UNDERSTANDING MEDIA, 2008, Introduction to Montage, viewed 18 March 2016,
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In this article, invisible editing is discussed very specifically. Invisible editing is the way widely known in filmmaking. It is used all over Hollywood. ‘The cuts are intended to be unobtrusive for special dramatic shots’. The continuity techniques are mentioned in the article are matching screen direction, position and temporal relations from shot to shot, motivated cuts, the 180 degree rule, shot and reverse shot, eye-line match and sound bridging. In addition, 3 guidelines about editing are discussed. The first one is cut when it is motivated. The second one, cut on subject movement whenever possible. Audience tends to not notice the cuts because they are catching up with the actions. The third one, close-ups would be a good choice to avoid the missing in video images when it comes to television system. However close-up doesn’t work too much on light comedy.
This article points out the methods of invisible editing, which is a very useful learning source for me. Also the guidelines of editing are also an inspiration on my filmmaking. It discussed more than this, it also has a very specific discovery on montage methods and theory. Every part in this article is organized, systematically and specifically listed. In the end, it provides readers with plenty of resources of contemporary montage sequences.
The way of editing mentioned in this article is a big and useful resource for me to learn from. The plenty of montage sequences are also very useful and supportive for my research on montage. Watching more examples can help me effectively learn and master more.
In this article, invisible editing is discussed very specifically. Invisible editing is the way widely known in filmmaking. It is used all over Hollywood. ‘The cuts are intended to be unobtrusive for special dramatic shots’. The continuity techniques are mentioned in the article are matching screen direction, position and temporal relations from shot to shot, motivated cuts, the 180 degree rule, shot and reverse shot, eye-line match and sound bridging. In addition, 3 guidelines about editing are discussed. The first one is cut when it is motivated. The second one, cut on subject movement whenever possible. Audience tends to not notice the cuts because they are catching up with the actions. The third one, close-ups would be a good choice to avoid the missing in video images when it comes to television system. However close-up doesn’t work too much on light comedy.
This article points out the methods of invisible editing, which is a very useful learning source for me. Also the guidelines of editing are also an inspiration on my filmmaking. It discussed more than this, it also has a very specific discovery on montage methods and theory. Every part in this article is organized, systematically and specifically listed. In the end, it provides readers with plenty of resources of contemporary montage sequences.
The way of editing mentioned in this article is a big and useful resource for me to learn from. The plenty of montage sequences are also very useful and supportive for my research on montage. Watching more examples can help me effectively learn and master more.