Jamie on the Douglas reading and the difference between us changing our interpretation of something each time we read it, versus the thing we are reading each time we read it. Meanwhile Niamh sees that hypertexts are more complex than choose your own adventure books, and that they are fluid rather than fixed. Excellent summary from Anna, picking up key points. Cassandra is, well, more shocked I think. The point is not take an existing book and turn that in hypertext (that is like treating cinema as filming plays) but to think about what a story that began from the condition of hypertext might be. This is the key difference. Books that work well as books won’t work well as hypertexts, just as we can argue whether the film version is any good or not. Rebecca remembers choose your own adventure books to, though of course these don’t change, just our pathway changes, which is an important difference. James on the Douglas reading and books and futures. Marina on the changed role (and authority) of the reader in hypertext – and by implication other multilinear narratives. Kiralee is interested in the idea of a story where the reader has some agency.