Cowan, Michael. “The Heart Machine: “Rhythm” and Body in Weimar Film and Fritz Lang’s Metropolis1.” Modernism/Modernity 14.2 (2007): 225-32,234-248. Web.
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This article examine the relationship between rhythm and montage as a new means of cinema during the early 20th century. It references specific director’s such as Ruttman to analyse how their style evolved with the notion of montage itself. Cowan also looks at the idea of modernity and how that developed out of these techniques and practical film theories.
This article examine the relationship between rhythm and montage as a new means of cinema during the early 20th century. It references specific director’s such as Ruttman to analyse how their style evolved with the notion of montage itself. Cowan also looks at the idea of modernity and how that developed out of these techniques and practical film theories.