Playing journalist at the Australian International Documentary Conference!

AIDC 2016

I did the workshop through ACMI’s Intermix program (which I would recommend to anyone!!) and I spent two full days attending various panels and afterwards interviewing some of the people in them. Highlights were Jennifer Peedom (director of the BAFTA-nominated documentary Sherpa), Lindsay Crouse (producer of New York Times’ Op Docs), and Katy Morrison (producer of virtual reality company, VRTOV).

I have always enjoyed documentaries but have never studied them to such a scale. Here were some of the brightest in documentary media making and it was such an honour to be able to ask them questions. Exploring the development of virtual reality was especially fascinating as it seems to be well on the rise. It is slowly becoming charted territory with so much potential to expand truth and experience, as well as bringing up some questions on ethics and the responsibility of creators towards the audience. There were some interesting discussion on VR and genre but they seem to be leaning towards social justice films and journalism.

Peedom’s Sherpa moved me greatly and incensed me when required. She portrayed the community and the tragedy they underwent with such dignity as well showing the frustrating contrast between the Sherpa community who need a living despite the fatal risks and the careless Westerners who tend to exploit them. It was also a good lesson in the ethics of film making and director sensibilities when it comes down to how faithfully we tell the truth and story.

The Op Docs talk was just fun because there was so much genuine passion and support for the independent artists featured and creating them. I also loved the variety of subjects and styles they tackled – they really did just want to feature interesting people and their interesting stories, both the mundane and the grand.

Media Loves!

In class we got to know everyone by their favourite media. It was a lively discussion, many an enthused “YES!” when people find something to agree on which made everything super fun.

The kind of media we enjoy watching and consume the most have an impact on the kind of media we make. When we are constantly experiencing different kinds of media, we see patterns develop on what we love, what we’d like to emulate, what we need to avoid, maybe even the industry we’d like to work in the most!

I personally love short films – especially those short fashion films commissioned by brands. Above is by my favourite brand, Kate Spade. I just love the colour, the humour, the quirkiness of it all. I love how their beautiful merchandise is given a life and a world to exist in – one where colours are vivid and everything looks picture perfect.

Cal Newport and Passion

Bohemian Paris 1922

Bohemian Paris 1922

I, and I’m sure many of us here, are what people might call the “creative type”. It’s usually either a compliment or a condescension…either way, embrace it!

The Passion Trap is so interesting because I totally agree. It sucks to love something as much as we do, we really suffer for our art. In my world, Media is still a secondary passion to my love for theatre and performing but I still enjoy it nonetheless. Too bad I couldn’t pick another degree that would give me a better chance at job security, huh?! But, alas, all my (mostly creative) interests already fall under highly saturated industries with too many talented people and not enough jobs to go around so I might as well do things I actually like doing. It’s funny but recently I’ve felt more at peace with my “just for money” jobs in the hospitality/retail industries because I’ve felt the direct impact that money has had on my continuing to do what I do. Of course I will continue to FIGHT FOR LIFE to get out of there and get money from “passion” or “dream” jobs that don’t suck the joy out of my eyes but I can never complain about having money for dancing lessons or shiny new software. Bohemian life is cool but you can’t do a Carrie Bradshaw forever!

 

When I did a Diploma of Music Theatre last year the emphasis was Industry, Industry, Industry. I feel like I’ve been hardened and aged in that year from being broken down and built back up. What we do for love, hey? Yes be driven, enthusiastic, and obsessed with what you do but you can’t just yearn. Along with Media, you have to be specific and know what you want to achieve.

I especially love the Six Traits of Deliberate Practice mentioned in the “Chess Grandmaster” reading about repetition and the consistent amounts of high mental exertion demanded to truly improve. If we choose this passion path, we gotta be ready to fight for the top and use all our assets to level up in this game. Maybe it’s the Slytherin in me?

When Newport talks about the “Dream Job Delusion”, I get it. Hours of practice, emotional investment, and sweat poured into something strangers on the other side of the table reject without a second thought – welcome to the real world. Most don’t succeed at what they love. Are we going to join them?

 

You don’t climb to the top; you claw your way there.

Charlies Angels (1977) 

 

 

 

Dear Future Self

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Things I hope my future self can be able to do when I finish this degree…or ASAP, really.

  1. I want to know how to respond to briefs and make awesome things from other people’s suggestions/expectations. I want versatility of style because versatility = more jobs! $$$
  2. I want to make media that I would be proud to show off and make people watch.
  3. Have the technical skill and knowledge to bring my visions into reality.
  4. Develop the creative ideas I have so my visualisations can grow to be even more crazy and innovative.
  5. Be a master at editing photos, videos, media creations – AALLL the Adobe Creative suite tutorials!!
  6. Have a kickass showreel.
  7. Freedom and ability to make what I need as well as what I want
  8. Know how to use and manipulate mixed medias and put them together
  9. To be able to work in the fields I want and manipulate my media knowledge to anything: theatre, arts, culture, fashion, film, TV.
  10. Make distinctive, unique work – develop a creative voice.