Tagged: symposium

A Not So Happy Ending

Photo: Pedro Ribeiro Simoes via Flickr
Photo: Pedro Ribeiro Simoes via Flickr

Right. I know I should have been doing homework all evening, but it was Tight Arse Tuesday at Village Cinemas and I’ve been dying to check out Gillian Flynn’s Gone Girl all month. I read the novel at the end of last summer, and I have to say I was quite disappointed. I’m not sure why, I think I expected something different, something more satisfying, a happy ending maybe? Gone Girl definitely didn’t leave me feeling happy, but rather erked.

I thought it was worth mentioning Gone Girl in this blog as I found its unconventional narrative somewhat in-line with discussions we’ve had about narratives this semester.

Narrative is something worth thinking about when considering the contemporary media environment, and the idea that conventional narratives found in traditional stories and films underpin many an expectation for life, is something that’s stuck with me this semester.

For me, Gone Girl is a new kind of story that forces us to reposition narrative, with the only alternative being to resist this process. Perhaps my initial resistance to unconventional narratives is what motivated my dislike of the story to begin with? Perhaps not, but something I’ve noticed about myself after this semester’s talk on narrative is that it’s okay to accept new and different structures. After all, this is the environment we’re living in.

If you haven’t seen Gone Girl I would highly reccommend it. You can see the trailer here. It’s a little freaky (and you’ll probably be thinking “WTF?” at the end), but its’ definitely a story made for the cinema.

As for happy endings… well that’s for you to decide.

Is Anything Neutral?

Photo: Alba Soler via Flickr
Photo: Alba Soler via Flickr

During the Week Eight lecture Adrian pondered the question of whether technology, namely the Internet, is neutral. This is an interesting question because in order to develop an answer for you it you have to first decide what neutral means.

Whenever I think of the word neutral I think about those psychometric tests I’ve done for different things in my life. Whether it be a job, study etc., these tests always present totally random questions that are so hard to answer that you’re forced to respond by ticking the neutral box instead of strongly agree, agree, disagree or strongly disagree. Therefore, to say you are neutral means you have no feelings about the question at all, and you somehow sit unmoved and in-affective.

I don’t think the Internet is like this. Perhaps for those people who’ve never seen a computer before, the Internet may seem a completely useless thing. However, that doesn’t mean it’s neutral. It’s not neutral because the fact that a person may not be able to navigate the Internet does not mean to say the Internet has no affect on that person. Feelings of contempt for Westernisation, lack of education or intimidation may be brought on by a person’s lack of know-how when it comes to using the Internet.

Hence, the relationships between people and the Internet are more complicated that we think. The Internet is not simply coercive to some and neutral to others, it actually has a different relationship with different people that is constantly changing according to various factors.

With this in mind it’s hard to imagine anything at all that is truly neutral. To be truly neutral would be to have never had any contact with anything else in the world, ever. To me, existing alone, with no relationship to anything else seems impossible.

By the same token, things that don’t affect other things always have a connection – effect – on something else. Everything around us is connected to something else. The Internet, the floor, the TV, the hairbrush, event dust!

Nothing exists independently. Nothing is neutral.

Freedom Without Narrative

Picture: Joey Gannon via Flickr
Picture: Joey Gannon via Flickr

The Shields reading from week seven sheds some important light on the limitations that narratives and plots impose on readers of books.

Shields says, ‘the absence of plot leaves the reader room to think about other things’. This idea leads on from my previous post quite nicely, as it expands on the view that the contemporary media environment (the Internet), which is an unconventional and shapeless form, offers us multiple new ways of thinking about things.

Furthermore, traditional communication forms such as books and films with plots and narratives encourage people to believe that life works in the same way. Shields says, ‘conventional nonftion teaches the reader that life is a coherent, fathomable whole that concludes in neatly wrapped-up revelation’. But this is simply not the case, and therefore through understanding a new media environment that abandons plot and narrative, society may start to develop more realistic expectations of life.

Shields has hope in the fact that the Internet, with its plotless content, will lead us towards a society that thinks beyond what traditional communication formats have prescribed. He sums it up quite well when he says, ‘nonfiction, qua label, is nothing more or less than a very flexible (easily breakable) frame that allows you to pull the thing away from narrative and toward contemplation, which is all I’ve ever wanted’.

However, Shields’s view is not met with so easily. Rebecca believes that plot creates a necessary pattern, while George has picked up Shields’s vision that the reader of plotless content acts as an editor as they organise information in their own way.

Shield’s argument is an interesting one to explore as it can be linked to many new ideas and ways of thinking, kind of like the contemporary media environment.

The Meaning of Words

Picture: Chris Blakeley via Flickr
Picture: Chris Blakeley via Flickr

Author control is an interesting idea when you consider that words can mean different things to different people. How can we guarantee the same words will be interpreted in the same way every time a book is read? We simply can’t.

If this is the case, it seems to be a common assumption that authors have complete control over their work, and to a certain extent this is fair. Authors can indeed pick and chose the words they use, but they can never guaratee the words will always mean the same thing.

In today’s symposium Adrian said: “A word only means something by virtue of what it isn’t”. Therefore, a word has no built-in meaning and can never be judged for what it is, because it isn’t anything. This is quite a mind-boggling idea, but Mia elaborates on this quite well. Words are given meaning and feeling by those who read them and interpret them. In this light, no author has ever had control over the messages conveyed in their writing.

In considering what’s at stake for authors whose work has entered a multi-mediated communication environment (the Internet), the idea that words are only given meaning once they’re interpreted is an important one. If authors never really had control over their writing in the first place, then nothing has changed. The only difference is that readers are able to navigate the words differently, making it possible for them to generate more meanings than traditional forms (books) have previously allowed.

I’m struggling to see the harm in this. Perhaps there is none, and maybe if we start to let go of the feeling that we’re always losing something, we might begin to understand what we can gain from embracing the contemporary media environment.

Shape Shifting

Picture: Laura Redburn via Flickr
Picture: Laura Redburn via Flickr

In today’s symposium Adrian said: “If everything is equally distanced apart it doesn’t have a shape”. Unlike a book with consecutive pages, an extensive network of nodes connected by hypertext have no shape at all because not one node takes priority over another, they are all on a level playing field.

This concept is interesting and lends itself well to Douglas’s idea about interactive reading. The internet allows readers to choose where she/he wants to go while the story still makes sense, but if a reader of a novel were to dive straight into the middle of a book the chances are the story would not make sense at all.

I think we can attempt to create shapes for things that are shapeless. Take life for example, it doesn’t have a shape, but we write books, draw graphs, take photos etc, to give it some kind of tangibility, and all so we can make sense of it. Things with a shape are things we understand.

So where does this leave the internet?

It might be possible that hypertext is paving the way to understanding things that are shapeless. Perhaps as revolutionary as understanding a world that is round and not flat.

The Language Of Code

Photo: PictureYouth via Flickr
Photo: PictureYouth via Flickr

After today’s symposium, I was thinking about how we learn network literacy. Adrian mentioned that most network literate individuals are completely self-taught. If this is the case, then it’s more important than ever to make sure young people in particular, are interested enough in the internet to teach themselves the language of code.

This evening I ate spaghetti Bolognese with my 14-year-old sister, who has become a very keen blogger over the last six months. I told her I was doing a blog for uni and that I needed help understanding how to install certain widgets. I felt very old having my little sister – almost a generation younger than me – explain this. Nevertheless, her advice was excellent.

After dinner my sister got chatting to me about how she did this, that and the other with her blog, and how when she started out she had nothing but a “white page with a bit of writing on it”. She then proceeded to tell me that in order to custom her blog she had to code certain things. Say what? “Code? When did you learn to code?” I asked. She answered: “Sophie and me sat down for a whole weekend and looked it up on YouTube. We made a big document with all the code on it so we wouldn’t forget”. Well, I have to say that I was suitably impressed.

I think my little sister is quite unique – and not because I love her to pieces – because blogging is not something she was introduced to at school, and it doesn’t seem to be something many of her peers are doing, except Sophie. She taught herself some code so she could communicate her interests in the contemporary media environment, and I feel this will hold her in great stead for the future. She’s lucky that she doesn’t need school to teach her things.

Why don’t they teach blogging at school? It would be a fantastic way to teach kids network literacy, while allowing them to express their interests. Sadly however, I think Adrian was right today when he said that schools are deeply frightened of the internet and its power, which causes them to restrict students’ interaction with it.

Is The Internet Costing Us Our Freedom?

The questions raised in this week’s symposium were centred on the importance of the Internet in our lives, and how we can use/teach it better.  As Adrian mentioned in the very first symposium, network literacy, whether we like it or not, is paramount to not only a career in the media, but to life in general.

It’s incredible how much we use the Internet in our every day lives, instant messaging, Facebook, email, research etc. In fact, there is an expectation that you are connected to the World Wide Web in some way or another, making it a difficult choice to disconnect.

I was born in the 80s and grew up in the 90s so I remember very clearly what life was like before the Internet. We had library lessons every week where we leant how to use catalogue systems, people sent letters to each other, my mum had a work pager, and when we had nothing better to do with ourselves we played outside.

My younger sister on the other hand, was born in the year 2000 and has never known a life without the Internet. This makes me feel a little sad for her because in a world where online connection is pretty much unavoidable, my sister will never experience the simplicity of life pre-Internet.

But maybe there is a small glimmer of hope.

Is it possible to quit the internet? Paul Miller did it and has some very interesting lessons to share about his experience, which without the Internet we wouldn’t have the opportunity of knowing. I have embedded the video below, it’s well worth the watch if you have a spare eighteen minutes.

I feel privileged to have known what life was like before the Internet, but I feel that in the media environment of today it is necessary to be connected. However, it doesn’t have to cost us our freedom. As Paul Miller said in his TED Talk, find out what’s important to you and use the Internet to do that thing. We are in control and we can choose to prevent the Internet from ruling us. In this way we can have the freedom of the pre-Internet age and the advantages of an online presence.


 

Rhyme or Reason?

Tuesday’s symposium left me feeling a little unsettled.

How can a story not have a beginning, middle and end? Isn’t this the intrinsic pattern of everything?

Adrian made a helpful point in his blog post on Tuesday evening; if a book were not bound together with each page numbered, how would we make sense of it? How would we distinguish its beginning, middle and end?

This made me think of a children’s game that allows kids to create their own story. The best way to describe this game is to imagine a picture book with its binding and page numbers removed. Children are then free to arrange the story’s pages in whatever way they like. For example, what was once a middle might become a suspenseful end, or the beginning might start with the end, and so on.

Source: Flickr
Source: Flickr

If we forget about the conventions of a book we are free to create the meaning of our choice. The point I am trying to make here follows on from what Adrian said in Tuesday’s symposium; language can override reason (the reasonable conventions of a book i.e. beginning, middle and end) even though most of us think that reason comes first.

Laura Doguet’s post on this week’s symposium points to the internet as a contemporary communication platform that exists without traditional conventions, like a book without binding and page numbers. Does this mean the internet allows us to freely arrange (or rearrange) meaning in a similar way to the children’s game I mentioned earlier?

I will stop now before I completely confuse myself, but I think this is an interesting way to think about language and reason.

Knowing How and Knowing What

Source: Flickr
Source: Flickr

An important distinction made in week one’s symposium was between tacit and explicit knowledge. Essentially, this is the difference between ‘know how’ (tacit) and ‘know what’ (explicit).

Tacit knowledge, or knowing how to do something is not easily communicated. I like to think of it as something the body just knows how to do.

On the other hand, explicit knowledge is something that’s easily communicated. You could say the majority of what we learn at university is explicit knowledge.

Something I’ve always known how to do is sing. I never learnt how to do it, it just came naturally to me from a young age. I know many people who’ve had singing lessons and developed their voices to a decent level, but I think there’s an obvious difference between a person who can sing naturally (tacitly), and a person who has learnt how to sing (explicitly). The quality is different. I know this makes me sound like a singing snob, but it is what it is.

In my opinion tacit knowledge is special because it can’t be taught. Anyone who is somewhat determined can go to uni and gain explicit knowledge, but tacit knowledge allows people to be individuals with unique talents.

Here are some more examples of tacit knowledge Ten Examples of Tacit Knowledge

I’d love to know your thoughts. Do you think tacit knowledge can be taught?