via Instagram http://instagram.com/p/gC3KlKR4Ik/
via Instagram http://instagram.com/p/f3r5ttR4Ez/
This week was our last symposium; an eventful, solemn yet exciting time that demonstrates our Networked Media journey coming to a close (in this course that is). I definitely enjoyed the ceremonial closing theme to the lecture as it felt like the end of an era not just a lousy week 11 lecture.
Firstly was the blog database program which was an amazing non-fiction text that really demonstrated the network and its vastness. You could search emotions à gender à age group à weather à country to find a very specific blog post of your desire. Pretty neat hey! But to be honest it did make me a little scared and sad that there were so so so many blog posts out there that are clearly so important to that person but are the tiniest blip on the blogosphere and network radar.
Here are my notes from Adrian’s powerpoint:
- Again, we must become active knowledge creators, not slip into being passive consumers
- Journalism à what’s it for? It was originally created for an economy of scarcity but in today’s online world that’s been completely diminished; so what can journalism do to stay afloat?
- Triple R was created solely because there was no other place to listen to alterative music on the radio; every other station played top 40 crap. The thought of having no access to a certain type of music these days is totally mind boggling. The economy of scarcity is gone. So what’s Triple R now?
Networked Media has been experimental learning which is easy enough to assume seeing as there’s so much debate about what the network even is!
- Double loop learning à our assumptions are what need to be recognised and reworked; what need to be less passive with our learning and thinking
- Design fiction à looking backwards only gets you so far; looking forward is when you learn the most, particularly in the digital age
- Hypertext à we’re so deeply immersed in print, so hypertext is a good way to introduce disruption and change and make us question: what is a writer? What is a text?
- Networks à scale free, dense nodes emerge that make it easy to get from any node to another, and a describable and understandable structure emerges because some nodes become more connected than others
- Protocol à about communication between peers à there is no head office or centre to the Network or permission needed to say what we say; we must engage and participate and learn the social and technical rules to the game.
- Databases à how we store lists of things; stories have an order; databases separate content from presentation and do not have to use or rely on cause and effect
And finally Adrian’s closing points about the network:
- We are not the centre of anything
- We share agency with non sentient things
- Meaningful structure always emerges
- Communicative relationships are at its heart à between parts of a single text, between texts (blogs, emails etc.), between systems and services (Twitter – Instagram), between people and communities
This is my last symposium blog post; a truly bittersweet victory.
via Instagram http://instagram.com/p/fi0lXjR4O6/
I’ve been really thinking about getting a Twitter. I have a sharp wit, grandiose social networking skills and a yearning thirst for pop culture. So am I twitter material?
It’s funny enough that it’s a big decision whether or not I can twitter. I think the main thing stopping myself is the constant fear of rejection… What if nobody follows me??! What if nobody re-tweets me (whatever that is)?? What if I can’t find my tweeteriffic voice and get lost in the bunch of half-assed pop culture references? The funny thing about social networking is that it thrives on an economy of acceptance and affirmation. The whole concept of ‘liking’ something has emerged from a casual thumbs up to what somebody’s doing online (hey, that’s pretty cool!) to a IF I DONT GET THIS MANY LIKES THEN NOBODY LOVES ME AND IM GOING TO FAIL AT EVERYTHING I EVER ATTEMPT FOR THE REST OF MY LIFE
Which is pretty terrifying. We’ve kind of emerged into creatures that thrive on acceptance (in the form of a button click from your peers); I know I have in some ways. I love when a joke I’ve made gets a lot of likes, it’s definitely confirmation that I’m pretty funny. Or a picture with heaps of likes will make me feel pretty. This is pretty sad, but it’s the way things are these days. There are Facebook famous people who have 300+ likes on their profile pictures, and they’re the envy of so many girls who feel not quite as attractive or accepted as them. But are these people really happy? I know a girl who has a few hundred likes on a particularly revealing profile picture and she’s shown me some of the perverted disgusting messages some random people have sent her and claims it’s not that big a deal that she’s got that many likes. We’ve reverted to being media whores who need to sexualise, publicise or promote ourselves in order to fit in.
So, should I get twitter? Or is that what society wants me to do…………….?
via Instagram http://instagram.com/p/fW1Xa5x4NB/
via Instagram http://instagram.com/p/fWsS_bR4EV/
via Instagram http://instagram.com/p/fVIRYvR4Di/