Emily on thumbnail points from the questions. Sam discusses, positively, Thalhofer’s The and the Greeks example that was touched upon. Troy muses about what experimental films might offer, and I’d suggest more broadly being able to develop ways of ‘experimenting’ – however that might be – is a simple and valuable way to develop a creative practice (it is hard to be genuinely creative if a return on investment is the primary motivating factor to what you do). Tony has a well considered post about interpretation and the experimental, and nicely considers that in a Korsakow film is a way to build different things from the same footage.