Archive of ‘Research’ category

Annotated Bibliography #3

Geneva 2014, ‘Employment relationships in the media and culture industries’, international labour office, vol. iii-v, pp. 1-24 

http://www.ilo.org/wcmsp5/groups/public/@ed_dialogue/@sector/documents/publication/wcms_240701.pdf

This article analysed the motivation behind freelancing. By pointing out different categories of freelance, it shows that freelance sometimes can be employees as well. Grey areas exist between them. Some freelancers consider themselves as businessman who runs their own enterprise, at the same time, they are workers themselves. In this way, freelance is actually mirco-enterprise. It also outlines the legal issue of freelance varies from country to country. As self-employed is not exactly freelancer. So there is no legal middle ground between employed and self employed status except considerable overlapping. For instance, in Spain’s 2007 Self-Employed Workers, it says,’ economically dependent self-employed worker’.

To sum up, there are areas of overlapping between real freelancer and employee freelancer. A obvious thing to test this is to see if they are economically independent. However, the overlapping areas push the creative mirco-enterprise to happen.

Three-point lighting

3_point_lighting

Three-point lighting is a method usually used in film. To get the desired lighting of the object, the photographer uses three different positioned and separate lights to illuminate the object. At the same time it also balances and controls the shadows on the object created by the direct sunlight.

Key light

Key light, just like what it is called, is the key illuminator of the entire lighting situation. It determines the whole lighting design of the shot. It should be place directly upon the object. In indoor shots, key light is usually a specialized lamp or the flash on camera. In outdoor shots, the key light is the sun. To get the light you want, you should always wait for the sun to get the right position, then start shooting.

Fill light

Fill light is usually shining from the side angle and at the lower position than key light, usually about the level of object’s face. It is softer and about half less brighter than key light. It helps balance the key light and illuminate the shadows on the person’s face. If the key light is harsh and there is not a fill light, this will result in stark contrasts.

A reflector like a piece of white card stock or a white-painted wall can be a fill light sometimes. ‘Reflecting and redirecting the key light’s rays back upon the subject from a different angle can cause a softer, subtler effect than using another lamp’ (Wikipedia).

Back light

Back light illuminate objects from back to create a thin outline and to separate the object from its background.

Reference: Wikipedia, Three-point lighting, available at <wikipedia.org/wiki/Three-point_lighting>, viewed online: 15 October 2015.