In this chapter, Zettl thoroughly explains a number of montage styles including collision montage; the effect of placing two opposing shots next to one another to emphasise or create or create an idea or feeling. He describes collision montage as having a similar principal to Haiku poetry in that “In it’s rigid minimalist structure, it implies a larger picture or concept than its lines actually contain.” (Zettl.pg.405) A main concept Zettl discusses is analytical montage which he describes as shots organised for the purpose of making the audience consider the thematic and structural element. Analytical montage is then broken into two types; sequential analytical and sectional analytical montage. Sequential analytical montage demonstrates cause and effect. It takes the key developmental moments from events and places them in original sequential order. Zettl explains sectional analytical montage as independent of cause and effect. It is designed to express the complexity, intensity, emotional power and overall quality of an event by putting the progression of the event on hold and analyse the event from a number of perspectives. Zettl also mentions that the first shot of a montage can set an intended emphasis, display the tone or put it in context and that the order of the shots can be important if you want to provide point of view (POV). He also brings in the concept of audio/visual montage and how audio can reinforce or juxtapose the shot sequence. All in all, this is a very helpful and comprehensive text that will be helpful in the review.