Ali Bucha

Ali Raza Bucha #3

Making a film with no script at hand and all based on improvisation, ever heard or seen such a short film? Well perhaps but I wanted to investigate whether I can make it possible for my short film. A couple of weeks ago, I watched a film called ‘The Bicycle Thief’ (1948). It is a italian neorealism film which has elements of non professional actors acting in the film, shooting on location, the struggle part of actors, cinematography which has long shots and usage of natural light and usage of both diegetic and nondiegetic sounds.

So seeing that, I wanted to discover the possibility of combining both of the characteristics into my film. The plot of my film is about a man in his 20’s who has nightmares of fire and some being that haunts him. Eventually that being grows heavily in his mind that he questions of ‘why is it happening?’ That being out of nowhere appears into his reality and confronts him of what is going through. As it appears that being is dominating, the guy wakes up and realises it’s just a dream only when further into the room that same being approaches him silently.

My objectives for this film is to make sure the narrative is understandable to the audience and they can relate themselves with the haunting dreams if they ever had or know someone that has gone through such experience. So there is a reason I have added a dialogue that would be clear for the audience of why the whole scenario is happening to him. It’s strange that when a filmmaker makes a story, you see some reflection of his/her personality into it, whereas I had a dream similar to my story and it felt so real and decided to create a reflection of it in a short film.

With the approach that I took, I shoot the whole thing as the narrative proceeds unlike the conventional films where parts of shooting are done before , I wanted my actor to go through the journey, since he is not a professional actor which also made sense to go with that approach. Secondly, I didn’t tell the story to my actor, I just told him to act as per given situation and give his best as it seems fit for the scenario and thirdly I wanted to use as much natural light as possible to portray the essence of ‘realness’ of film but for the introduction scene and the climax, I had to use artificial lightning as the room had bad window lightning.

With this film I leave it upto you to decide whether working with non actors and improvisation gives out the desired results.

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