Prealman, K. 2009, Cutting Rhythms, Focal Press, MA USA, pp. 153-180
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The author mainly illuminates the editing style from the four different aspects, which are Montage, decoupage and collision, linkage. In this article, the Montage refers different meaning that compare with the French one. It concludes the whole of editing operations. In other word, it makes images and sounds in unrelated time and space to create an effect, an idea, an impression. Also, the audience is able to get different message through their own experiences. On the contrary, the decoupage is different with the usage of montage, it is the cutting up of things that could have unfolded in a single continuous time and space. The theory of Collins mentioned by Eisenstein. He was inspired by associationism, so he believed that the conflict of two shots might create new idea depending on people’s imagination ability. However, Pudovkin mentioned the linkage theory. With
The author mainly illuminates the editing style from the four different aspects, which are Montage, decoupage and collision, linkage. In this article, the Montage refers different meaning that compare with the French one. It concludes the whole of editing operations. In other word, it makes images and sounds in unrelated time and space to create an effect, an idea, an impression. Also, the audience is able to get different message through their own experiences. On the contrary, the decoupage is different with the usage of montage, it is the cutting up of things that could have unfolded in a single continuous time and space. The theory of Collins mentioned by Eisenstein. He was inspired by associationism, so he believed that the conflict of two shots might create new idea depending on people’s imagination ability. However, Pudovkin mentioned the linkage theory. With