Week2_The role of Television as a Symbol for 1950 ideology

1950s is a period for a significant development of television in North American. The television set entered North American living rooms in the early 1950s bringing with it a new lifestyle. From 1948 to 1953, the rate of television sets increased virtually 50% with over 25,000,000 in American family. With television growing widely popular among North American societies, so did advertising and consumerism.  With women staying at home, the television set was a perfect companion to keep them occupied while doing their daily tasks. The consumerism competition had a great influence on 1950s ideology.

The symbolic ‘television set’ is portrayed more obscurely in the film All That Heaven Allows.  After the traumatic decision to leave the man of her dreams, Cary’s two children purchase her a television set for Christmas.  She does not seem pleased about their gesture.  A shot of Cary’s lone face is reflected in the glare of the television screen.  The television itself represents the symbol of ‘companionship for the lonely’ in All That Heaven Allows.  Cary’s reaction to consumerism is negative compared to Alice’s.  Alice is a woman who seeks refuge from boredom, while Cary feels as if she is the victim of modernization.  The television represents the ‘women’s best friend’, and plays a prominent role in the 1950s.

Females were not exclusively the sole gender captivated by consumer culture.  For instance, in The Honeymooners, Ralph becomes engaged in a soap opera (intended generally for a female audience) while his friend Ed becomes engaged in the children’s program Captain Video.  The plot line here obviously pokes fun at the modern “working man” and how he himself becomes a victim of consumerism and modernization.  This goes to show that although women are targeted for advertisements and television programs, men have also been captivated by consumer culture, thus contradicting ideological gender roles.  An obvious example is when Ed takes his Captain Video apparel out of its box and wears it while watching the show.

 

1950s ideology revolved around gender roles, consumerism and the introduction of the television set being a quintessential aspect of life.  Lifestyles have changed over time, but television is still a large part of current popular culture.  Along with other media, television still subjects us to advertising and consumerism that keeps North American capitalism thriving.  As we can see, the 1950s were a crucial time for mass media to market products to housewives all across the continent.  The television set was also considered a companion for many women while performing their daily chores.  Women portrayed in television programs at this time reflected 1950s ideology, however at times, gender roles became ambiguous as to who was being consumed into popular culture. Nevertheless, the television was a definitive symbol of North American ideology during the 1950s.

Brainstorming: 60 years ago, we are highly influenced by the television industry because of the poor technology. However, we can use internet now to explore the world. In some way, the mode of television hardly satisfy audience because the scheduled timetable and constraint content. In modern day, audience like to create their own content and like to be involved in the production. Internet is a good platform to achieve this kind of idea.

 

Week 2_Integrated Media – Reading

DIGITAL and ANALOGUE

New technology provides news means of expression. As a result of this the film medium develops from being exclusive and privileged to a common and public available form of expression.

In the last over years, we were experiencing the breakthrough from analogue artefact to digital technology. The industry of film has been restructured since the first digital sensor invented. New technology redefines the expression of moving image.

Moving images is rare in 20th century. People were excited about watching a film in cinema and they have to watch in cinema. Movie is a major entertainment for that time but filming is not easy because of the cost and skills.

Being a filmmaker was not easy for everyone. Only a string of intellectuals can be part of that sphere. On one hand, the equipment of photographic technology is unaffordable for amateur fans, because 35mm camera and films cost a lot of money. The film amateur who wanted to make a film had to acquire a 35mm camera and they didn;t have another option. 35mm camera secures the good image resolution so necessary for theatrical projection.

Things changed since the first CCD chip was created 1969 by George Smith and Willard Boyle. They first stated on the CCD “One of the things that makes the CCD unique is its ability to performs specialised functions such as a camera.” This small little chip create a huge impact to traditional film industry. Sony started to employ the CCD to produce small standard camera – “DV”, which is much cheaper and much more suitable for amateurs than 35mm camera. Photographic equipment was no longer a luxury. More and more people begin to shoot their moving images.

The most recent development in the relationship between amateur and professional relates to the transition from analogue to digital media and the emergence of the World Wide Web. People are convenient for watching a moving images at anytime and anywhere via internet instead of going to a cinema. They can make a short video by their camera on their phone or DSL camera such as 60D (the most popular digital camera for amateur). Somewhat, the meanings of moving images is changing to people. New technology disintegrates the content of moving image. There is no any constraint for people access into film industry. Whoever, pros or amateurs, enables filming.

The intellectuals lose their power to be the embodiment of filmmaking.

On the other hand, new technology expand the access to people to join the sphere. Although digital media produces a subversive impact to analogue, there are more opportunities to make creative crafts by amateurs. The success of Youtube is great example. The main reason for the enormous success of YouTube lies in the fact that it operates as an open channel for the teeming millions of prospective content producers who, thanks to the technological and economic development of digital media production equipment, now have the possibilities to exchange meanings, experiences and – perhaps most importantly – ways of expression through the film medium.

Now with digital camera, everyone could see exactly what things were going to look like that changes the way you like it. Amateurs improve their performance depending on reviewing of their clips. They retake it as many times as they think it is perfect to share. However, we cannot do it on analogue film camera, because the film has to be developed and printed overnight in the film lab. The entire process takes one night and you can see it another day. For most amateurs, this is impossible for lacking of professional skills. Film cost them very much without any funding. Therefore, digital media is more easier for users than the traditional film.

 

 

 

Week 2_Light

This video is filmed by my iPhone. As you can see, this is only one take by panning my iPhone from left to right. I found an interesting place on my house’s front door. The windows on the front door changes your perspective of outside view. It seems like a hallucination or a dream so I try to use my phone to film this moment.

Light from Kai-feng Wang on Vimeo.

Week_2 Constraint#2 Something about light

This video is comprised of three different shots. Medium shot, medium close-up and close-up shot to create a atmosphere. The first shot is establishing shot to show what is there. Then, I cut to a closer look to the subject for reveal the final shot. A skull is revealed suddenly from a black screen. This sort of step is to generate a horror atmosphere, whilst I found my lamp can expose my perfume bottle in this way.

Untitled from Kai-feng Wang on Vimeo.

Film_TV -Reflection_wk 1

Question 1

In 200 words or less please outline your goal, desires – what you want to get out of this semester. You will review this later in the course. Many will rethink this dramatically – this is good things.

In the coming semester, I wanna get a ‘Distinction’ grade. Of course, There are a number of things I have to figure out. For film or TV project, the first thing is collaboration. I expect to get well along with my peers to complete our project, to achieve something.  Also, we’ll have a bunch of things to prepare, like Ideas, Scripts, Storyboard, Sound, Video etc. A appropriate plan is very benefit for the quality of a production. Therefore, I look forwards to being capable of scheduling. Last but not the least, I’m very interested in editing stuffs. Hopefully, after this semester, my ability can be level up.

 

Question 2

Consider Jasmine’s lecture on screenwriting and briefly describe one point  that you have  taken from it. A point  that excites you, something that was completely new to you, perplexes you or even one you take issue with.

The point of Plot mechanics is considerable and prominent. A good story needs a logical plot to move forward. A screenwriter has to create enough conflicts to colorise their characters.

I agree with Jasmine’s opinion that we have to found out the problem in our life. Life create problems and we solve it. That is drama. Not only here, we can even imagine it! We try sequencing a series of completely different problem to make it logical. A chain of causes and effects drives the characters from one event to another.

For example, the significance in S.O.B (Blake Edwards, 1989) is “Topping the topper”. Blake was always thinking there is a topper and the topper to top the topper in his story. His drama seems to be never end.

Causes cause effects, effects also cause causes.

 

Question 3

Select from one of  the readings from week 1 or 2  and briefly describe  two points that you have taken from that readings. Points that excite you, something  that  was completely new to you.

“A beautifully told story is one in which structure, setting, character, genre, and idea meld seamlessly” Robert McKee explains his philosophy of screenwriting.

A good story design should be elaborative. There are three kinds of plot, which the arch plot, the mini plot and the antiplot, on the major screen structure.

On the other hand, McKee prefers to the arch plot or classical story design in which a protagonist who struggles against antagonists for his achieving his goal. In other words, a protagonist confront a problem in his life. That is the point, Jasmine mentioned in the lecture on week 1. Also, McKee advocate this type of screenwriting, because he considers the primitive problem can be timeless and trans-culture, and fundamental to every human society. It is acceptable in different era or culture for its reality.

McKee’s point inspired me that my story  should be realistic rather than abstract or ridiculous. Story element should be based on our life.