Week 4 – Back to the Scripts

It’s been an exciting week! Unfortunately there was a last minute cancellation of class on Monday so I used that time to review my work during week 3 and export it out. Later in the day, I received an email on my task for that week – characterisation practice. We were to create a profile for two characters, put them in any one of the scenarios given and create a synopsis of the story. I went with the idea in mind of twins whose personalities are similar (with tiny differences). I created a twin brother who fears for his own life when up against his scary sister when she gets mad. A short profile of the characters with a tiny example:

 


1. Shane
Shane is a tall and attractive person, who has the typical “i-dont-care” attitude. He is clean and well kept. He loves to wear baggy clothing, an extreme gamer (and a competitive one at that), and eats twice the amount of a normal human but never gains weight. He loves reading novels despite being a sporty person as well.

He is aloof and quiet. His face usually shows no emotions but when he accidentally broke one of his sister’s precious glassware, he was stricken with fear. The one thing he fears most, is a grumpy, “all-hell-breaks-loose”, angry twin sister after his life.

2. Sarah
A calm and collected person. Just like her twin brother, she has this elegant and sophisticated feel but in reality, she is an extreme klutz. Her mature face looks like she has never smiled even once before. She has long hair and well-dressed all the time.

She loves to read books, all types of novel genres. She loves snacking and if anyone touches her food, she goes into “hell” mode (mostly passive-aggressive but really scary). She would make the smallest problems into a life or death situation.


I think my influence on reading plenty of manga comics and Japanese anime is quite evident when I write these profiles. I had even envisioned Shane struggles to tell his sister that he had “accidentally” eaten her last cookie from the cookie jar. She calmly reads a book while Shane sits at the other end of the sofa fidgeting as he stutters his confession. The idea had hit me that I had to write down a draft script. I had imagine the monologues happening as well.

Screenshot of "The Last Cookie"

Screenshot of “The Last Cookie”

For more on the Task 4A, click here.

 

Moving on to the next studio class on Thursday, we were grouped into four groups and work on the Creative Writing students’ scripts. We were to shoot exactly as the script said to figure out whether it was workable, or if it was really suitable to be shot in that way. The difficult part of writing a script is you would not know if it could be possible to be shot in the way you envisioned it to be. Sometimes when you shoot, the writers have to do some changes on the spot to capture the shot. So, this time it was definitely a challenge if we cannot capture the way the writers envisioned it to be shot. Lucky for us, the script was short and simple and in a single location. It was workable because it relies on the character’s style of reaction and their way of delivering the dialogues. The group I was in had no problem following the script. There were no major changes in the script.

 

Overall, in the process of being put through the different stages of production, it kept me on my toes to understand the various tasks that had to be done in a production. This whole studio was to understand the filming aspect to enhance the writing skills. As I mentioned before, it is definitely difficult to sit and write the script without knowing whether it could be shot in that specific way you are thinking of. Being exposed to the technical aspect helps you learn the camera angles and the cinematography. I believe that if I expose myself more to the technical area, I would start thinking my camera angles and scenes in my head and I can write scripts that could give a closer representation of what a camera could capture. In editing, it can help me find different perspectives of framing the camera shots as well. Hence, I think every aspect of the production stages are equally important so this studio is helping me diversify myself to be able to write a screenplay type of script.

Week 3 – Editing Week

This week was more focused on editing from our exercise from week 2. On the first studio session, we were given a lengthy set of instructions on how to operate the media server and where to save our projects to prevent any loss. I was barely keeping up with the rules (my brain processes things rather slowly in the mornings). Thankfully, I had the step by step sheet to refer to when I was doing it on my own the last hour of class. On Thursday, we were randomly grouped and learned the ropes of using the media server storage and how to save our projects and be able to access it anywhere in the editing suites.

I had finished my rough cut on Monday, it was short, simple and as stated in the storyboard we came up with last week. I was suppose to analyse and try to understand how I can better my scriptwriting by being able to visualise the scene coming together with the shots. A few mistakes I found while editing were:

1. I had to be wary of our background – Our bags were in the shot and it was not suppose to be there.

2. I had to make sure there was no eye contact with the camera- there were no shots that were supposed to be looking into the camera.

3. The script had very little storyline to play with – we could not use more camera angles.

Besides the edit itself, I was teamed up randomly with other peers and they gave me an insight on how they edit. We spent the first hour to refresh our memory on using Premiere Pro since one of my group member, Bianca was unable to attend the Monday class. We sped through everything as she learnt quickly and managed a rough cut within that hour. Since she was on a different group last week, I had a different perspective on their style of shots and how they created a dramatic effect for a suspense genre. The way they used the cast looking straight into the camera was very engaging. Next was a team member, Darren where he had a different style of editing with the six shots we had. I figured, just because we had six shots does not mean it was used for only six times as it can be cut back and forth, especially during dialogues. I had done straight to the point, conversation after conversation whereas Darren had created a tension between the mob boss and the two children. I loved that aspect (as expected from a creative writing student!).

I think creating a brainstorming session and giving out ideas during editing session can help me visualise and copy some styles into my next writing exercise. The most valuable lesson I got from this was that there are plenty of ideas out there so we have to group together to gather ideas from different perspectives.

 

Here is my video of my rough cut! Exercise 2B

Initiating / Prompting Myself to Write!

Before this studio started, I have been trying out my creative skills on writing a script. I had little knowledge on writing scripts so it was a struggle. This was my first try on scriptwriting:

Screen Shot 2015-07-31 at 8.31.17 PM

 

It was terribly written, as you can see my tenses were all over the place. I definitely did not know about the certain rules you need to adhere to when writing the ACTION section. It was confusing but I managed to get the gist of it when Jasmine described the rules. As I practice more, I am pretty sure I will get used to the format. As I mentioned in my previous post, I lack creative ideas to come up with stories or plots that are more unique and different compared to the overused plots. I am a fan of minimalistic film production and more intense, deep conversations. Moreover, with the lack of creativity, I have trouble creating a causal effect and completing the script.

The newly improved script, using the tips from the first class scriptwriting exercise during week one! (it’s not the same plot, by the way) CLICK HERE please! By the end of this studio, I hope to complete a script that could be ready for shooting a short film and add it to my portfolio.

Week 2 – Continuing the Prose

This week’s task was more of making a more interesting short the short prose that the creative writing students had filmed. We were given tasks to write any interesting ideas that popped into our heads. For example, how would you act out the certain dialogue that was used or how to improve on the stage blocking. This exercise helped me open up my eyes on different possibilities of acting our a certain line from the short prose. I chose the “in danger” prose. When the mob boss said “let’s just say I’m taking care of business” I could imagine the mob boss being mysterious and they did not show his/her face at all or maybe an angrier approach of reciting that line because the minions did not trust him. Endless possibilities on the idea of filming and framing the shots.

On Thursday’s workshop, I had a valuable insight on scriptwriting. Stacey, our collaborative lecturer, had given me a few tips on scriptwriting. We had a glimpse on the script of Martin Scorsese’s Taxi Driver. The most important thing to keep in mind when writing a script is the tenses. Scripts are discarded the minute they see wrong tenses in describing the actions. The ‘to be’ verbs are usually disregarded. For example, we are not to use ‘is striding’ as ‘strides’ would be the proper tense to use in describing the action. The reason is because film catches the action as it is and not what would happen. I find this intriguing because when I think of describing an action I would use ‘to be’ tenses because I would be explaining to the casts how we would portray the action. A lesson to remember!

Another important tip on writing the action section of the script is to describe only the action that we can see while filming. If you do a background description of the character, it is useless because viewers can’t visualise the description. The action section cannot be about the psychological aspect of a character either because no one can understand what is happening to the character unless a monologue is used. Also, no use of the pronoun ‘we’, because the viewers are not to be mentioned in the script.

A great idea on improving one’s skill on scriptwriting is to be able to spot these mistakes on other scripts. This can give me a visualisation and understanding on the rules of scriptwriting and not make the same mistakes. A great tip to improve my scriptwriting!

Welcome back to Semester TWO Studio Sessions!

It’s the first week of uni and I am starting out my second semester for Year 2 studio workshops! This semester I chose a film writing studio because I want to work on my weakest link which was creativity and scriptwriting. It is called “Writing for Film , Filming for Writing” and I shall just call it “Film Writing (FW)” for short. I have had my fair share in filming and editing and now it is time to work on some pre-production. I can already foresee the struggle I will face throughout the semester but with group work, I think I will be able to pick up some ideas and maybe some tricks from my peers. So excited! Can’t wait!

The studio aim fits my goals nicely because I am only learning scriptwriting which would prove to be useful when I am in a production team. This studio aims to develop a competent technique (the best way) to compliment and strengthen the filming process. It gives me a sense of repetitive practice to get used to the correct format of the script that is used in the media industry. This studio is (finally) matching my expectation. Let’s just say I was a little surprised (not in a very bad way) with my previous studio as it was definitely NOT what I thought it would be.

The first workshop session on Monday was done and we were put into random groups temporarily to brainstorm ideas and gives me a chance to learn from my peers. ANDDDD…. we got “homework task” already! And it’s due the next workshop (meaning this coming Thursday!) Time to get out of holiday mode and back to study mode.

Ciao!

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