For our most recent project (and the most recent iteration of the portrait saga), I chose to create a two minute portrait of my father. For this project, as there has been with with each one previously, there has been a unique ‘catch’, found footage must be utilised throughout the project.
As with each project there has also been a reflection required, so here’s mine;
Looking back on the piece I feel that the found footage I chose to match with the audio really linked together to create an entirely new meaning, a more childlike hope and sense of wonderment, as I felt that was the essence of my father that I was trying to capture. I also feel that the photographic components worked really well in the piece and aided in creating this mood drastically. This was the first time I created a timelapse video and utilised stop-motion to create movement on a large scale, and I think that both processes worked really well.
The most problematic aspects of the project for me were the audio and the interview process. I found it very difficult to edit the interview I did with my father as he is a very fast talker, and generally didn’t leave me any space to cut the audio cleanly, which made some clips sound rougher and more clipped than others. I also discovered very quickly into the interview process that some of the questions I had written down were too open ended, as answers would stretch on for around ten minutes each. This gave me around an hour and a half of footage to edit for the interview, which was very difficult to break down to just two minutes of material.
I found that the use of found footage allowed me to take the essence of the piece to the level and the attitude of my subject, allowing me to hopefully instil the audience with as much hope and enthusiasm for the future as my father has.
While I did borrow and use the Zoom H2N recorder to record the ambient noises around my dad’s work area, I later discovered, after returning the device, that the recordings were not very useable without alteration, and also realised that just my father’s words by themselves were powerful enough, so I decided to let his words and the imagery speak for themselves, as opposed to over-saturating the piece.
Through this piece I really wanted to experiment with the linking of the visual and the auditory, creating meaning through these created links, as well as cuts between footage. I really wanted to utilise match cuts to link the two parts of the ‘story’, so I matched an image of a rocket flying with the 3D printer, printing a rocket, which was a new idea for me but I think worked really well. I feel I really achieved my goal of creating a new meaning through editing, and brought through the essence of my dad’s persona.