When Marnie Was There

During this week I watched Studio Ghibli’s new film: “When Marnie Was There.” Overall I enjoyed the visuals and the sentimental story, but felt as if something was missing. Reflecting on Roberts McKee’s ‘The substance of story” I was able to conclude that I personally did not find the protagonist Anna empathic. She did not strike a chord within me as I found a lot of her problems petty and childish. As an audience I found Anna to act hypocritically, treating others without maturity and then expecting it in return. I also struggled to find her friend with Marnie believable as she earlier in the film showed no interest in making friends or interacting with others. Overall when I was feeling sad by the end of the movie, it was not sparked by anything the main protagonist did.
Furthermore the supernatural elements in “When Marnie Was There” acted as a source of confusion, rather than highlighting the protagonists skills and ability to cope in a new and frightening situation. These encounters with Marnie often left Anna in the middle of no where passed out and vulnerable.

Allow I enjoyed the movie, but it missed the mark when it came to forming a connection between the audience and the characters.

McKee, Robert. (1997). ‘The substance of story.’ In Story: Style, Structure, Substance, and the Principles of Screenwriting. New York, USA: HarperCollins, pp. 135-154.

I’m Scared.

Machines are becoming too intuitive or intelligent.

In 2001, A Space Odyssey this fear exists, the fear of something we depend on betraying us due to it’s intelligence. Hal is unclouded by emotions and human reasoning to get the job done. So dedicated that he is able to make the decision that results in the killing off a crew member and to fake the human emotions.

“Stop Dave, I’m Afraid.”

When we watch a video game demo in class concerning androids similar words are uttered. It seems this phrase has been pinnacle for discussing if this is an act of unfeeling intelligence where they are aware that reminding us humans of morality is a chance to enact sympathy from them.


Can also be viewed  here 

“Kara” from the demo watched in class, is an android who experiences thoughts and emotions. This mimics an important theme grappled with in neo-noir film Blade Runner what does it mean to be human? Where androids are programmed  in a way were even they are convinced they are humans, how do they’re synthetic emotions differ from ours? This idea is further played out in movies like ‘Her’ that rather than relying on a sci-fi world to express this message. It is grounded in the now through the use of smart phones. It raises the question if  Hal had been presented as an android coded as sweet innocent girl in “2001” could we have witnessed a different turn of events.

It’s obvious that this idea will continue to exist in popular culture as the idea of what it means to be human is in no way close to being solved. The question we have to ask ourselves however is how this representation will be changed as years go on. Will we come to fear machines again or continue to rely on them, questioning if we can form long lasting bonds with them?


Can also be viewed here