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Cut versus Shot

Author: xiaochenzhang

June 1, 2016June 2, 2016

Bordwell, D. & Thompson, K., 2013. Film Art An introduction. 10th ed. New York: McGraw-Hill.pp.232-264

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June 1, 2016June 2, 2016

McGrath, D 2015, ‘Film Editing, Plumbing, and Revolution’, Cineaste, 40, 4, pp. 8-12, Art Full Text (H.W. Wilson), EBSCOhost, viewed 17 March 2016.

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June 1, 2016June 2, 2016

Wald, J 2004, ‘EVERYTHING IS EDITING’, Metro, 141, pp. 98-101, Communication & Mass Media Complete, EBSCOhost, viewed 17 March 2016.

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June 1, 2016June 2, 2016

Crittenden, Roger 2012, Fine Cuts : The Art of European Film Editing, e-book, accessed 17 March 2016. pp.4-19

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June 1, 2016June 2, 2016

Bayne, G., 2014. If You Want to Learn How to Tell a Story, Edit a Documentary. [Online]

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June 1, 2016June 2, 2016

Nedomansky, V., 2015. The Editing of MAD MAX: Fury Road. [Online]

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June 1, 2016June 2, 2016

Dancyger, K., 2007. The Technique of Film and Video Editing: History, Theory, and Practice. 5th ed. s.l.:Taylor & Francis.

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June 1, 2016June 2, 2016

Mulholland, K., 2014. 10 tips for editing video. [Online]

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June 1, 2016June 2, 2016

Anon., n.d. College Film & Media Studies a Reference Guide. [Online]

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June 1, 2016June 2, 2016

Renée, V., 2013. Pudovkin’s Montage: 5 Editing Techniques That Speak Louder Than Words. [Online]

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June 1, 2016June 2, 2016

Evans, L., 2007. Scott McCloud Book Review. [Online]

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June 1, 2016June 2, 2016

Burgess, A., 2011. Early Soviet Cinema and Eisenstein’s theory of Montage. [Online]

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June 1, 2016June 2, 2016

aldens blog o flightning, 2012. Thoughts on Montage and “A Dialectic Approach to Film Form by Eisenstein”. [Online]

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June 1, 2016June 2, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 Film Form: Essays in Film Theory . Harvest, London. “A Dialectic Approach to Film Form”, pp.45-62

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June 1, 2016June 2, 2016

McCloud, S. 1993 Understanding Comics: The Invisible Art , Tundra, USA (Specifically “Chapter 3: Blood in the Gutters”, pp60-93)

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June 1, 2016June 2, 2016

Pearlman, K. 2009 Cutting Rhythms , Focal Press, MA USA (Especially “Chapter 9: Style”, pp. 153-180)

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June 1, 2016June 2, 2016

Murch, W. 1995 In the Blink of an Eye, Silman-James Press, CA USA (Especially pp.5-22 & pp.57-63)

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Dmytryk, E. 1984 On Film Editing, Focal Press, MA USA

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June 1, 2016June 2, 2016

Pudovkin, V. (trans Montagu, I.) 1954 Film Technique and Film Acting. Vision, London. (Especially pp.38-47)

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June 1, 2016June 2, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 Film Form: Essays in Film Theory. Harvest, London. (Especially “Methods of Montage”, pp.72-83)

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Recent Posts

  • Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.
  • Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

Recent Comments

  • ryantaylor on Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)
  • ryantaylor on Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • ryantaylor on Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • ryantaylor on Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • ryantaylor on Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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