Allen, R & Gomery, D 1985, ‘Reading film history’, Film History: Theory and Practice, McGraw-Hill Companies, pp. 43-64
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This article talks about the history of aesthetics of cinematography. For many film historians, the history of aesthetics is a means of identifying and evaluating the great works of art which have produced in the past. Gerald Master thought people who study the history of film from the angle of aesthetics have no need to care about the production or the receiving environment, their purpose is based on the work. The subject of aesthetic film history is limited to those films that belong to real art.
This article mainly discusses aesthetics of cinematography. Only when I know more about aesthetica of cinema, I am able to understand film better.
This article talks about the history of aesthetics of cinematography. For many film historians, the history of aesthetics is a means of identifying and evaluating the great works of art which have produced in the past. Gerald Master thought people who study the history of film from the angle of aesthetics have no need to care about the production or the receiving environment, their purpose is based on the work. The subject of aesthetic film history is limited to those films that belong to real art.
This article mainly discusses aesthetics of cinematography. Only when I know more about aesthetica of cinema, I am able to understand film better.