Awesome easy to understand reading on PB4 + women in the Marvel Cinematic Universe!

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Available here!

This presentation transcript explores and introduces the issue of gender representation in Marvel’s The Avengers in regards to the male/female cast ratio, portrayals of female agency, and the greater Hollywood context in which director Joss Whedon is operating within. It aims to question Whedon’s reputation as a creator interested in improving female representation in popular culture and whether the slight improvements in the film are sufficient enough to successfully do so.

The presentation provides a sound and engaging overview of the issue, referencing statistics from wider research sources like the Geena Davis Institute as well as Graves’ own research of a more personal scale. Because of the nature of its intended audience, this presentation leans more towards lighter analysis rather than a heavily scholarly one. It is more intended to introduce concepts, albeit with detail, and should be treated more as an excellent guiding point to further research. The essays, books, and articles referenced in the presentation would be excellent sources for deeper research and Graves provides easily understood contexts for them.

 

 

Carpool Karaoke with J.Lo

I just love when she does her usual music video schtick – it looks JUST as sexy and ridiculous as it does in the videos! It’s so hilarious seeing her do it with #nofilter, no lighting, costumes, effects etc. How does she do it without laughing?!!…actually getting paid millions would be probably make me take it seriously too.

The Carpool Karaoke idea is so genius – of COURSE famous people being so natural, singing to their own songs would make the most entertaining idea. It’s also amazing how simple the idea is, really nothing fancy going on here, but it is oh so good.

Workshop 8: The Sound Essay with RadioLab

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Things noticed during the Sleep podcast that could be considered for our own sound essay:

  • sound FX
  • engaging/enthusiastic conversation
  • on location things: field recordings
  • interview excerpts from on location staff/events
  • atmospheric tracks (sound beds)
  • range of pace
  • radio’s intimacy
  • layering/texture
  • dynamics of the speakers: one who knows, one who keeps asking questions
  • humour
  • outside (almost random) references  (eg the Metallica song)
  • breaking it out in clear “segments”

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I really enjoyed listening to RadioLab and certainly makes me more excited and less daunted to work on my own sound essay. The possibilities are exciting in what, for me, is a largely unexplored medium. Refer to a previous blog post of mine discussing/slightly fan girling about a BBC radio drama. This sound stuff is awesome.