have planned a bit better before shooting to have a clearer idea of possible problems and to fix it. Overall, the shooting went well and we were the first group who returned to class on time.

Film& TV Reflection 2 #4

In the tute we screened a short film called Rolling – a film made in Film-TV1 a few years ago.
In 300 words or less describe what you thought worked or didn’t. At this stage we don’t expect you to have a great deal of film knowledge or language. Don’t be afraid to use your own words. Things you could talk about – script, casting, timing, camera movement, location. You may not remember much detail, if so, it could be helpful to talk about your first impressions, after all this is what most of us are left with after one viewing.

To be honest, at the beginning of the film, I did not quite understand what the film is about, what is the storyline and what is the message they are trying to convey. I think that the script could be change a little to make the film better. The camera movement was good, however the framing was a little bit weird in my opinion.

The light and location was good, the tone matches the story line and the sound was great. I couldn’t remember much detail but I guess that was my first impression towards the film.

Film and TV Reflection 2 #2

Select from one of the readings, up to but not including Week 5, and briefly describe two points that you have taken from it. Points that excite you, something that was completely new to you.

-Listening

Listening is a very important part for sound designing. A sound designer must be sensitive to all sound, the more you are aware of sound the better you will be able to articulate the literal and aesthetic sonic requirements of a production.

-Sight and Hearing

Image and sound must not support each other, but must work each in turn through a sort of relay. A sound must never come to the rescue of an image, nor an image to the rescue of a sound. What is for the eye must not duplicate what is for the ear.

Film& TV Reflection 2

In the film Clown Train how does sound contribute to the atmosphere of this film? Describe what you heard? Can you make reference to another genre film and how they utilise sound to create tension and a unique filmic space?

I think the sound that was used in the film “Clown Train” was excellent. The sound was recorded nicely to the ideal level and the sound effects that were used in the film create a certain scary atmosphere that completes what is being presented on screen. I like the sound effects of the stopping train to start off the film, it creates a kind of anxiety to a sense of obscurity that are much needed in the film. The setting of the film is pretty simply, two cast, and one old train, however with the touch of the sound and sound effects, I think it’s a key point to its success.
I recently watched SAW VII, and I realized that the sound that were being used in the film are very much non-diegetic sound. It creates a very uncertainty atmosphere to surprise the audiences. The music that were used combined with what is showing on the screen tends to create a “horror” tension.