May 23, 2016 Reid, Mark. “Cinema, Poetry, Pedagogy: Montage as Metaphor.” English Teaching: Practice and Critique 4.1 (2005): 60-69. Web. Continue reading →
May 23, 2016 Cowan, Michael. “The Heart Machine: “Rhythm” and Body in Weimar Film and Fritz Lang’s Metropolis1.” Modernism/Modernity 14.2 (2007): 225-32,234-248. Web. Continue reading →
May 23, 2016 Prince, S., and We Hensley. “THE KULESHOV-EFFECT + FILM EDITING AND RUSSIAN FILM HISTORY – RECREATING THE CLASSIC EXPERIMENT.” Cinema Journal 31.2 (1992): 59-75. Web. Continue reading →
May 23, 2016 Bordwell, David. “The Idea of Montage in Soviet Art and Cinema.” Cinema Journal 11.2 (1972): 9. Web. Continue reading →
May 23, 2016 Suhr, Christian, and Rane Willerslev. “Can Film Show the Invisible?: The Work of Montage in Ethnographic Filmmaking”. Current Anthropology 53.3 (2012): 282–301. Web… Continue reading →
May 23, 2016 Young, Colin. “Observational cinema.” Principles of visual anthropology (1975): 65-80. Continue reading →
May 23, 2016 Berressem, Hanjo. “Actual Image | Virtual Cut: Schizoanalysis and Montage.” Deleuze Studies 5.2 (2011): 177-208. Web. Continue reading →
May 23, 2016 Sheehan, Thomas W. “Wittgenstein and Vertov: Aspectuality and Anarchy.” Discourse 24.3 (2002): 95-113. Print. Continue reading →
May 23, 2016 Lawton, Anna. “Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema”. Pacific Coast Philology 13 (1978): 44–50. Web… Continue reading →
May 23, 2016 Enns, Clint. “NAVIGATING ALGORITHMIC EDITING: ALGORITHMIC EDITING AS AN ALTERNATIVE APPROACH TO DATABASE CINEMA.” Millennium Film Journal (2012): 66-72. Web. Continue reading →
May 23, 2016 Hildebrandt, Toni. “The Profanation Of Montage: Pasolini’S Allegorical Death/Cut In The Sequence-Shot”. Senses of Cinema. N.p., 2015. Web. 25 Mar. 2016. Continue reading →
May 23, 2016 Bazin, Andre. “Bazin On Superimposition”. Film-philosophy.com. N.p., 2016. Web. 25 Mar. 2016. Continue reading →
May 23, 2016 Ansen, David, and Sawhill, Ray. “The New Jump Cut: Digital Editing Is Revolutionizing the Way Films Are Made and Look. It’s Also Creating Havoc.” Newsweek 128.10 (1996): 64. Web. Continue reading →
May 23, 2016May 23, 2016 Chew, Richard, Anne V. Coates, Alan Heim, Joe Hutshing, Walter Murch, Pietro Scalia, Arthur Schmidt, Thelma Schoonmaker, Tim Squyres, Christopher Tellefesen, and Dylan Tichenor. “The Art and Craft of Film Editing: A Critical Symposium Featuring Commentary by Richard Chew, Anne V. Coates, Alan Heim, Joe Hutshing, Walter Murch, Pietro Scalia, Arthur Schmidt, Thelma Schoonmaker, Tim Squyres, Christopher Tellefesen and Dylan Tichenor.” Cinéaste 34.2 (2009): 54-64. Print. Continue reading →
May 23, 2016 Magliano, Joseph P., and Jeffrey M. Zacks. “The impact of continuity editing in narrative film on event segmentation.” Cognitive Science 35.8 (2011): 1489-1517. Continue reading →
May 23, 2016 Orpen, Valerie. Film editing: The art of the expressive. Vol. 16. Wallflower Press, 2003. Continue reading →
May 23, 2016 Peters, Oliver. “EXHILARATION AND INVISIBLE EDITS.” Digital Video 22.12 (2014): 44-47. Print. Continue reading →
May 23, 2016 LoBrutto, Vincent. “”Invisible” or “Visible” Editing: The Development of Editorial Styles and Strategies.” Cineaste 34.2 (2009): 43-47,11. Web. Continue reading →
May 23, 2016May 23, 2016 “Editorial: The Art and Craft of Film Editing.” Cineaste – America’s Leading Magazine on the Art and Politics of the Cinema 34.2 (2009): 1. Web. Continue reading →