Kylie with good notes about Korsakow and interface making. Imogen has notes about making a K-film, and Edward has notes from the tute that, well in the context of the tute, are a good prompt to remember. Imogen with observations on using Korsakow.
I’ve made a k-film that is very linear. Well, not linear, you can listen and view the clips in any order you like, but it is not so much a k-film as using Korsakow to collect some screen casts together where I go over some things to think about in relation to making your k-film projects. This was made using Korsakow 5.0.4, and I’ve included a playhead in the interface which shows you where in the clip you are. The advantage of this is that it immediately tells you how long a clip is, since if the playhead progresses very slowly then you know it is a long clip (and vice versa). Continue reading
Axel writes about Almost Architecture, a substantial K-Film about signage and the city (Matt Soar has a research interest as a designer in signage and collects the old building signs of Montréal), noting the importance of use of the soundscape. Sound, in my experience, is one of the things that is often overlooked but makes an enormous difference. Prani looks at Bear 71, a high end interactive documentary that does an intriguing mix of data, location, and ecology. Imogen meanwhile explores two interactive documentaries that aren’t made in Korsakow, seeing what sorts of things are done, being done, and what they’re about and how. Henry watches two student works and is impressed, one is an abstract consideration of collage and time, the other uses a simple, repeatable premise to make an intimate observational work. Natalie has some good comments and observations about another student film -these are great models of what you need to do for the short essay. Axel wonders about themes and consistency in some of the works viewed (good questions), and the importance of the interfaces designed and used.
James likes Born to Die, a student film from 2012. I haven’t invited you to look at previous work like this before, and I’m not sure if it will make any difference to anything, but in general I’m surprised by the generally positive response to previous work. Confusion is a recurring comment, but this, of itself, is neither a good or bad thing. Kate looks at Ennui and uses de Bono’s hats to do the work.